“The labor of women in the house, certainly, enables men to produce more wealth than they otherwise

This view was very conflicting to those of the Progressive era. During this time period, suffragist were working very hard to get those past stereotypes thrown out the window. Charlotte Perkins Gilman, Author of “The Yellow Paper” and feminist activist, also wrote about her struggle with mental illness. She was directly affected by these misunderstood diagnosing of mental illness that differed from male to female. Gilman herself wrote and studied about this inequality in many of her life works. She was intrigued in why women were so socially criticized, in Ann Jane’s The Charlotte Perkins Gilman Reader, she wrote about Gilman’s ideas on this topic, “Gilman believed that women’s subordination started with the expropriation by men of the agricultural surplus women produced, limiting women’s full expression and autonomy and therefore dehumanizing them… men appropriated women’s work and by forcing them to depend economically on male authority, demeaned them” Gilman 's testimonies were taking very seriously because of her undeniable wit but later because of her shocking literature. Gilman is also known for her intellectual work in Women and Economics that was published in 1892. She was ahead of her time and seemed to foreseen what was to come with women’s advancement during the progressive era.

The “rest cure” was a common treatment for depression in women in the nineteenth and early twentieth century. Women were locked in a room involuntarily and forced to “rest.” The patient was locked in a room and not allowed to leave or function in any type of way. The narrator in Charlotte Perkins Gilman’s story The Yellow Wallpaper is subjected to this cure. The story is written to expose the cruelty of the “resting cure”. Gilman uses the wall paper to represent the narrators sense of entrapment, the notion of creativity gone astray, and a distraction that becomes an obsession.

     The plot of “The Yellow Wallpaper” comes from a moderation of Charlotte Perkins Gilman’s personal experience. In 1887, just two years after the birth of her first child, Dr. Silas Weir Mitchell diagnosed Gilman with neurasthenia, an emotional disorder characterized by fatigue and depression. Mitchell decided that the best prescription would be a “rest cure”. Mitchell encouraged Gilman to “Live a domestic life as far as possible,” to “have two hours’ intellectual life each day,” and to “never touch a pen, brush or pencil again,”(Gilman 20) as long as she lived. After three months of isolation, abiding by Dr. Mitchell’s orders, Gilman realized she was becoming insane. She abandoned Dr. Mitchell’s advice and,

Women struggled with society to gain status equal to men and their efforts were found in many literary works..  Famous authors such as Mary Wollestonecraft, Alice Walker, and Charlotte Perkins Gilman herself published works that expressed these views and served as a creative outlet similar to the narrator of 'The Yellow Wallpaper.'

In The Yellow Wallpaper, Charlotte Perkins describes the story of a woman suffering from a mental illness during the 19th century. The protagonist (an unknown narrator) is a wife and mother suffering from postpartum depression. Her husband John, who is also her doctor, diagnosed her with hysteria and he decided to move away with her to start a “rest cure,” at a mansion, isolated from the village. The narrator was powerless against her husband, and he had the authority of determining what she does, who she sees, and where she goes while she recovers from her illness. Throughout the story, the author used stylistic elements, such as strong symbolism, to show how the mental state of the narrator slowly deteriorates and ends

“The Yellow Wallpaper” a short story about a mentally ill women,written by Charlotte Perkins Gilman at age 32, in 1892 is a story with a hidden meaning and many truths. Charlotte Perkins Gilman coincidentally also had a mental illness and developed cancer leading her to kill herself in the sixties. The story begins with Jane, the mentally ill woman who feels a bit distressed, and although both of the well respected men in her life are physicians she is put simply on a “rest cure”. This rest cure as well as many symbols such as the Yellow Wallpaper, her journal, and her inevitable breakdown are prime examples of the typical life of a woman in this time period and their suppressed lives that they lived even with something as serious as a

In “The Yellow Wallpaper,” the narrator, already suffering with Post-Partum Depression, is further constrained when her husband John prescribes her resting treatment for her illness. John clarifies that she must lie in bed in the same, enclosed room, refrain from using her imagination and especially abstain from writing. This, in turn, forces the narrator deeper into her

As human beings, we play the cards that are dealt to us in this world. In life, every person goes through their individual ups and downs and occasionally may break down to the extent of not knowing what to do with oneself. In the short story “The Yellow Wallpaper” which takes place in the late 1800s, focuses on the first person narrator who is an infatuated woman. The disheartening story concentrates on a woman who is suffering from postpartum depression, and as well had mental breakdowns. The narrators husband John, moves her into a home isolated in the country where he wants her to “rest” and get better from her illness. During the course of being confined in the room with the wallpaper, she learns new

During the Progressive Era, there was a rise in advocates for various issues of the period. A prime example of a progressive advocate is Charlotte Perkins Gilman, who through her writing encouraged more social, political, and economic rights for women. Gilman specifically advocated for women to not only participate in their domestic duties but for women to also serve as active members of society; both politically and financially. To convey these points, Gilman wrote and published many books that illustrated the issues to the public and started conversations and controversies which brought more attention to women’s rights. In her works, Gilman consistently advocated for economic power for women; however, she supported women being involved and equal in every aspect of society; including having the same domestic power and rights as their husbands, women’s suffrage to match male counterparts, and the ability for women to be financially independent and self-supporting. Gilman’s writings acted as a significant part of the women’s rights movement during the Progressive Era by bringing the controversial issues to the public eye.

Charlotte Perkins Gilman's short story The Yellow Wallpaper depicts the tale of a woman confined to the old nursery in her family's colonial mansion (Gilman 1997: 1f.). She was diagnosed with " a slight hysterical tendency", a popular diagnosis in women towards the end of the 19th century, and now recounts her experiences during her condition's treatment in the form of journal entries (Teichler 1984: 61, Gilman 1997: 1f.). Over time, the treatment's strict limitations and lack of contact with the outside world begin to influence the woman's sanity negatively, continuously accelerating her deterioration until the situation escalates violently at the end of the story (Gilman 1997: 1f., Teichler 1984: 61). The progress of the

In 1990, Gilman married for the second time and married her cousin George Gilman. The two were together until his death in 1934. The year after she was diagnosed with an inoperable breast cancer

Depression, Loneliness, and confusion engulfed the narrator of the wallpaper, confinement broke her. During the time of Charlotte Gilman, Postpartum depression was said to be “…temporary nervous depression – a slight hysterical tendency”(Gilman). With her illness, she was unable to perform her role as a mother nurturing her child or as wife tending to her husband needs, rendering her useless. Set in these roles, women at the time were seen as domestic and unable perform any other task. The yellow wallpaper clearly evinces the oppression by her husband, “I am absolutely forbidden to “work” until I am well again… Personally, I disagree with [his] ideas . . .”, although she disagrees with the treatment, she has no say whatsoever when it comes to the matter of her illness, John does what he thinks is right for her.(Gilman) John decided that the best cure was the “rest cure”, meaning no brain stimulating activities while lying in a

In a classic piece of feminist writing, “The Yellow Wallpaper,” Charlotte Perkins Gilman depicts the mental deterioration of a woman diagnosed with hysteria and prescribed the rest cure, an infamously ineffective treatment for anxiety and depression pioneered by Dr. Silas Weir Mitchell at the turn of the nineteenth century. The story is framed as the narrator’s journal entries, which are infrequent and rushed because writing them violates the rest cure, thus making her writings a better representative of her descent into madness as well as her potent emotions regarding her confinement than had she written one for every day of her three month stay in the room with the repellant and titular yellow wallpaper. Gilman expresses the narrator’s societally mandated respect for her husband in addition to her resentment of the inferior treatment of women through her formal and impassioned tone and virulent imagery in reference to the setting in her 1892 short story, “The Yellow Wallpaper.”

Charlotte Perkins Gilman was a famous social worker and a leading author of women’s issues. Charlotte Perkins Gilman 's relating to views of women 's rights and her demands for economic and social reform of gender inequities are very famous for the foundations of American society in the late nineteenth and early twentieth centuries. In critics Gilman ignored by people of color in the United States and attitudes towards non-northern European immigrants (Ceplair, non-fiction, 7). “Gilman developed controversial conception of womanhood”, by Deborah M. De Simone in “Charlotte Perkins Gilman and the feminization of education”. Gilman’s relation to reading deserves more attention than it has received (“The reading habit and The yellow wallpaper”). Her work about Women and Economics was considered her highest achievement by critics.

In “The Yellow Wallpaper” story, the theme is mental illness. The woman in this story clearly is suffering from some sort of mental illness such as post part-partum depression and hysterical tendencies. Which can turn into something much more serious if someone does not intervene and get her some the help she really needs. However, they felt it was the right way to handle it at the time because they were following the old therapy treatment called “rest cure.” You watch her slowly go out her mind. Meanwhile she thinks her husband is taking perfect care of her. It seems like John was purely controlling her and prescribing her things that she probably did not really need. It was like he was making her