The Use Of Monster And Monstrosity In Mary Shelley's Frankenstein

Mary Shelley’s Frankenstein tells the tale of a man whose entire life turns to misery after creating what he calls a monster, a demon and a fiend. However, the real monster in this story is pride and the feeling of superiority. This is evident in the novel with Robert Walton’s view of himself and his expedition, Victor Frankenstein’s attitude towards himself in comparison with the creature, and mankind’s perception of the creature and their ignorance towards him.

Frankenstein, a novel first published in the year 1818, stands as the most talked about work of Mary Shelley’s literary career. She was just nineteen years old when she penned this novel, and throughout her lifetime she could not produce any other work that surpasses this novel in terms of creativity and vision. In this novel, Shelley found an outlet for her own intense sense of victimization, and her desperate struggle for love. Traumatized by her failed childbirth incidents, troubled childhood, and scandalous courtship, many of Shelley’s life experiences can be seen reflected in the novel. When discussing the character and development of the monster, Shelley launches an extensive discussion on the

Frankenstein, written by Mary Shelley, is an intricate novel written during the literary movement of Romanticism, and one of several famous fictional books in the Gothic genre. Shelley wrote Frankenstein in the midst of marveling whether someone could bring the dead back to life. Many of the discussed themes are presented through the actions the character’s act, and occurrences from Shelley’s personal life. Two of the numerous themes represented are social judgement regulated by birth and creation.

Mary Shelley’s story of internal turmoil, the cruelty of altering the laws of nature, and the consequences of redefining the laws of nature is a harrowing one, known widely by many audiences, yet it is never the nature of the characters that is discussed, only the outcome. Shelley’s deliberate use of different character foils portrays the deeper connections and themes in her 1818 novel, Frankenstein. The creation and presence of Frankenstein’s monster directly foils the character of Victor Frankenstein himself, illustrating overarching themes of self inflicted isolation and internal conflict, exposing the dangers and consequences of complete and total narcissism, and revealing a truth many still refuse to accept: we, as humans, are capable

Even Frankenstein, the monster’s creator, is blind to the innocence of the being he animates. Upon reflection, he recounts, “breathless horror and disgust filled my heart… unable to endure the aspect of the being I created, I rushed out of the room” (35), yet this rationalization lacks material justification. Frankenstein, as the creator, is endowed with a responsibility for the being he escorts into the world, a basic social value accepted by all. Nevertheless, he alienates his monster from its first breath, claiming, “no mortal could support the horror of [its] countenance” (36). Shelley employs this ironic twist of social expectations in order to emphasize the ability of visual bias to distort the expression of morality. To abandon a child is perceived as immoral, but to abandon a monster, born into the world with neither hateful bias nor malicious intent is acceptable. He is innocent in every aspect of disposition, yet society greets

Mary Shelley’s, Frankenstein, symbolized a person’s necessity for acceptance by society. Society labels everything as good or bad, right or wrong, rich or poor. Although some of these labels may be correct, many are misconceptions. The monster, needed to be accepted by society, but instead was scorned, attacked, and shunned because of his outward appearance. The treatment of the monster was on the assumption that he was actually a monster. The only justification of this treatment was his outward appearance.

Like most horror stories, Mary Shelley’s Frankenstein has a wretched monster who terrorizes and kills his victims with ease. However, the story is not as simple as it seems. One increasingly popular view of the true nature of the creature is one of understanding. This sympathetic view is often strengthened by looking at the upbringing of the creature in the harsh world in which he matures much as a child would. With no friends or even a true father, the creature can be said to be a product of society and its negative views and constant rejections of him. Although this popular view serves to lessen the severity of his crimes in most people’s eyes, the fact remains that the creature is in fact a cold-hearted wretch whose vindictive nature

Monsters are not born, but created. In order to become a monster one must have been previously victimized or have a predisposition to violence. The monster is created because he is exposed to violence and rejection, he then breakdowns and becomes malicious. In the lines “Why did you form a monster so hideous that even you turned from me in disgust? (Frankenstein, 124)”. Shelley is showing that by turning against the creature, Victor is deserting him in a strange and uncomfortable world. The creature is miserable and all alone. In corollary, the creature hurts others, because he has been neglected and in turn a monster is created. The creature states that “I will revenge my injuries; if I cannot inspire love, I will cause fear, and chiefly towards you my archenemy, because my creator, do I swear inextinguishable hatred (Frankenstein, 138)”. I believe that the novel would have turned out differently if Victor had welcomed the creature with

“ People fear what they do not understand. ” In the original 1888 edition of Mary Shelley’s Frankenstein, this saying is excessively shown throughout the journey of Frankenstein himself and his creation known as “ the creature.” Fear is spreaded in this famous, gothic novel because the epitome of society is lacked by both the creator and the creation, leading to much misunderstanding with who is the real monster. In this novel, the true monster is society because the ideals indirectly presented led Frankenstein to abhor and abandon the creature, the ultimate isolation of both, and the delirious vengeance developed by the two.

Mary Shelley’s exemplification of various characters in Frankenstein is a reflection of social norms of the time. This is ever so evident through the character of the creature, as society’s disgust with him reflects society’s aspiration in customs. This rejection of the creature also reflects Shelley’s own society as they start rejecting the Enlightenment’s pursuit of knowledge after the age of Romanticism

Mary Shelley’s novel, Frankenstein, which was published in 1818, is considered the literary work that created science fiction, much as the novel’s protagonist, Victor Frankenstein, created his monster. The novel raises the question of what makes a human. The Creature is living and human shaped, although grotesquely, but he is not considered human. Throughout the novel, the Creation searches for humanity and wishes to be seen as equal to humans, and this essay will explore how he does and does not accomplish that goal by analyzing his motives and morality, and how he succeeds through failing. One of the first and foremost human features in the Creature is his morality and how it is directly influenced by his environment.

The Theme of Monstrosity/Appearances in Frankenstein As the eight foot tall frightening monster is the center of the novel “Frankenstein” by Mary Shelley, monstrosity is illustrated as one of the main themes. Along with the theme monstrosity comes appearance and how others judge or treat the creature based off of his unattractiveness. This is proven by the interactions the monster has with numerous people that treat him poorly due to their judgemental ways. This affects the actions that the monster executes throughout the novel.

In most people’s minds as of today, there is no question to who the monster is in Mary Shelley’s book, Frankenstein. It is the creature that Viktor Frankenstein created, that murders innocent people. However, when looking beyond the appearance of the creature, it is evident that he did not begin as a monster. Mary Shelley analyzes fundamental and crucial issues in her novel in terms of being able to use science and knowledge for the good of people and not for the satisfaction of personal ambitions without even being able to take responsibility for that. It is also the novel of social rejection based on external looks and inability to accept. It was the extreme misconceptions of humans that resulted in the extreme isolation of Frankenstein’s

In the story the main speaker is Victor Frankenstein who is the creator of the monster, which he also describes the monster throughout the novel. The first descriptions he gives to the creature are mainly based on the physical features of it; the first impression he has is “His yellow skin scarcely covered the work of muscles and arteries beneath… his shrivelled complexion and straight black lips.” (Shelley 58) This shows that the monster does not look anything close to a human being, and this traits represent how his first impression defines his destiny through the story. On the other hand, when the monster tells his story, he expresses himself with “I have good dispositions; my life has been hitherto harmless and in some degree beneficial; but a fatal prejudice clouds their eyes, and where they ought to see a feeling and kind friend, they behold only a detestable monster.” (Shelley 159) He expresses how he is prejudiced by other people, and they are afraid that the monster might hurt them. The consequence

Mary Shelley, a writer and leader of the Romantic era, was clearly influenced by the great thinkers of the Enlightenment. One such thinker was John Locke, who expressed that all humans have natural rights. Locke also had a theory that humans are born with clean slates, and the environment humans grow in, especially at a young age, has massive influences on aspects of their personalities, ideals, and motivations. Shelley’s novel Frankenstein was, without a doubt, influenced by this claim. This is evident in more ways than one, with the strongest argument being that the monster, that Victor Frankenstein created, was almost completely like a newborn baby with a fully developed brain. His actions and beliefs were merely an result of his experiences and the natural goodness of human beings. In essence, Mary Shelley is using the monster of Frankenstein as a representation of other human beings who are affected by the hate and cruelty that surrounds them and become that which they experience. In essence, the monster is an embodiment of the human condition, in a creature that isn’t classically defined as human, but meets all the criteria.