The Themes Of Fate And Fate In Oedipus The King

The representation of divine knowledge in the play is Tiresias, while Oedipus has the human knowledge. The Oracles of Delphi have shared their prophetic knowledge with Tiresias giving him the ability to see the truth. It is ironic because Tiresias is blind physically, but mentally, he has the divine knowledge. So when Oedipus says “You are blind, your ears and mind as well as eyes” (Sophocles 23), it creates dramatic irony because Oedipus lacks the knowledge that he is Laius' killer and that Laius is his father, which represents a mental blindness versus Tiresias who represents physical blindness. "You have mocked at my blindness, but you, who have eyes, cannot see the evil in which you stand, you cannot see where you are living, nor with whom you share your house. Do you even know who your parents are?" (Sophocles 25). All of the answers to the questions asked by Tiresias represent a void in Oedipus' knowledge. Physical blindness versus mental blindness is one way to depict the conflict of divine versus human knowledge. Sophocles represents knowledge, or lack of knowledge, a certain way to depict how humans know very little of the truth and the “big picture” and he also uses irony to bring emphasis on the lack of

Over the centuries, the concept of fate is constantly being changed to adapt to our current way of living. In modern times the concept of fate is usually connected to the themes of love and romance. However the ancient Greeks recognized fate as an inescapable reality that shaped their lives. The famous playwright, Sophocles, adopts the idea of fate in his plays to control the character’s actions. In both plays, “Oedipus the King” and “Antigone”, the writer uses the concept of fate to show human’s inability to conquer the will of the gods.

In Sophocles' Oedipus the King, the element of fate versus freewill shows up frequently all through the play. It is foreseen to Oedipus' parents, Jocasta and Laius, that their child would grow up to slaughter his father and wed his mother. Jocasta and Laius endeavor to dispose of their child, however, fate triumphs. Oedipus' fate all through the play has been chosen by the fate which adds to his annihilation. Various societies and cultures all through history have embraced similar perspectives, accepting a fate or destiny for their lives. Such points of view are very common is Greek myths who had confidence in "the three Fates" — goddesses who controlled the lives of individuals and the world in general. Clotho the youngest spins the thread of human life. She decides who will be born and when. Lachesis, a matron, measures the thread deciding a person’s lot in life. She is shown with a measuring stick, a scroll, a book, or a globe that represents the horoscope. Atropos, the oldest, choses the mechanism of death and ends the life of each mortal by cutting their thread. She is usually portrayed with a cutting instrument, a scroll, a wax tablet, a sundial, or a pair of scales. Even in modern day, some Christian philosophies incorporate destiny as fate. Many Jews acknowledge that their God has an arrangement for their people and nation.

Equally important to the role of fate in bringing about the downfall of Oedipus is the human flaw of arrogance that clouded Oedipus’ intellect to reason. One can ultimately see this human flaw in the beginning of the play as he says “Here I am myself – you all know me, the world knows my fame: I am Oedipus” (p 262, line 7-9). One day Oedipus heard someone say that he wasn’t his father’s son in which bothered him greatly and triggered his curiosity in whether Polybus and Merope were his biological parents. So, as a way to figure out his identity and true origins, he left to Delphi to see the Oracle. However, instead of answering Oedipus’ answer of who his true parents were, the Oracle told him of his fate that “You are fated to couple with your mother, you will bring a breed of children into the light no man can bear to see – you will kill your father the one who gave you life” (p. 297, lines 873-875). Hence, his arrogance is clearly showed as he disregards the prophecy, similar to the actions of Laius and Jocasta by escaping it, as he abandons Corinth and sets forth to a place where he “would never see the shame of all those oracles come true” (p. 297, lines 879-880). His flaw of

Fate as defined by the Merriam Webster dictionary is ‘an inevitable and often adverse outcome, condition, or end’. Sophocles discusses fate vs free will in his plays. In the play Oedipus Rex there was a prophecy that Oedipus was destined to kill his father and marry his mother, he attempts to escape his destiny by running away to Thebes where he meets his fate. In the play Antigone, that main character Antigone decides to go against Creon’s (her uncle who has inherited the throne) decree and bury the brother, Polynices, knowing the consequences would lead to her death. In Sophocles’ plays Oedipus Rex and Antigone, the theme is mankind not being able to escape their fate.

Fate is defined as the development of events beyond a person’s control. In “Oedipus the King,” Sophocles, tells us about a tragic hero (Oedipus) in which his life is predetermined by fate, because he is deprived of free will. The first act of fate on Oedipus was him being saved by a shepherd when his parents (Queen Jocasta and King Laius) left him in the mountains to die, he then met and killed his father without knowing who he was, and last, he married Queen Jocasta, later realizing that she was his mother. Every action that Oedipus took to prevent his fate, would soon be the ultimate downfall, not only for himself, but for his family and the people of Thebes.

So the irony is Oedipus had no idea that the person who killed Laius would be himself. After hearing this Oedipus is outraged and says it is all a plan for Creon to over throw him. These examples of irony are also examples of fate and free will. It is fate that Oedipus killed the king, his father, but it is free will that he is cursing and accusing himself.

In the play, “Oedipus Rex”, many ironies took place, as well as fate playing a huge part in the story. “Oedipus Rex” is a story about a man that tries to overcome adversity but cannot escape his prophecy. His parents took him to a hillside as an infant, sliced his Achilles tendons and left him there. A shepherd soon came to his rescue. “King and Queen of Thebes, gave their infant to a shepherd in with orders that he be left on the side of the mountainside to die” (Johnson 1205). As he grew older and much wiser, he went to see the Oracle of Delphi. The Oracle informed him that his destiny was to kill his father and marry his mother. The main ironies in the play are the killing of Oedipus’s biological father, the odd relationship with his mother, and the inability of Oedipus to avoid his fate.

Throughout the vast history of literature, various concepts have come and gone. The idea of fate or fatalism has been a concept that has survived the test of time. Numerous characters have succumbed to the power of fate and the character of Oedipus from Sophocles’ Oedipus the King is a prime example of the vast power of fate within literature. Sophocles effectively depicts the wrath of fate as he portrays how Oedipus fell victim to fate and his efforts to disregard fate were futile. Once again fate manages to triumph and displays no character whether king or slave can avoid its gaze.

Are all events predetermined? Does everyone have a prophetic destiny that they must fulfill? If so, who determines their fate? Who—or what—binds them to their fixed ending? Is there really no way to resist? Is fatalism—the theory that all events are preset and inevitable—true? And if it is—is there ever such a thing as free will?

In “Oedipus,” Sophocles writes about a man who is hunted down by his cruel fate, and whose life is ruined in attempt to run away from it. The ancient Greek perspective reflects on the matter of the story and how the god’s highly influence the lives of humans. This viewpoint basically shows the unbounded power the Greek gods have; by being the gods of destiny, and leaving man at a helpless position. Fate plays a massive role in the lives of humans and as was believed by the ancient Greeks, their lives were simply directed by a decision of gods and goddesses. Oedipus knew his fate set by a curse cast on him; however, even when being aware it is impossible to escape fate, he still attempted to run away from it. As the play progresses Oedipus begins to understand the unbearable truth as he states “I’ve called down a dreadful curse upon myself,” followed by a response “I simply didn’t know!” (1103). It is the will of the man to realize what is inevitable and what choice is. In the Ancient Greece, Gods were praised and worshiped and any command stated by them is the undecided future. Oedipus acting as a blinded man who did not know of such fact led him to his fate and ironically is what later led him to blind himself (Gould). When Oedipus stabs his eyes out with the

It is the responsibility of man to take ownership of his destiny which separates the human condition for that of other earthly beasts. From birth, Oedipus, the tragic hero of Sophocles’ Greek Tragedy Oedipus Rex, is destined to kill his father and marry his mother. Although by the opening act of the play, Oedipus has earned the throne of Thebes for solving the riddle of the Sphinx, the eponymous character is unaware that he has already fulfilled his prophecy. Meanwhile, the people of Thebes are dying of a plague that will only end when the unknown murderer of Laius, the previous Theban King, is punished. Through retrospection, Oedipus believes that he might be responsible for Laius death and is told that the King and Queen of Corinth who

Sophocles ' play “Oedipus Tyrannus” is an enigma. His play includes incest, murder and self-enlightenment all leading into the main theme of fate. Athenians believed that fate is not left up to man, but that is provided solely on the whims of the gods. Because of his dramatic approach to his plays Sophocles was considered one of the most brilliant and creative writers of his time.

The famed tragedian Sophocles is known for his unique ideas and intellect. Sophocles carefully utilizes of all of his intelligence and creative ability in order to make use of illuminating moments throughout the play which allow his audience to draw conclusions about free will, fate, knowledge, and power throughout perhaps his most iconic play, Oedipus Rex. the main character Oedipus experiences an illuminating moment when he gouges his eyes out at the discovery of the truth about his actions. This illumination is expressed in order to express Sophocles’ idea that fate overpowers free will.

Sophocles’s reliance on dramatic irony is apparent throughout the entire story. From the start of the play—where Oedipus searches for the murderer of the fallen king—the audience is already aware of Oedipus’s story. Ironically, readers grasp that Oedipus was the murderer of Laius and therefore the cause of the plague. Oedipus himself, however, lacks any knowledge of his participation in the event and believes that he has managed to avoid the prophecy’s fruition. As such, Sophocles’s use of the device affects the way the plot progresses. Mainly, the author bases the conflict on Oedipus’s “blindness”. It draws out the story until it reaches its climax. Throughout the play, Oedipus is in denial of his involvement in the death of Laius despite being told several times of his guilt. One such time occurred when Teiresias, an old blind prophet, reluctantly told Oedipus of his actions. As to be expected, Oedipus reject his words with scorn, threatening the old man. “Do you imagine you can always talk like this, and live to laugh at it hereafter?” (lines 425-426) Oedipus further insults Teiresias physical blindness, not realizing his own metaphorical blindness. As per dramatic irony, however, readers know the one who is truly blind was Oedipus. Teiresias further makes this apparent. “You have your eyes but see not where you are in sin, nor where you live, nor whom you live with. Do you know who your parents are?” (lines 482-484) Events such as these seem to be a recurring theme in the play. Oedipus is made aware of the truth by another character, and then he fervently accuses them. Because of this, the audience becomes familiar with the pattern. The dramatic