Vibrant harbingers, lulled by the silent breeze, serenade the ears of passerbys with euphonious melodies foretelling life after death. Unseen by the naked eyes, they dance within the heathers that mark the entrance to the afterlife. Amongst the names of those who have perished in their soliloquies, was dear Aunt Helen who placed a ban of silence when she passed. Fortunately, there was one nameless fellow who had yet to perish. A naive man who longed to gaze upon the mysterious creature that lay before him. A tale that has been told for years in the works of T.S. Eliot, Emily Dickinson, and William Blake as they convey their central theme of having curiosity about occurrences in nature such as the afterlife or events that happened perchance. To begin with, Eliot’s somber poem, Aunt Helen, portrays the visual aspect of one’s death within a community which in turn enhances the central theme of the poem. Eliot develops the tangible impingement of Helen’s death by emphasizing upon what he felt through his senses as a witness in the neighborhood Helen once lived in. “And silence at her end of the street./The shutters were drawn and the undertaker wiped his feet---”(T.S. Eliot, Britannica School) As a result, the theme was conveyed in regards to how others felt about the death of someone they knew. Helen’s neighbors sealed themselves within their homes, because of their implied grief through their “silence”. Through the usage of imagery, the theme is conveyed in an obvious
Death is something that at some point will come to each of us and has been explored in many forms of literature. “The Raven” and “Incident in a Rose Garden” are two poems that explore common beliefs and misconceptions about death. Though both poems differ in setting, tone, and mood there are surprising similarities in the literary tools they use and in the messages they attempt to convey. The setting and mood establish the tone and feel of a poem. In “The Raven” we are launched into a bleak and dreary winters night where a depressed narrator pines for his dead girlfriend.
Death is a controversial and sensitive subject. When discussing death, several questions come to mind about what happens in our afterlife, such as: where do you go and what do you see? Emily Dickinson is a poet who explores her curiosity of death and the afterlife through her creative writing ability. She displays different views on death by writing two contrasting poems: one of a softer side and another of a more ridged and scary side. When looking at dissimilar observations of death it can be seen how private and special it is; it is also understood that death is inevitable so coping with it can be taken in different ways. Emily Dickinson’s poems “Because I Could Not Stop for Death” and “I Heard A Fly Buzz When I Died” show both
Miss Emily is also decaying, but it is subtle and internal--the awful smell that begins to permeate from her dwelling is a reflection of the withering woman within rotting. Perhaps most tragically, Miss Emily’s isolation is far from self-inflicted. Her blind devotion to the ones she loves; her father, her husband, her home; only serves to further condemn her actions. Her neighbors disregard toward her inabilty to let go of her father after his death, despite the delicacy of her being, caused for her madness to fester. “She told them her father was not dead.
The purpose of this essay is to analyze the theme, tone, and figurative language in the poem “There is No Word for Goodbye” by Mary Tall Mountain. The theme in this poem is that the word goodbye is forever, and it Isn’t used because they will see each other again, perhaps in an afterlife. The tone is calm and comforting as she speaks to her worried nephew. The theme and tone are both carried throughout the poem and it is notable because of the metaphors used. The two elements of figurative language in this poem are both metaphors, as it doesn’t appear there are any other types in the poem.The first metaphor used in the poem states that “the net of wrinkles into wise black pools of her eyes.” This contributes to the theme of the poem because it shows that the aunt is old
First, Emily Dickinson’s poetry1 continuously rejected society’s perception of death. As death approaches, the one entering eternity and those nearby are often scared
Emily Dickinson is one of the most important American poets of the 1800s. Dickinson, who was known to be quite the recluse, lived and died in the town of Amherst, Massachusetts, spending the majority of her days alone in her room writing poetry. What few friends she did have would testify that Dickinson was a rather introverted and melancholy person, which shows in a number of her poems where regular themes include death and mortality. One such poem that exemplifies her “dark side” is, “Because I Could Not Stop for Death”. In this piece, Dickinson tells the story of a soul’s transition into the afterlife showing that time and death have outright power over our lives and can make what was once significant become meaningless.
In Robert Pack’s poem “To an Empty Page”, the narrator is uncertain about what comes with death. He worries about his future and what may happen to him. As he asks questions into the emptiness, he finds answers in the echoes of his voice. Robert Pack uses literary devices such as rhetorical questions, selection of detail, metaphors, and juxtaposition to construct the meaning of his poem.
In opposition to “Because I Could Not Stop for Death”, Dickinson published her work of “I Heard a Fly Buzz – When I Died”. In this particular piece of literature, the author disbeliefs in an afterlife. In this poem, a woman is lying on bed with her family surrounding her, waiting for the woman to pass away. The woman, however, is anxiously waiting for “…the kings”, meaning an omnipotent being. Finally when the woman dies, her eyes or windows, as referred in the poem, “could not see to see “. When the woman passes away, she couldn’t see any angels or gods as she expected would be there, but instead, she is fluttered into nothingness. She isn’t traveling to an afterlife as she had expected to unlike in the poem of “Because I Could Not Stop for Death”. The woman finds out that death is a simple end to everything.
In some instances within literature, writers surprise readers by incorporating ideas that the reader may or may not expect. Within Emily Dickinson’s poem “I heard a Fly Buzz When I Died”, readers are introduced to a ghostly speaker that discusses the scene of their deathbed. Readers are exposed to many surprises throughout various aspects of the poem.
Two of Emily Dickinson’s poems, “I heard a Fly buzz-when I died” and “Because I could not stop for Death” are both written about life’s stopping point, death. Although the poems are written by the same poet, both poems view death in a different manner. Between the two poems, one views death as having an everlasting life while the other anticipates everlasting life, only to realize it does not exist. While both poems are about death, both poems also illustrate that the outcome of death is a mysterious experience that can only be speculated upon with the anticipation of everlasting life.
Emily Dickinson once said, “Dying is a wild night and a new road.” Some people welcome death with open arms while others cower in fear when confronted in the arms of death. Through the use of ambiguity, metaphors, personification and paradoxes Emily Dickinson still gives readers a sense of vagueness on how she feels about dying. Emily Dickinson inventively expresses the nature of death in the poems, “I felt a Funeral, in my Brain (280)”, “I Heard a fly Buzz—When I Died—(465)“ and “Because I could not stop for Death—(712)”.
I Heard a Fly Buzz – When I Died –, written by Emily Dickinson, is an interesting poem in which the poet deals with the subject of death in a doubtful yet both optimistic and pessimistic ways. The central theme of the poem is the doubtfulness and the reality of death. The poem is written in a very unique point of view; the narrator who is speaking is already dead. By using symbols, irony, oxymoron, imagery and punctuation, the poet greatly succeeds in showing the reality of death and her own doubtful feelings towards time after death.
In part one 'The Burial of the dead', Eliot opens with a scene of isolation and desolation. 'April is the cruellest month…'which is an inversion of what spring represents, this being new life and hope. It is seen here as cruel because, for Marie, it stirs memories, which are no longer there and have led nowhere. He follows this image of isolation with an image of togetherness, 'Winter kept us warm, covering Earth in forgetful snow…' She recalls being free in the mountains, but freedom involves taking risks and she hesitates and goes 'south in the winter'. Marie's memories portray the shallowness of the aristocracy and in many ways we are reminded of the ladies in Prufrock who 'come and go talking of Michael Angelo'. There talking leads nowhere and so by implication their lives are meaningless and dead, as dead as the wasteland.
This epigraph may serve as a way to connect with a certain group of scholars, as not many people speak the language it is written in, however, when it is read in its original context it may mean that Eliot does not foresee a very bright future, which would be in tune with the rest of the poem, furthermore this reference strongly hints at the use of tarot cards and the notion of randomness in the rest of the poem. The fact that this epigraph is in a foreign language greatly contributes to the theme of the poem and is therefore discussed in the next section of this paper. Followed by the epigraph is a quotation from the Anglican burial service, which serves as the subtitle of the first part of the poem: “1. The Burial of the Dead”. This leads us to additional intertextuality,