preview

Alison Of Bath Antifeminism

Decent Essays

Madeline Daigle
ENG 150 008
Alexandria Krause
Oct 20th 2017
Themes of Antifeminism in Chaucer’s The Canterbury Tales
Chaucer’s “The Wife of Bath’s Prologue and Tale” in The Canterbury Tales appears to be an illustration of feminism, one that showcases a female character’s progression in power in a primarily patriarchal society. However, beneath the simplistic plot of women’s empowerment, lies underlying themes of antifeminism in the character, Alison of Bath. Alison endorses the misogynistic role which she is fighting against with the objectification of her own body, her misinterpreted dictations of religion, and her fascination of sovereignty and dominance. Although Alison sees herself as a feminist, it is unlikely that men in the middle ages saw her the same way. She embodies the stereotypes of women in medieval literature; lustful, irrational, domineering, and a danger to a man’s salvation. Throughout the prologue and the tale, there are inconsistencies with what Alison preaches and how she behaves. That leads to the question, is Chaucer the forward-minded feminist he is often depicted as, or is Alison of Bath a mockery of the ideals of feminism and an illustration of what men thought of women at the time?
The Wife of Bath is a notable, sexually-forward character in The Canterbury Tales. Chaucer describes her facial features and body as sexually suggestive. In the “General Prologue,” Alison’s physical appearance is thoroughly described; feet, legs, hips, and expensively-dyed clothing. However, Alison’s most note-worthy physical trait would be her gap tooth. The “General Prologue” reads, “Gat-tothed was she, smoothly for to seye” (468). The translation of this would be that her teeth were widely spread; the supposed sign of Venus – the goddess of love. Being gap-toothed in the Middle Ages was regarded as a sign of a strongly-sexed nature, one of The Wife of Bath’s character traits. Alison’s strongly-sexed nature is also shown through her own frequent exploitation of her body to manipulate her husbands into consenting their property and money to her jurisdiction. In the “Prologue to The Wife of Bath’s Tale,” Alison boasts about said manipulation when she says:
“As help me God, I laughe whan I thinke
How

Get Access