The Yellow Wallpaper, written by Charlotte Perkins Gilman in 1913, is a gothic horror short story often praised by literary critics for its pioneering views of the medical communities treatment of the mentally ill; as well as its strong progressive feminist undertones. Peter Sarnackis analysis: The Yellow Wallpaper and Psychiatry, published on his website, provides a mostly psychoanalytic review with emphasis placed on the historical context in which the piece was written. He suggests the wallpaper represents the narrators mental state, though he provides no textual evidence. He focuses on the husband and links him to the medical community as a whole; however his claims are mostly contradicted by the text. Sarnackis review is unsubstantiated.
In his analysis, Peter Sarnacki writes “The yellow wallpaper [is] to coincide with the narrators mental state”. He establishes the clear contention that the wallpaper is a projection of her mental stability, adding “her
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Her perverse obsession with the wallpaper mirrors the obsession and control a mental illness can have over your life. Her comment “It dwells in my mind so!” highlights this. The bars inside the wallpaper represents the social stigma behind the mental illness, and the woman raging against it is her internal struggle with feelings of depression. The comments that “By daylight she [the woman behind the wallpaper] is subdued” mirrors the real world phenomenon whereby people are more likely to have feelings of depression late at night. Her final rebellion at the conclusion of the text shows her rejection of social constraints by ripping off the wallpaper and bars; acknowledging that she and the woman behind the bars, who has come to represent her illness, are one and the same. The Yellow Wallpaper offers an insightful glimpse into the taboo topic of mental illness and the social stigmas associated with
However, the most important aspect of this room is the yellow wallpaper. The narrator despises it, loathing the colour and it’s pattern. She writes that it is “. . .dull enough to confuse the eye in following, pronounced enough to constantly irritate and provoke study, and when you follow the lame uncertain curves for a little distance they suddenly commit suicide--plunge off at outrageous angles, destroy themselves in unheard of contradictions.” (Gilman). This description of the wallpaper serves the purpose to show the reader the unjust restrictions of society that the narrator is subjected to; “. . .commentators have seen in this description of the wallpaper a general representation of “the oppressive structures of society in which [the narrator] finds herself” (Madwoman 90), . . .” (Haney-Peritz 116). The statement of “dull enough to confuse the eye” and “constantly irritating and provoking study” are alluding to the narrator’s sense of inferiority and burden while the “lame and uncertain curves” are referencing the absurd suggestions that her husband is providing. Finally the “suicide” is the unfortunate fate that is destined to occur if his counsel is followed. When describing the wallpaper the narrator writes that “The color is repellent, almost
It is difficult to discuss the meaning in this story without first examining the author’s own personal experience. “The Yellow Wallpaper” gives an account of a woman driven to madness as a result of the
"The Yellow Wallpaper" takes a close look at one woman's mental deterioration. The narrator is emotionally isolated from her husband. Due to the lack of interaction with other people the woman befriends the reader by secretively communicating her story in a diary format. Her attitude towards the wallpaper is openly hostile at the beginning, but ends with an intimate and liberating connection. During the gradual change in the relationship between the narrator and the wallpaper, the yellow paper becomes a mirror, reflecting the process the woman is going through in her room.
Not only does the yellow wallpaper represent how the narrator feels physically trapped by the room but also how she feels oppressed by society. Through out her
The vivid descriptions in “The Yellow Wallpaper” help to bring the reader along in the narrators decent into a kind of psychosis. It starts mildly, with her describing the color of wallpaper as “repellant, almost revolting; a smoldering unclean yellow” (Gilman 528). As more time passes she begins to see more things in the paper such as “a recurrent spot where the pattern lolls like a broken neck and two bulbous eyes start at you,” and for it have “so much expression in an inanimate thing” (Gilman 592). As the pattern and descriptions get more twisted, we get visual clues of the madness that is slowly consuming the narrator. The color of the paper even begins to become a physical thing she can smell descried as, “creep[ing] all over the house...sulking...hiding...lying in wait for me…It gets into my hair” (Gilman 534). In the end we get a graphic visual representation of her full psychosis
The description of the house by the woman is positively somehow. However, she is disturbed by some elements such as; “the rings and things” in the walls, and that the bars on the windows keep showing up. In addition, what was disturbing her the most is the yellow wall paper which is creepy with a formless pattern and that leads her to be totally insane. Readers are introduced to the woman’s desperate thoughts and feelings, yet her husband came and interrupted her thoughts and she was forced to stop writing. Furthermore, she always complains that her husband John who is a physician belittles her illness, her own thoughts and that makes her more depressed. “The Yellow Wallpaper” is a deep feminist story that shows the unequal relationship between women and men in the 19th century and uses the yellow
The narrator in “The Yellow Wallpaper” is told she needs to rest constantly to overcome her sickness, so she is forced to stay in the old nursery where there is yellow-orange wallpaper with a busy, obnoxious pattern that she hates. She tries to study the wallpaper to distinguish the pattern, and as time goes on she believes she sees a woman moving around in the background of the pattern. Also, during this period of time the character’s condition is worsening, because her husband is causing her mind to weaken by not allowing her to exert herself at all; he says she is not to think about her condition, walk through the garden or visit family. All she can do is sleep and trace the wallpaper, and being cooped up in the room causes her to begin hallucinating. The narrator sees the woman trying to escape from the wallpaper throughout the night, and she ultimately completely breaks down and believes that she is the woman.
Instructed to abandon her intellectual life and avoid stimulating company, she sinks into a still-deeper depression invisible to her husband, which is also her doctor, who believes he knows what is best for her. Alone in the yellow-wallpapered nursery of a rented house, she descends into madness. Everyday she keeps looking at the torn yellow wallpaper. While there, she is forbidden to write in her journal, as it indulges her imagination, which is not in accordance with her husband's wishes. Despite this, the narrator makes entries in the journal whenever she has the opportunity. Through these entries we learn of her obsession with the wallpaper in her bedroom. She is enthralled with it and studies the paper for hours. She thinks she sees a woman trapped behind the pattern in the paper. The story reaches its climax when her husband must force his way into the bedroom, only to find that his wife has pulled the paper off the wall and is crawling around the perimeter of the room.
Similarly, “The Yellow Wallpaper” symbolizes the trapped narrator with an urgency to escape from her dwelling. Like Elisa, the narrator finds a task that would keep her boredom away as “life is very much more exciting than it used to be” (443). By staring at the wallpapers pattern constantly all day, she is no longer bored. In addition, the narrator believes that in order to escape she must free the woman behind the wallpaper. The narrator turns insane by visioning a woman in the wallpaper and trying to escape. The narrator is imprisoned, and the bothersome patter of the yellow wallpaper begins to straighten out to her. The narrator finds a channel of hope outside the windows, through the bars, wanting to leave the room and depart into the real world. Both Elisa Allen and the narrator feel a need, a desire for an escape from their current lives.
As the protagonist suffers from her “nervous condition”, the isolated environment causes her to only get worse. Being trapped in the bedroom with yellow wallpaper contributes her emotional distress to become overpowering. The inability to verbally express her feelings of loneliness causes her to write in a more creative way about her relationships with objects in the room, specifically the yellow wallpaper. She begins to write about the yellow wallpaper as if it is suppose to have some sort of significance, in which it does. In the beginning of the narrator’s isolation, her attention is focused on the details of the yellow wallpaper’s pattern that are “dull enough to confused the eye in following, pronounced enough constantly to irritate and provoke study” (438). The wallpaper’s characteristics become hard to
The Yellow Wallpaper is a short story by Charlotte Gilman about an oppressive husband and his treatment towards his mentally ill wife. Gilman based her story on her own experience with the rest cure for mental illness. She received a lot of criticism from the average person as well as physicians since she was speaking about the controversial treatment of women during the late 1800’s. She defended her work with this statement, “It was not intended to drive people crazy, but to save people from being driven crazy.” (Gilman, 1913)
Feminism has been around for a long time. There are many different ways to express support for feminism. A major way is through literature, an example of this is shown in Charlotte Perkins Gilman’s short story, “The Yellow Wallpaper.” The main theme of “The Yellow Wallpaper” is feminism. The short story shows how even when women appear to have it all, life is still far from perfect.
The Meaning Behind the Vision Dancing shadows across the room casted by the dancing flames on top of candles creating a dark, mysterious pattern that you catch yourself gazing at for hours. After staring at the pattern, being locked in, you start to trick yourself into seeing something that isn't there. Sometimes when people are too focused and trapped in a certain setting, the setting starts to compel the person and cause them to be consumed by what they are seeing and become symbolic. In the short story, “The Yellow Wallpaper” written by Charlotte Perkins Stetson, the narrator that is created and remains unnamed but is known as a female, is moved into a colonial mansion.
Psychology in the late 1800’s in combination with the structure of the average family, presented issues in psychiatric practice during that time period. The main idea of the “The Yellow Wallpaper” by Charlotte Perkins Gilman, is to introduce opinions and feelings about women’s suffrage during that time period through imagery, allusion, and symbolism. The protagonist, the main character who remains nameless in the story, is a dynamic female character who is constantly changing. In the beginning, she suffers from postpartum depression, in which she cannot stand to look at her child. Her husband, who is a physician, is controlling every aspect of her life, from taking away reading to taking away what she enjoys and the ability to keep her sanity.
The wallpaper is not merely the object upon which she obsesses. The madness that overtakes the narrator is not rooted in any nervous disorder that her husband diagnoses. The wallpaper is actually meant to represent a mould into which all women are supposed