The Symposium And The Bhagavad Gita Essay

Alcibiades’ speech changes the direction of the conversation from praising Agathon to praising Socrates. It might be the reason why Plato ends symposium in this way and also highlights “Platonic Philosophy of love ”.

The Symposium revolves around a Greek party made up of various men throwing around their views on love, building up to height of the evening by a speech from Socrates. Socrates knows the true way to obtain love, and tells of a tale between him and his mentor, Diotima. Through Diotima, Socrates is able to

The quest towards developing the ideal human character is sought after in both the Bhagavad-Gita and Confucius’ The Analects. In the Bhagavad Gita, the concept of sacred duty is prevalent throughout the text, as the warrior-prince Arjuna faces a moral dilemma throughout the story. In Confucius’ The Analects, filial piety is a virtue which impacts an individual’s character in relation to the Confucian religion. Sacred duty within the Gita requires the protection of one’s dharma, which is defined as the religious and moral law that manages an individual’s actions. Within Confucian thought, filial piety is a virtue of respect for one’s elders, ancestors, and parents within a community. Despite the differences between the contextual meanings of developing the ideal human, both the Bhagavad Gita and The Analects utilize their teachings towards developing ideal human character within the themes of sacred duty and filial piety with the goal of establishing a set of communal ethics to be maintained through different caste systems, essentially protecting the existing social structure. To argue this claim, I will begin by analyzing the similar intentions of deviating from selfish actions and thoughts to develop ideal human character. I will then express how the nature of this character leads towards the development of one’s sacred duty and filial piety. I will then connect these two ideas to show how together they work to develop a communal set of ethics aimed at maintaining order

Socrates sees love as something that is in between being beautiful and ugly and believes that love is a search for beauty and wisdom. Much like Diotima, Socrates presses Agathon to have him admit that love is not beautiful as it desires beauty, and one does not desire what one already has therefore it is not beautiful. Socrates view contrasts with that of Aristophanes from the benefits of love to the nature of love, as Socrates sees no benefits in something that is not beautiful. Love is seen as primarily a relational property by Socrates that holds between things rather than a desire or a need for another person. Love is not itself beautiful or good or anything specific as much as it is a relation that holds between the beautiful, the good, and those who

One of the overarching themes that spanned over the many books we read over the semester, was the nature of love and the search for meaning. Love is an inherent aspect of humanity, and while it is an often inexplicable and complex sentiment, it is intrinsically connected with mankind's search for meaning in life. Love often leads a person in directions that they do not expect, and this is obvious in the very different applications of love in different books. However, one common idea about the relationship between love, suffering, and wisdom, can be argued for based off the ancient texts that we read. In The Epic of Gilgamesh, Antigone, and The Tale of Genji, love is used as a vehicle for wisdom through suffering and loss.

In the Symposium Plato places Socrates in a dialogue with the goddess Diotima. She says two things of interest to this paper about love. Firstly, at 206a that humans when they love long to possess the good and do so for ever, and secondly that at 206b that "To love is to bring forth upon the beautiful, both in body and soul (Hamilton 558)." The first statement makes a claim about what love is, a desire to posses the good, and the second a statement about what love does, bring forth the beautiful. I will now briefly analyze both claims.

It can start a war or end one. Give you the strength of heroes or leave you powerless. It can be snared with a glance but no force can compel it to stay. Love. It was the downfall of Troy and the triumph of Odysseus. The dual nature of love in Greek myth as both destruction and salvation may have led to Plato’s unique conceptualization of love. In The Symposium he speaks of two Aphrodites: Common and Heavenly. The first has domain over physical attachments and is considered vulgar. The second, being divine is concerned with the soul, not the body. It is a heavenly love, a love of the mind, the spirit. It is also exclusively for same-sex partners. Although Plato’s conception of love may not have been the prevailing notion of the time, it is

In Plato’s work Symposium, Phaedrus, Pausania, Eryximachus, Aristophane and Agathon, each of them presents a speech to either praise or definite Love. Phaedrus first points out that Love is the primordial god; Pausanias brings the theme of “virtue” into the discussion and categorizes Love into “good” one or “bad” one; Eryximachus introduces the thought of “moderation’ and thinks that Love governs such fields as medicine and music; Aristophanes draws attention to the origin and purposes

with some very different views of love as brought to us by Agathon, Phaedrus and

Plato’s Symposium attempts to define the eclectic theory of love, a theory that is often believed to be the universal principle that guides mankind’s actions. Plato introduces several narratives in the form of a dialogue that seek to characterize this multifaceted theory of Eros. The meaning of love naturally varies in each narrative. Yet, in this dialogue of love, Plato presents a metaphysical approach to understanding the ambiguous meaning of love. Ultimately, Plato values the perennial quest for knowledge above all else. In Symposium, Platonic love is exhibited in the relationship between virtue and desire, as expressed in Diotima’s ladder. Desire is the vehicle, or the means to an end. The six Athenians ultimately present different

Plato was a philosopher from Classical Greece and an innovator of dialogue and dialect forms which provide some of the earliest existing analysis ' of political questions from a philosophical perspective. Among some of Plato 's most prevalent works is his dialogue the Symposium, which records the conversation of a dinner party at which Socrates (amongst others) is a guest. Those who talk before Socrates share a tendency to celebrate the instinct of sex and regard love (eros) as a god whose goodness and beauty they compete. However, Socrates sets himself apart from this belief in the fundamental value of sexual love and instead recollects Diotima 's theory of love, suggesting that love is neither beautiful nor good because it is the desire to possess what is beautiful, and that one cannot desire that of which is already possessed. The ultimate/primary objective of love as being related to an absolute form of beauty that is held to be identical to what is good is debated throughout the dialogue, and Diotima expands on this description of love as being a pursuit of beauty (by which one can attain the goal of love) that culminates in an understanding of the form of beauty. The purpose of this paper is to consider the speeches presented (i.e. those of Phaedrus, Pausanias, Eryximachus, Aristophanes, and Agathon) in Plato 's Symposium as separate parts that assist in an accounting of the definition and purpose of platonic love.

Everyone has a different concept of what love is. Each individual expresses love in their own way, some with affection and others with words. Even though love is complex, we can all agree that to be in love is to want something. Everyone wants something out of a relationship. Whether it be affection, care, protection, or knowledge we all need something. Some go into a relationship not exactly knowing what they are looking for but understanding that there is something there that we crave. To Socrates there is nothing more important than gaining wisdom. To everyone in the city there is nobody who has more wisdom than Socrates. Socrates is seen as the key to knowledge and that is what draws men to him.

In the Symposium, written by Plato, Socrates and others engage in a dialogue in the home of Agathon on love. Instead of "singing the honours" (94) of love like the other participants, Socrates uses a retelling of a discussion that he had with a woman named Diotima to tell the audience of what he perceives to be the truth of love.

In the Symposium on that night, Socrates’ speech is one of the most important of the night as he is clearly a central figure, admired by the other guests. Socrates begins by presenting his argument that if love is nothing, then it is of something, and if it is of something, then it is of something that is desired, and therefore of something that is not already possessed, which is then usually beautiful and good. Human beings begin by loving physical beauty in another person, then progress to love of intellect and from that level to see the connection among people and ultimately, the lover of beauty enjoys a kind of revelation or vision of universal beauty, which we find ourselves in the pursuit of during our own study of Plato’s work. The

Throughout the ages, many have tried to comprehend the human experience of love and its ineffable and mysterious force that leads us to complete euphoria or utter despair, with songs, paintings, and stories. In Plato’s Symposium, six guest including Socrates, tackle and attempt to define love amongst each other. With each attempt, and our study of Johns gospel, the intertextuality between the symposium and John 15:8-17 helps one better understand the portrait that John portrays of Jesus as the ultimate lover and only way to being fully complete.