The Theme Of Paralysis In Eveline

Suicide can sometimes feel like the only way to pacify the pain. It is as if something is eating away parts of you slowly and intently and the only way to relieve the constant pain, is to die. Tiffany Hunter and Pierre L’errant are two very different characters with both equally unique yet queer personalities. Although Pierre and Tiffany are not the best of friends, their contrasting characteristics somehow complement each other. They both have similarities in their plans of suicide as well as differences that help them make the correct decision on where they want their life to go in future. Although they both made different decisions at the end, they assisted each other to settle on the right choice. Drew Hayden Taylor develops a theme of despondency and isolation from peers and loved ones in the novel “The Night Wanderer.”

Paul Newman once said, “People stay married because they want to, not because the doors are locked” (74). There is no such thing as the perfect relationship, however, being involved in a healthy relationship is essential for a person to feel valued, safe, and happy. Unfortunately, in the situation of Kelly Sundberg’s personal essay “It Will Look Like a Sunset,” and Kate Chopin’s short story “The Story of An Hour,” include extreme examples of unhealthy relationships. The essay “It Will Look Like a Sunset,” shares painful experiences of Sundberg’s physical and emotional abusive relationship with her husband Caleb, while “The Story of an Hour,” shares a rare reaction of a married woman, Louise Mallard, who explores her emotions cautiously when hearing about the death of her husband. Each woman faces their own prison created by their husbands. The two marriages represent the figurative meaning of doors being locked in a marriage. Both pieces of literature convey the theme of confinement by using the literary devices of foreshadowing, imagery, and conflict.

Everyday, people are forced to make choices. Some of those choices are fairly easy to make, and others are not. In the short story “The Life You Save May Be Your Own” by Flannery O’Connor, a man by the name of Tom T. Shiftlet stumbles across a farm where an old woman and her daughter, Lucynell Crater, reside. When the author first introduces the readers to Mr. Shiftlet, he is described as “a tramp and no one to be afraid of” (674). What starts as a man accidentally coming across the woman’s farm, becomes a story that follows Tom through his unrealized quest for love and acceptance. With the help of Ms. Crater and Lucynell, Tom learns that his choices have consequences. In “The Life You Save May Be Your Own”, O’Connor creates a world in

Parents cling to their children wanting them to stay young forever, wanting endless memories and nothing to change, yet they must be able to part from these feelings to allow the child to grow. In the story “A Private Talk with Holly”, the author, Henry Felsen, uses symbolism to convey the central idea that if you love someone you have to let them go. When Holly, the main character of the story, talks to her Dad about changing her plans, he is faced with a difficult decision, but in the end he allows Holly to chase her dreams for her own good.

In the three stories “Eveline”, “A Rose for Emily”, and “Desiree’s Baby” three single women go about love in three different ways. Their struggles for love are similar; the decisions they made you will not believe. One thing you can say about all the women is their poor love lives. With their fathers in their way, the women find it hard to find love. Love is a four letter word that everyone wants, but some never get to experience the happiness. While Eveline, Miss Emily, and Desiree have controlling fathers, they want love; one walked away from her happiness, one kills for it, and another kills herself.

Edith Wharton’s brief, yet tragic novella, Ethan Frome, presents a crippled and lonely man – Ethan Frome – who is trapped in a loveless marriage with a hypochondriacal wife, Zenobia “Zeena” Frome. Set during a harsh, “sluggish” winter in Starkfield, Massachusetts, Ethan and his sickly wife live in a dilapidated and “unusually forlorn and stunted” New-England farmhouse (Wharton 18). Due to Zeena’s numerous complications, they employ her cousin to help around the house, a vivacious young girl – Mattie Silver. With Mattie’s presence, Starkfield seems to emerge from its desolateness, and Ethan’s vacant world seems to be awoken from his discontented life and empty marriage. And so begins Ethan’s love adventure – a desperate desire to have

Charlotte Perkins Gilman’s “The Yellow Wallpaper” and Sinclair Ross’s “The Painted Door” are both stories about women protagonists who feel emotionally isolated from their husbands, who both go by the name John. Ann in “The Painted the Door” and the wife whose name may or may not be Jane in “The Yellow Wallpaper” are women who deal with emotional isolation. Emotional isolation is a state of isolation where one may be in a relationship but still feel emotional separation. In these two stories, both women feel emotionally isolated from their husbands due to lack of communication. In both stories, lack of communication results from one individual failing to disclose their true feelings and instead he or she are beating around the bush, hoping the other party will know what they want. If both parties directly disclose their desires and feelings to one another, there would be a better understanding of each other which as a result would help save marriages. This paper will look at how both women lack communication, how they both their approach their emotional isolation differently, and how their failure to communicate to their husbands and their approach, results in the failure to save their marriage. “The Painted Door” and “The Yellow Wallpaper” are stories that show how both women protagonists are emotionally isolated due to their failure to communicate their feelings and desires to their husbands. Instead of direct communication to their husbands, the women find other

In William Faulkner’s “A Rose for Emily and Charlotte Perkins Gilman’s “The Yellow Wallpaper, the two main characters exhibit behavior that some readers may consider unusual or even totally crazy. These two women are having a difficult time adjusting to the many changes taking place around them. In the midst of these changes, they face the struggles of being women such as post partum depression and love and rejection from men. Such problems become so overbearing that each woman ends up in their own delusional world which in turn, leads to their isolation and insanity. Gender issues, love, hate, insanity and isolation, are thematic connections in both stories and are important components of how each woman functions throughout the story and

The formation of their love disconnection led Elisa to disengage deference to her husband with a stranger. While communicating with the stranger “her eyes hardened with resistance” (Steinbeck 5). Elisa normally never receives any kind of attention from her husband, so she tried to enjoy it while it would last. The author, D. H. Lawrence, wrote about “The Horse-Dealer’s Daughter” who “was alone… she did not share the same life as her brothers” (Lawrence 119).

In the words of Sigmund Freud, “The interpretation of dreams is the royal road to a knowledge of the unconscious activities of the mind.” The legendary psychologist saw dreams as an avenue to study one’s underlying motives for action. Similarly, in literature one finds striking significance from the illusions of protagonists that often predict the nature of one’s psyche. Two such examples present themselves in Blanche, from Tennessee Williams’ A Streetcar Named Desire, and the grandmother, from Flannery O’Connor’s A Good Man is Hard to Find. The former tale follows a lady without a home who finds herself reliant on her belligerent and bestial brother-in-law. The latter traces a family’s road trip South and their encounter with a wanted fugitive. Both Blanche and the grandmother find themselves tethered to their idealistic and often times hypocritical fantasies which signify their underlying mental instability and foreshadow their eventual ruinations. Williams and O’Connor examine their protagonists’ delusions through gender, clothing, and nostalgia.

In the story the author portrays the protagonist differently from the other characters because she talks about the physical appearance of other characters and when it comes to the narrator we have no idea what she looks like but she is developed partially through her relationship with other characters, although we the readers do come the find out that the narrator is around the age of 15-17 years old and we can assume that she has a bad relationship with her parents because first of all she talks about them maybe once or twice in the whole story and second of all we know that they sent her to boarding school so that alone proves that her relationship with them is lacking. As readers we also know that she has trouble opening up in the story she say “To open your heart. You open your legs but can’t, or don’t dare anyone, to open your heart” (237). This is a prime example of how author characterizes the protagonist as broken and emotionally damaged. And as the story progress the author becomes more honest with us the readers and herself, she starts the reveal the pain she is in and how lonely she feels. The narrator gives us an example of how she feels after sex by saying “After sex, you curl up like a shrimp, something deep inside you ruined, slammed in a place that sickness at

       As the tale begins we immediately can sympathize with the repressive plight of the protagonist.  Her romantic imagination is obvious as she describes the "hereditary estate" (Gilman, Wallpaper 170) or the "haunted house" (170) as she would like it to be.  She tells us of her husband, John, who "scoffs" (170) at her romantic sentiments and is "practical to the extreme" (170).  However, in a time

In Alice Munro’s “Silence”, Juliet, a single working mother, is abandoned by her daughter Penelope, who left without a warning or a trace to explore her spirituality and start a new life for herself. Juliet is at first baffled and distraught, as she cannot understand why Penelope would leave. She had thought that Penelope had always been very happy at home. Juliet never does hear definitively why Penelope left, but throughout this short story she analyzes why it might be and what it means for her life now. The use of simple and straightforward diction, emotional monologues, and harsh conclusions show a drastic case of how children can grow apart from their parents. These techniques align with Poe’s theory that a story should evoke a unique

Elizabeth Tallent explores the innocence and ignorance of young love in her short story, “No One’s a Mystery”. The story opens with the narrator receiving a diary gift for her eighteenth Birthday from her lover Jack. Jack is married and spends his days having an affair with the eighteen-year-old narrator. The story shows their different perspectives on their relationship, where Jack sees it as temporary and the narrator sees a long future in the relationship. Tallent focuses on their conflicting views on the relationship to show that the narrator is blinded by love and cannot foresee the possible end to their relationship. The short story suggests that even when in a toxic relationship love can blur reality. Tallent achieves this thread through the use of symbolism and foreshadowing.

World famous poet, Edgar Allan Poe, once wrote in one of his poems, “From childhood’s hour I have not been. As others were, I have not seen. As others saw, I could not awaken. My heart to joy at the same tone. And all I loved, I loved alone.” In those lines, Poe demonstrates his love for being alone because his childhood was full of isolation, meaning that the writer grew used to the feeling. Since boyhood throughout his adult life, Edgar Allan Poe endured through a series of unfortunate events. From his parents dying, his animosity with his foster father, his consecutive poverty, to facing rejection from the public, the man’s life was as ominous as his fiction. This essay will discuss the reason behind the writing of one of Edgar Allan