Paul Johnson utilizes monograph to recount the story of Sam Patch, an intoxicated working class spinner who got praised for leaping off waterfalls in the late 1820s. In spite of the fact that the chronicled record is spotty, Johnson arranges Patch inside an arrangement of more extensive subjects dependent upon the areas of his bounced. To start with, experiencing childhood in the factory town of Pawtucket, Johnson tells an account of seized patriarchy: Sam's father was a craftsman shoemaker who lost his business in the face of industrialization. This was some piece of a more extensive story of the rise of compensation work and diminishing area holding, both of which served to undermine the control and position of fathers. After the grown-up Sam Patch moves to Paterson, NJ, he does his first public/political hops. To begin with, he bounced to undermine the opening festival of a center privileged nature hold assembled by a neighborhood ambitious person who was attempting to prohibit the working population from his more cultured ideas of relaxation. Johnson utilizes the fairly interesting story of Sam Patch and his ascent to celebrity to investigate various expansive progressions happening in America throughout this time period. Industrialization, Rise of popular, self-made celebrity culture, Sam Patch as Jacksonian democracy - Whig vision vs. Democratic vision, Rise of wage labor mirroring decline of patriarchy are all wide-ranging changes that happen during the late
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The monograph revealed information over Sam Patch’s background of his family and particularly short overlooks of industrialization on the working class on America in the 1820’s. Sam Patch was a piece of one of the primary families that were making America's first material fabricate. He moved to Pawtucket with his mom, father and siblings when his family had been told by Samuel Slater of conceivable openings for work. Sam Patch started working in mule spinning which “required experience, along with a practiced mix of strength and a sensitive touch” (Johnson, 2003, pg.32). As Sam Patch was being formed by his work and workmates in the plants at a very young age, his father Greenleaf could not look for some kind of employment and began drinking. Later in the novel, as youthful Sam Patch awed his workmates, he became one of the primary American mule spinners. At the point when not working at the mill, Patch, alongside other Pawtucket young men, made thrill seeker jumps from Pawtucket Falls. The Pawtucket young men, Johnson composes, “all jumped in the same way[…]” (Johnson, 2003, pg. 39). To these young men, this was a talent—one that “called for bravery [...] self possession and a mastery of skills as well” (Johnson, 2003, pg. 39).
American Reformers, 1815-1860 goes into the social and political issues surrounding the Jackson Presidency. Ronald G. Walters effectively chronicalizes the reformation and radicalization of the main issues prevalent in early 19th century. These issues included slavery, alcoholism, women’s rights, religion and science. He explains how these issues led to the transformation of our country into what it is today and explains the reformers responsible for such radical change. He emphasizes the idea that every individual during this time period had some sense of radical reform ideology. These antebellum reformers worked to resolve the social and political issues plaguing the nation through reform and Ronald G. Walters eloquently depicts the reform movements of the early-mid 19th century. His work is very accurate and progressive in every sense.
The “Roaring Twenties” was a decade of American economy growth and consumerism following World War I. During this time period, Americans turned to sports as a form of entertainment and started to view athletes as stars. Among these athletes was a man named Lou Gehrig who played for the New York Yankees. Babe Ruth, a New York Yankee slugger, overshadowed Lou Gehrig for much of the twenties as he had a well known gift for hitting home runs. In addition, he best represented the ideology of the “Roaring Twenties” for he was a gambler, drinker, and partier (Evans 2016).
The Jacksonian period of 1824-1848 can also be celebrated as the era of the “common man” because it lived up to its expectations due to the impact it had on America’s politics. Jackson put
Andrew Jackson’s ‘Era of the Common Man’ or the ‘Jacksonian Period’ (1824-1845) starts at his inauguration, and ends as the Civil War begins. Jackson was the first president that was not born into wealth or education, but instead made his own wealth, and taught himself up to a prime education, a ‘self-made man’, as some may say, this and his military history made him the defining figure of his age. Although, he downplayed his past successes to make him more like the ‘common man’, and appeal to the voters, his past, and his future changes to political policies, economy, and the overall society, marks this special period as the Era of the Common Man.
Paul E. Johnson’s 2004 book Sam Patch: The Famous Jumper uses a mill worker’s personal background to relay a series of socio-economic changes that occurred during the 1800’s. The Industrial Revolution, for many, was the beginning of something new. Due to the development and proliferation of technology, the economic gain from the Industrial Revolution was formidable. Unfortunately, the working class was forced to endure hazardous working conditions. For Sam Patch— a nineteenth century daredevil exhibitionist with nothing to his name— leaping from tall cliffs was a form of visual oppression designed to challenge the authority of well-respected political leaders of the upper class. The ideology that a simple man rose to fame by performing acts that, by many, was considered foolish, contradicted the beliefs of the upper class. This publication highlights several broad changes that occurred during this time period. Society’s perception of fame changed dramatically. Sam Patch went from being a simple mill worker to being a celebrity overnight. This work also highlights issues regarding domestic textile industries, including poor working conditions and child labor. Sam Patch began working at the age of seven; that was not entirely uncommon during this time period. Children were subjected to dust-filled rooms that were either “hot in the summer or cold in the winter.” Furthermore, this book also emphathizes the growing hostility between the Whig Party and the Jacksonian Party.
Andrew Jackson was one of the most powerful and influential presidents of the nineteenth century. To many Americans in the 1820s and 1830s, Andrew Jackson was a champion of democracy, a symbol of a spirit of anti-elitism and equality of all people that was sweeping American life. In fact, many considered that Andrew Jackson did more than any other American of his generation to enlarge the possibilities of American democracy. In the twentieth and twenty-first centuries, however, historians have disagreed sharply not only in their assessments of Jackson himself, but also in their portrayal of American society in his era. The progressive historians of the early twentieth century tended to see the politics of Jackson and his supporters as a indication of their own generation’s battles against economic privilege and political corruption. As a result, Jackson is one of the most controversial presidents in American history. Although the portrayal of Jackson as a champion
In Cheap Amusements, Kathy Peiss studies the customs, values, public styles, and ritualized interactions expressed in leisure time of the working-class women living in New York. The social experiences of these young women gives different clues to the ways in which these women constructed and gave meaning to their lives between the years of 1880-1920.
In 1920s, America undergoes a period of cultural and social revolution. After the shocks by the chaos and violence of WWI, with a burst of economy which brought unprecedented levels of prosperity to the country, the generation turned into a lifestyle of wild and extravagant. Both published in 1925, the time when the jazz age at it’s peak, “The great Gatsby” by Francis Scott Key Fitzgerald and “Soldier’s Home” by Ernest Hemingway depict the fragmentation of the soared society by narrating the experience of characters.
In the American history, Sam Patch, famously known as Sam the jumper was referred to as a suicidal and melancholic drunkard whose fame was accredited to his adventure, which entailed leaping from waterfalls. Sam’s actions clearly showed that he was a daredevil, a showman, a stuntman and a risk taker. He is an exceptional example of how free minded and spirited the Americans were as an influence of industrialization. During the Early Republic Period (1800-1837), America experienced many changes that had an enormous effect on shaping the history of the country (Johnson, 349).
The motion picture Patch Adams revolves around the troubles a young man named Patch faces in his lifetime. Patch voluntarily admits himself to a mental institution and his experiences there convince Adams to become a doctor. When Patch enrolls at the medical college of Virginia, he is shocked at the cold, clinical professionalism that alienates patients from their caregivers. Determined to provide emotional and spiritual relief as well as medicine, Adams clowns around for his patients, getting to know them personally. His unorthodox approach to treatment and learning led to a continuous conflict between the Dean’s way of learning and Patch’s new unique and spontaneous way. Raising the question of, “How would John Stuart Mill judge the actions of Patch Adams and Dean Walcott in the society in which they live? Drawing on the book On Liberty, I will argue Patch’s actions of nonconformity were legitimate as he possesses self-regarding action and I will conclude that Patch’s individuality is needed in the cultivations of social progress. In addition, I will claim
Howell’s realistic fiction , A New Hazards of misfortunes entails a lot about society within the 1860's. Due to such things as the Civil War and increases in industrialization, the identity of the United States society changed as a whole. African americans migrated to the North for job opportunities and the notion of freedom, since slavery was abolished. Cities like New York were vastly developing, and white Americans were moving there for a faster-paced lifestyle. Through the Marches’ move to New York and their interactions with the people there, Howells is giving specific detail about what most of the white middle-class society were like.
What comes to mind when one considers the Roaring Twenties? It’s all in the name; excessive partying and good times were high on the agenda through this lucrative decade. During the 20’s, breaking the law was literally the norm, and no money was good money. Around this time, people were losing belief in a god because of the rise of science and Freudian mindsets. People thought it was “cool” to break the law in the name of a good life. This was great for many – life was great for many. However, not everyone was working for the rebellion. Many people still chose to believe in the vengeance of God. One such man is F. Scott Fitzgerald. Be not mistaken – F. Scott Fitzgerald was a sort-of icon in the Twenties. He was a male “flapper” by any means
Throughout the Roaring Twenties (20s), “the parties were bigger. The pace was faster, the shows were broader, the buildings were higher, the morals were looser, and the liquor was cheaper” (Fitzgerald 112, My Lost City). The 1920s was an innovated evolution, away from traditional morals of many Americans to those values less conservative and open-minded. F. Scott Fitzgerald’s, The Great Gatsby, and Ernest Hemingway’s, The Sun Also Rises, act as an exploration of Americans’ shift in values, post-World War One (WWI). These authors do so by commenting on the excessive partying and drinking, the falsification of relationships, and the lost generation of the veterans who fought in the Great War.
The time period that the fiction sets is the 1920s, when the society was experiencing significant transformations in every aspect of life. The Progressive Movement, which aimed at eliminating various means of political corruption and illegal business practices, had just abated. Harlem Renaissance, a new element of the 1920s, took place in City of New York and its effect swept across the country. Harlem Renaissance, a rebirth of African American culture and art, exerted substantial influence on black people, regardless of the social status and wealth they had. Nevertheless, such splendid cultural explosion could not conceal the limitations and inequality of the 1920s. Gender and race restrictions