The Understated Narrator of The Masque of the Red Death Essay

In "The Masque Of The Red Death", Edgar Allan Poe uses words and phrases to create an effect. He uses bold and dark words to help his readers be able to picture a very good image of the story and the mood that he wants to set. When he claiming that, "no pestilence had ever been so fatal ", that let the readers know that is was probably a very strong and gruesome disease that killed many of the town people. When Poe starts the story he starts by describing "The Red Death" and its symptoms. He described it as, "sharp pains, sudden dizziness, profuse bleeding at the pores with dissolution", "seizure process and termination of the disease were the incident of half and hour", he lists the symptoms as if it were a recipe, he is very straightforward and uses words that give an image to every symptom, he completely lets the reads know that "the red death" was a very nasty painful disease and you could imagine how much it made the characters suffer all in half

In the "Masque of the Red Death," the first sentence, "The Red Death had long devastated the country," sets the tone for the whole story. Poe describes the horrors of the disease, stressing the redness of the blood and the scarlet stains. The disease kills so quickly that one can die within thirty minutes of being infected with the disease. To create a frightening effect

Throughout the gothic horror short story, “The Masque of the Red Death”, Edgar Allan Poe illustrates the struggle of an egotistical prince who refuses to face the inevitable reality of death. Through the downfall of the protagonist, Poe establishes the idea that the inability to face reality often leads to the destruction of the mind. The downfall of the Prince is emphasized by Poe’s use of characterization, setting, and symbolism.

Edgar Allen Poe’s chilling short story Mask of the Red Death begins with people dropping like flies, as the king of the land decides to take his close friends with him to live in one of his palaces. leaving his subjects to survive on their own. A puzzling creature known as the Red Death has been terrorizing and killing off people one by one, and no one has a way to stop it. Through characterization of both Prospero and the Red Death, Poe foreshadows Prospero’s eventual death in the end of the story.

The overall conflict of the story “The Masque of the Red Death,” has to do with how death

Edgar Allen Poe's “The Masque of the Red Death” is an extravagant allegory of the futility of trying to escape death. In the story, a prince named Prospero tries to avoid the Red Death through isolation and seclusion. He hides behind the impenetrable walls of his castle and turns his back on the rest of the world. But no walls can stop death because it is unavoidable and inevitable. Through the use of character, setting, point of view, and symbol, Poe reveals the theme that no one, regardless of status, wealth or power can stay the passing of time and the inevitable conclusion of life itself, death.

Prince Prospero decorates lavishly for the masquerade ball. Each room has a different color as a theme, and the windows contain glass stained to match the respective colors of the rooms. Fair colors paint the faces of everyone. At first they wear masks for the ball, but at the story's conclusion, they all bear the bloody mark that signifies the Red Death. The Red Death, which is characterized by ‘scarlet stains upon the body and especially upon the face of the victim,’ has entered the palace unrecognized (“Explanation”

From the beginning, Poe is using diction and syntax to create suspense and develope a dramatic mood. The story of Prince Prospero and his country is introduced during the peak of chaos, as the people of his nation are being devastated by the “Red Death”. The brutal and rapid death caused by this disease is devastating his nation, yet Prospero is unaffected as he decides to seclude himself from his citizens - with exception of a few workers and friends - in a protected mansion. “There were sharp pains, sudden dizziness, and then profuse bleeding at the pores, with dissolution.” (Poe, Edgar Allan. 1) In this sentence the use of commas to separate the

In both “The Pit and the Pendulum”, and in “The Masque of the Red Death”, the main characters face the possibility of dying, but in “The Masque of the Red Death”, Price Prospero cannot escape his inevitable fate and ends up dead like all his guests. This is contrasted by Poe’s other story, “The Pit and the Pendulum”, where the narrator is inexplicably saved at the eleventh hour.

Edgar Allan Poe was a writer who believed every single word contained meaning and in his own words expressed this idea in brevity only he is capable, "…there should be no word written, of which tendency, direct or indirect, is not to the one pre-established design." (Poe 244). To this effect, Poe drenches his works in symbolism and allegory. Especially in shorter works, Poe assigns meaning to the smallest object, explicitly deriving exurbanite significance within concise descriptions. "The Masque of the Red Death" tells the story of a Prince Prospero who along with his one thousand friends sought a haven from the plague that was ravishing their country. They lived together in the prince's luxurious abbey with all the amenities and

the Red Death shows the futile attempts by a prince and his guests of a party,

The beginning of the short story Edgar Allan Poe uses a metaphor catalog of macabre details usually Gothic fiction (Osipova 25). Edgar Allan Poe comes out with very strong details to how the red death kills the people from the start he has a gruesome tone to the story. This is shown at the beginning to help the tone progress as the story goes on. All the macabre detailing throughout the story helped convey how unpleasant and terrifying the red death is and why Prospero desire to conceal from it. When he decides to take people with him to the palace he thinks that he will be safe however since the red death is all the peoples guilt and fears it goes after them because Prospero fears it the most. “Poe’s use of ambiguity here is masterful; the physical reactions he describes could very well be consistent with terror, distaste, and rage, but they could just as likely be symptomatic of the disease”.(Bennett 46). Poe select to make The Mask Of The Red Death a very terrorizing story conveying that you can't hide from fear because sooner or later it will get you. The way the people feel whenever they get the disease is very crucial to the story because they are being taken over by their guilt. All of the terror that people feel could just be some sign of the disease which is the red death. The narrator plays an important role in The Mask of The Red Death because it is 3rd person which whose everyone's feelings. In the end scene where the Red Death is actually shown as the Grim Reaper is three things omniscient narrator, supernatural being, and the dreaded plague itself (Guercio 76). Edgar Allan Poe changes the point of view throughout the story to give it a different effect and angle to how the tone is set. At the part when the red death uses third person omniscient it shows the people reading the book how important it is. He uses that type of view to show that he is over everyone else. The narrator is the only one that uses third person and the fact that the red death uses it tells everyone that is has a higher value that how they have portrayed him the entire story. It shows its real self in other words takes off his mask to reveal his true power over people.

Poe’s use of symbolism is very evident throughout the story of “The Masque of the Red Death”. Much has been made about the meaning of the rooms that fill Prince Prospero’s lavish getaway. One such critique, Brett Zimmerman writes, “It is difficult to believe that a symbolist such as Poe would refuse to assign significance to the hues in a tale otherwise loaded with symbolic and allegorical suggestiveness” (Zimmerman 60). Many agree that the seven rooms represent the seven stages of human existence. The first, blue, signifying the beginnings of life. Keeping in mind Poe’s Neo-Platonism and Transcendentalism stance, the significance of blue is taken a step further. Not only does blue symbolize the beginning of life, but the idea of immortality is apparent when considering these ideas. “Perhaps ‘The Masque of the Red Death’ then, is not quite the bleak existential vision we have long thought it to be”, expounds Zimmerman (Zimmerman 70). Poe’s use of each color is significant to the seven stages

Poe uses allegory to allude to the double meanings of the characters Prince Prospero and the masked figure, as well as the setting of the chambers. Prince Prospero represents prosperity. While his nation is suffering from the “Red Death”, “…he summoned to his presence a thousand hale and lighthearted friends…and with these retired to the deep seclusion of one of his castellated abbey” (420). His nobility and wealth give him the ability to ignore the horror around him and live in luxury. This refers to real life in that the privileged are the ones who are able to still live comfortably even if others are in a crisis. Prince Prospero also represents an ignorance, selfishness, and arrogance that come with wealth through right instead of hard work. He believes that “[t]he external world could take care of itself” and that it is “…folly to grieve, or to think” (420). Instead of taking action to help his people, he just leaves them in the grips of the “Red Death”. The “Red Death” is

As a gothic writer, Edgar Allan Poe created horror using gloom as his weapon. Hidden within the suspenseful story of “The Masque of Red Death” is an allegorical tale of how individuals deal with the fear of death as time passes. Frantic activities and pleasures (as represented by Prince Prospero and his guests) seek to wall out the threat of death. However, the story reminds the reader that death comes “like a thief in the night”(Poe 3), and even those who seek peace and safety shall not escape. Poe uses symbolism to illustrate that man cannot hide from his own mortality.