The Silence of the Lambs by Thomas Harris Essay

Have you ever read a book that continued to keep you interested in what's going to happen next? You get lost in the book trying to figure out what's going to happen before reading on. This happens often in novels that have a lot of suspense like Richard Connell’s “The Most Dangerous Game” or Tobias Wolff’s “Hunters In The Snow.” The fact that they both have suspense is often the only similarity people can think of. There are many similarities and differences in them both that get ignored such as similarities and differences in the plot, theme, and characters.

The 1960 Alfred Hitchcock classic thriller, Psycho and the psychological thriller novel, The Talented Mr.Ripley by notable American author Patricia Highsmith both challenge the audience’s perception of the noir protagonist through pronounced exploration controversial themes via the. Through the use of a range of stylistic features, the authors aim to blur the line between innocence and guilt in order to develop a false sense of empathy for the protagonists Tom Ripley and Norman Bates (Anthony Perkins). Characterisation of both of these protagonists, used in a way that forces the audience to connect with them and adopt an controversial point of view, transforms the audiences perception of how the murderer of a psychological thriller should behave. Hitchcock uses

Suspense is a detail that many horror writer use to catch the attention of many readers and keep them holding on till the end. Just as W.F. Harvey does when creating suspense in his story August Heat. Mr. Harvey used three methods to create his suspense for his story, foreshadowing, withholding information, and reversal. With these three methods he is able to make the reader feel like, “ We may even hold our breath without realizing it as we read on eagerly to find out how the story ends”(Source 1).

Horror is the genre that keeps the reader on their toes for nights upon end. It keeps them thinking. Thinking about how cruel and disturbing someone, or something, could possibly be. Thinking about what in the world happens to a character after the story drops off in a cliffhanger. Thinking about the probability that the events in the narrative could transpire in real life. Thinking about how likely it is for those things to happen to the reader. Refusing to look out their window in fear of seeing the glimpse of a murderous face, and listening to every sound with acute accuracy, praying that the noise is not one of a stranger creeping up the stairs. Scary accounts make the reader live in fear whenever the

The Silence of the lambs (1991) is in doubt a film which demonstrates a well-constructed horror film. The film, ranging with scenes, shots, and frames that were well constructed to be identified as horrific. The films cinematography shifts the films narrative and impacts the film, especially the film’s frames. It seems reasonable to suppose that from the film’s frames and of those of the characters expressions, they shape the film’s genre to be horrifying, psychological, and thrilling and they guide viewers towards where the film’s narrative will lead to. Therefore, even a single or series of frames in the film such as Hannibal Lecter’s evil smile, Buffalo Bill opening the door, Hannibal Lecter standing in his cell, and the dialogue between Agent Starling and Hannibal Lecter, act collectively to represent and symbolize claims about the film.

In the poems "The Lamb" and "The Tyger," William Blake uses symbolism, tone, and rhyme to advance the theme that God can create good and bad creatures. The poem "The Lamb" was in Blake's "Songs of Innocence," which was published in 1789. "The Tyger," in his "Songs of Experience," was published in 1794. In these contrasting poems he shows symbols of what he calls "the two contrary states of the human soul" (Shilstone 1).

In the sources the authors talk about suspense in stories they write. The suspense in the story could be how the author doesn’t give full detail or description on one or more characters. In the source “How do horror writers create suspense” by Percy D’Aco it shows that many horror stories often revolve around mayhem and the stuff in nightmares, and that great horror story often reflects a person’s biggest fear. Often authors like to keep the readers in suspense to scare them or make them want to keep reading and see how the story ends.

“For some time I sat in silence. Then a cold shudder ran down my spine.” That would be one example of how suspense is created throughout a horror story. There have been multiple authors which have made frightening stories and put a lot of work into them.Furthermore, as in the story, “August Heat” by W.F. Harvey, it is composed of suspense around the piece. A prime example would be the use of foreshadow, reversal, and being unpredictable. Therefore, combining the three makes the completion of a story with frightening scenes, along with the suspense.

Authors are good at making things pretty suspenseful. Authors create suspense by coming up with creepy twisted stories or writing about real ones. A suspenseful story is made with disturbing background stories that end up having a major twist at the end. Like in the story, “The Pedestrian,” by Bradbury, where at the end of the story the car said it was taking him to a Psychiatric Centre for Research on Regressive Tendencies. Then the main character Leonard Mead said, “That’s my house.”

The story uses a lot of details that are irrelevant, they create suspense. The details also make the story go slower and keep you reading longer. For example, it explains that everyone was waking up and eating their breakfast and drinking their tea. This detail is irrelevant but the reader does not know that yet. It makes the reader want to read on and find the detail's relevance. Suspense is a big part of a horror story.

Horror movies. The type of genre that gives a thrill of adrenaline, yet also gives nightmares late at night. Everyone has watched a horror movie at least once in their lives. And during the movie there is also a time in which the viewer just wants to punch the TV screen and call it quits. Whether it is because their favorite character just did something dumb, or because the ending was horrible, there is always a moment in which one thinks: I would have chosen a better option. I could have survived. In literature, it is often the same thing. Believe it or not, fear is a huge contributor to how the story goes; how it ends, and who dies. Fear either motivates the character to take action or, defeats them. But fear doesn’t act alone. Fear influences people, but what influences the fear? The answer is quite simple, no matter how shocking it can be. Just as love brings happiness, it also brings forth the poison of fear. Whether it is the fear of losing the person they love, or fear that they are no longer loved, both of them are huge contributors on how a character’s actions or decisions are influenced.

that it is not normal for her to look this way and there is a false

“The Heart of Darkness’’ by Joseph Conrad embeds several linguistic techniques to establish significant event in Marlow's life to shape his perception and invite open mindedness that he's never experienced before.

Throughout cinema, there has always been space in our hearts for the gore and intrigue that come from horror films. Though they come with different plots, there remains “the monster”, the character that brings along disgust, horror, suspense, and even sympathy. In Alfred Hitchcock’s Psycho (1960), our monster is Norman Bates, the boy next door. This was one of the first times in American cinema that the killer was brought home, paving the way for the future of horror movies. According to Robin Wood in “An Introduction to the America Horror Film” (183-208), Bates follows the formula of the Monster being a human psychotic. This is conveyed through his normal façade portrayed with his introduction, the audience’s ambivalence, the use of

In “The Call of Cthulhu,” H.P. Lovecraft makes use of a more psychological horror path, which is a major aspect of Lovecraftian horror. Psychological horror uses more suspense build up and shock than blood and gore. H.P. Lovecraft accomplishes this by using a buildup of suspense, not revealing the ‘monster’ till the end while hinting at what the ‘monster’ is throughout the story. H.P. Lovecraft writes the main character following his great uncle's manuscript and piecing together the puzzle of “the Great Ones.” H.P. Lovecraft also creates the sense of suspense by making the main character’s inner dialogue contain the main characters emotions and thoughts of suspect. Another example of the use of psychological horror is when Henry Anthony Wilcox dreams of “the Great Ones,” and experiences a period of mental breakdown that physicians could not identify. Once Henry Anthony Wilcox came out of the episode he remembered nothing, creating a shock factor, and making the reader ask “how did that happen?”