The Things They Carried By Tim O ' Brien

The first three words of the chapter “How to Tell a True War Story” are, “This is true” (67). Although Tim O’Brien begins this chapter with such a bold and clear statement, throughout the chapter he has the reader thinking and confused when he contradicts himself by stating things such as, “In many cases a true war story cannot

Tim O’Brien uses two narrative techniques in “How to Tell a True War Story”. First he splits the story into three different sections. The first part being Rat Kiley writing his letter to Curt Lemon’s sister about the relationship they had. The next section is describing the correct way of writing a “true war story”. And the last is O’Brien looking back on stories and his story telling techniques. O’Brien separates the story into three different parts to give the reader an example of a story that is “true”. The next section would about the truth about writing a true story and the last section is his personal reflection on the whole situation. The other narrative technique is that O’Brien retells certain events. He retells how Curt Lemon died, he retells Mitchell Sanders telling a story, and he retells how women react when you tell them stories about the war. Tim O’Brien retells stories and

     In “How to Tell a True War Story” O’Brien explores the relationship between the events during a war and the art of telling those events. O’Brien doesn’t come to a conclusion on what is a true war story. He writes that one can’t generalize the story as well. According to O’Brien, war can be anything from love and beauty to the most horrid

“In any war story, but especially a true one, it's difficult to separate what happened from what seemed to happen....The angles of vision are skewed" (71). What O’Brien thought seemed to have happened therefore becomes his truth.

Following orders, digging a foxhole, carrying a twenty-three pound M-60 assault weapon, or chasing Charlie does not erase the virtues previously programmed. Typically related to ethics and the distinction between right and wrong, morality exists throughout The Things They Carried in many forms. In the book, even the most deranged characters manage to be kind to one another. When dealing with death, characters experiment with ways to respect and remember the dead. In foreign Vietnam, the soldiers deal with cultural differences and work to find a middle ground. In the book, Tim O’Brien illustrates how morality manages to survive amidst the gore of the Vietnam War.

The Things They Carried, by Tim O’Brien, transports the reader into the minds of veterans of the Vietnam conflict. The Vietnam War dramatically changed Tim O’Brien and his comrades, making their return home a turbulent and difficult transition. The study, titled, The War at Home: Effects of Vietnam-Era Military Service on Post-War Household Stability, uses the draft lottery as a “natural experiment” on the general male population. The purpose of the NBER (National Bureau of Economic Research) study is to determine the psychological effects of the Vietnam War on its veterans. In order to do this, they tested four conditions, marital stability, residential stability, housing tenure, and extended family living. However, it

Telling a war story will be changed for everyone depending on their experience and the different wars they been to. In The Thing They Carried telling a true war story is different because O’Brien says that it needs to be a heroic and noble and very specific “In any war story, but especially a true one, it’s difficult to separate what happened from what seems to happen. What seems to happen becomes its own happening and has to be told that way. The angles of vision are skewed” (pg.67-68) it shows how O’Brien wants to impress the audience with his stories that makes one wonder if it is real or not. He wants to sound heroic which makes part of the purpose of the story, his side

Many authors use storytelling as a vehicle to convey the immortality of past selves and those who have passed to not only in their piece of literature but in their life as an author. In Tim O’Brien’s work of fiction The Things They Carried, through his final chapter “The Lives of the Dead,” O 'Brien conveys that writing is a matter of survival since, the powers of storytelling can ensure the immortality of all those who were significant in his life. Through their immortality, O’Brien has the ability to save himself with a simple story. Through snippets of main plot event of other chapters, O’Brien speaks to the fact the dead have not actually left; they are gone physically, but not spiritually or emotionally. They live on in memories as Linda lives on in the memories of O’Brien and as many of his war buddies live on through his stories. He can revive them and bring them back to the world through his writings and through these emotions or events he experienced with them and with their deaths can make them immortal. Through the reminiscent stories of Linda and O’Brien’s war companions and himself, O’Brien conveys that storytelling allows people to reanimate others who have died and past selves to create an immortality of humans.

In the story The Things They Carried Tim O’Brien didn’t mention anything about traditional war heroes. I think this was a great idea, because there are no traditional war heroes. A traditional war hero is someone who is fearless and someone who can’t be harmed mentally or emotionally. But in The Things They Carried the soldiers out on the front lines were emotionally and physically scarred. Tim O’Brien didn’t write about traditional war heroes, O’Brien wrote about normal people, people with different views on the Vietnam war, and how the war affected these people.

Every one of us has experienced a strong emotional fear, and in that moment of stress, we learn more about who we are. The short story “The Things They Carried”, by Tim O’Brien, follows the lives of soldiers trying to survive the emotional and physical stresses of the Vietnam War. Throughout the story, O’Brien juxtaposes the physical weight of the supplies that the soldiers must carry with the immeasurable weight of their intense emotional experiences. The theme of “The Things They Carried” is the burden of fear, which O’Brien portrays through the counter-weight of objects the soldiers cling to for consolation and escape. Some men turn to objects that remind them of love, no matter how unlikely it is that they are loved back. Other men

In the chapter "Speaking of Courage" Norman Bowker claims that he is responsible for his friend's death. However, in the chapter "In the Field" O'Brien places the blame on an unnamed young soldier who started the enemy attack by turning on his flashlight. Which story is true? Does it matter what is true? According to Jim Neilson, the story of Kiowa's death "evokes the notion that for the U.S. Vietnam was a quagmire; his drowning functions almost emblematically to suggest America's deepening entanglement in southeast Asia" (193). Whatever the meaning behind Kiowa's story, it certainly fits the requirements for a good war story: there is nothing redeemable in it. Maria Bonn sees the three stories about Kiowa's death ("Speaking of Courage," "Notes," and "In the Field") as exemplifying "O'Brien's relentless investigation of how to tell a true war story" (paragraph 39). When you look at all three of these chapters together you can see the progression from what is imagined to what is true or is it the other way around? With Tim O'Brien, it is never clear.

However, as the reader is to realize soon, by having his fictional characters tell stories and then recant the truth of those stories, O’Brien certainly calls into question the possibility of ever telling a true war story. The result of

Death defines life; it has the ability to reinvent the living for better or worse. “The Things They Carried”, by Tim O’Brien, provides a non-linear, semi-fictitious account of the Vietnam War that poignantly depicts the complicated relationship between life and death. His account breathes subtle vitality and realism into the lingering presence of the dead, intimating that the memories they impart have as profound an impact as the living.

Throughout Tim O'Brien's short work "How to tell a true war story" O'Brien has two reoccurring themes. One is of the desensitization of the troops during their hardship regarding the events of the Vietnam War, and the other is of the concept of truth. Truth may seem simple enough to explain, but is in fact endowed with many layers. The story is chalked full of contradictions, as well as lies, and embellishments, and yet O'Brien claims that these are the truth. The truth, whether it be war or society's, is in fact a concept that can be conveyed many times and in many ways. Whereas each is independently untrue, the combined collaboration of these half-truths is in essence the only real truth.

O’Brien argues that truth is affected by war in that truth is not black and white when it comes to war. Often, the things you find hard to believe are the true stories and the ones that seem like they are possible are not true. He argues that in a true war story, “there is always that surreal seemingness, which makes the story seem untrue,” but it is actually that quality that tells you whether or not it is true. This is different than how we see truth outside of war. We believe things that seem plausible to be true. He also makes the point that truth pertaining to war is not black and white. It is not binary. Most truths in war stories are somewhere between true and false. The author makes the point that “war is also mystery and terror and