The Theory Of The Forms Figures Into Plato 's / Socrates ' Reflections

The philosophy discussed in the Phaedo revolves around Socrates discussion of the existence and nature of the afterlife. One of the overarching themes in Phaedo is the soul’s immorality. The dialogue explores a number of arguments for the immortality of the soul to illustrate the concept of the afterlife where the soul is supposed to dwell following our deaths. Four essential arguments are put forth for the soul’s immortality. The four arguments are: The Opposites Argument, The Theory of Recollection, The Affinity Argument and The Argument from Form of Life.

Plato's final argument in Phaedo for the immortality of the soul is one of the most interesting topics of all time. It goes hand to hand with the application of the theory of forms to the question of the soul's immortality, as Plato constantly reminds us, the theory of forms is the most certain of all his theories. The Phaedo is Plato’s attempt to convince us of the immortality of the soul by using several main arguments. These include the argument of forms and the law of opposites. In the final passage of the Phaedo, Plato provides his final proof, although it may be his last attempt to give his reasoning, it is not very convincing. Plato has some good points and reasoning to believe in the immortality of the soul, but his arguments often

According to Socrates one of the most important things that identify with human being is their desire. Socrates argues that desire that can change people minds quickly and very abnormally. The three-part division of the soul is crucial to Plato’s overall project of offering the same sort of explication of justice whether applied to societies or individuals.

Within this essay, I am going to argue that the simple soul is a more plausible conception than the idea of multiplicity within the soul within Plato’s work. This is due to the multiplicity of the soul resting on a circular argument of Plato’s ideal city which in turn rests back upon his idea of the tripartite soul. However, it can also be argued that neither conceptions of the soul are plausible due to them both relying on Plato’s theory of the Forms. Throughout Plato’s works of the Phaedo and the Republic, his account for the soul is conflicting as Plato’s two accounts cannot be reconciled. I will also refer to Plato’s work in the Phaedrus to aid my explanation of the multiplicity within the soul.

Socrates’ argument for why the soul is analogous to the city begins with an observation--that the city is comprised of individuals. The city is therefore a reflection of the characteristics of the individual. This observation allows Socrates to derive the characteristics of an individual from the characteristics of the city that had previously been discussed and established. However, this task is more difficult than it seems at first because of the differences between the soul and the city.

To introduce the argument, Socrates explains the theory of Forms. Forms are the intangible and visible components of anything that exists. They are the larger ideas that compose the reasons for why something exists. This being said, these are merely concepts that cannot be changed but rather they stand concrete in their meanings and ideals. An example of a Form is beauty. We can only recognize things that are beautiful because “all beautiful things are beautiful by the Beautiful” and they belong to the Form of beauty (Plato, pg. 138). Beauty only exists because it is an idea in which things fall into a category. Something can be recognized as beautiful, and it is therefore placed under the Form of beauty, and therefore, all things beautiful share the same meaning. The meaning of beauty will never be changed because it is a permanent idea that holds to be true. This issue stems into the idea that forms can change between each other, while still possessing individual meanings. Take the forms of tallness and smallness for example:

We are introduced to the Forms in Plato’s dialogue the Phaedo. The Theory of Forms says that

Plato's theory of forms, also called his theory of ideas, states that there is another world, separate from the material world that we live in called the "eternal world of forms". This world, to Plato, is more real than the one we live in. His theory is shown in his Allegory of the Cave (from The Republic, Book VII), where the prisoners only live in what they think is a real world, but really it is a shadow of reality. According to Plato, to the prisoners in the allegory and to humanity in the material world "truth would be literally nothing but shadows" and he believes us to be as ignorant as the people in the cave. Plato followed the belief that in order for something to be real it has to be permanent, and as everything in the world we

In this essay it will be argued that the soul is mortal and does not survive the death of the body. As support, the following arguments from Lucretius will be examined: the “proof from the atomic structure of the soul,” the “proof from parallelism of mind and body,” the “proof from the sympatheia of mind and body,” and the “proof from the structural connection between mind and body.” The following arguments from Plato will be used as counterarguments against Lucretius: the “cyclical argument,” the “affinity argument,” the “argument from the form of life,” and the “recollection argument.” It will be shown that Plato’s premises lack validity and that Lucretius’

objects (e.g. a chair), definitions may vary, however they are all based on the existence of

In this paper I will be discussing the tripartite (three parts) of the soul that Socrates discussed in chapter 6 of Plato’s Republic, and I will compare and contrast them to that of Aristotle and Anthony Kenny. In Plato’s Republic the three parts of the soul consist of the rational, spirited and, desire. In this dialogue the three parts of the soul go hand and hand with three parts of a just society.

Plato, being a Socratic apprentice, followed and transcribed the experiences Socrates had in his teachings and search of understanding. In Plato’s first work, The Allegory of the Cave, Socrates forms the understanding between appearance vs. reality and the deceptions we are subject to by the use of forms. In the cave, the prisoners’ experiences are limited to what their senses can tell them, the shadows on the walls, and their shackles; these appearances are all that they have to form their ideas. When one of the prisoners begins to question his reality he makes his way out of the cave and into the day light. This prisoners understanding of his reality has now expanded, thus the theory of forms; when he returns to the cave to spread the news, the others do not believe him. They have been deceived by their reality and what

The Phaedo is Plato’s attempt to convince the reader of the immortality of the soul using four main arguments. These include the argument of affinity, recollection, Forms and the law of opposites. In the final passage of the Phaedo, (Grube, 2002:102a-107b), Plato provides his ‘Final Proof’, despite seeming like the most conclusive argument it is not necessarily the most convincing. Plato has some good points and fair reasoning to believe in the immortality of the soul, however his arguments often seem to make large assumptions without any concrete backing. In this essay I will attempt to expose the flaws in Plato’s argument

Plato, arguably one of the most famous philosophers in history is known for his dialogues and theory of Forms. The theory of Forms argues that ideas (non-physical forms) are more real than tangible objects or what our senses perceive. According to Plato, there is the visible realm and intelligible realm. Reality could be divided into three different levels; the level of appearances, the real level, and the ideal level which he explains through the analogy of the ‘Divided Line’ in The Republic.

“Everything which exist in this world and all things that we see around us are not as they appear to us” this is the core idea behind plato’s theory of forms.From this idea only he moves towards explaining his world of forms or ideas.