Theme Of Death In Death Of A Salesman

How can two people watch or read the same story and yet, interpret it completely differently? Does it have to do with the author’s intentions, or maybe it has to do with the viewers’ own backgrounds and ideologies? Whatever the case may be, viewing one piece of work can lead to a wide array of opinions and critiques. It is through the diversity of such lenses that Death of a Salesman, by Arthur Miller has become one of the most well-known plays in modern history. There are many different ways in which a play can be criticized, however, criticisms from the approaches of a Marxist and reader-response will be utilized to further dissect Death of a Salesman. Marxist criticism sees pieces of works as a struggle between different socioeconomic classes; what better way to see Miller’s play than for what it is at face value, the struggle of a middle-class man trying to achieve the American dream (1750). On the other hand, a reader-response criticism comes from either an objective or subjective view; in this case Death of a Salesman will be viewed with a subjective lens based on Willy’s deteriorating mental health (1746).

In Death of a Salesman, by Arthur Miller, Willy Loman’s life seems to be slowly deteriorating. It is clear that Willy’s predicament is of his own doing, and that his own foolish pride and ignorance lead to his downfall. Willy’s self-destruction involved the uniting of several aspects of his life and his lack of grasping reality in each, consisting of, his relationship with his wife, his relationship and manner in which he brought up his children, Biff and Happy, and lastly his inability to productively earn a living and in doing so, failure to achieve his “American Dream”.

On the other hand, Willy is also emotionally involved with Biff because his son’s success of failure is his own. By becoming rich and influential, the handsome, personable Biff was slated to provide his own modest advancement. By making his fortune in the business world, Biff would prove that Willy had been right in turning down

In Theatre Mitu’s “hyper-theatrical” production of “Death of A Salesman” by Arthur Miller many aspects were added to heighten the messages and morals of the story about the American Dream. One major choice was the use of objects to signify characters as well as add to characters. Willy carried a empty, open briefcase. Linda carried a sun parasol. Biff carried football gear. All the other characters are objects themselves. Happ is a punching bag. Charley is a refrigerator door, and Bernard is a bug repellent light. The Women is a fan. Ben is a big light, and the waiter is a champagne bucket. Almost all of the characters excluding Biff, Willy, and Linda are recording voices which creates a degree of separation from the outside world. Happ is somewhere in between by being an actor with a microphone.

Willy’s biggest issue with his son is that he let him down by not being any more successful than him. He feels like Biff is failing on purpose just to make him look bad. Although, he has no decent job and is single; Biff has become disoriented about life. Earlier in the play Biff tells Happy, “I tell ya Hap, I don't know what the future is. I don't know - what I'm supposed to want” (Miller266). Biff once looked up to his father as a role model, but lost all faith in him once finding out that he was having an affair. Ever since he has rejected Willy’s commitment of being a husband and also a father. To add to his ruins are Willy’s ideas of how Biff should get ahead in life. Willy taught Biff that popularity was the right way to get to the top, rather than hard-work and dedication. Trying to live by his dad’s standards caused Biff to fail high school and become unable to put forth the effort to become

Willy’s clear-cut expectations of his son can be evidently seen even in the early stages Biff’s life, which end up creating a lot of tension between Willy and Biff when Biff doesn’t meet his father’s expectations. Even when Biff is an adult and still hasn’t become successful in his father’s eyes, Willy’s expectations persist, as in a heated argument between the two Willy tells grown-up Biff that “the door of [Biff’s] life is wide open!” (132). Even though Biff will clearly never become successful in his father’s eyes, Willy still forces his unreasonable expectations on Biff, creating hostility between the two. Although Biff initially attempts to fulfill his father’s definition of success by working as a shipping clerk, Biff realizes that he will never fulfill his father’s unrealistic expectations: “Pop, I’m nothing!

From sudden death, to catching a loved one in an affair, what effect does tragedy hold on a person? Hamlet from Shakespeare’s Hamlet, and Biff Loman in Arthur Miller’s Death of a Salesman both experience life changing tragedy. Hamlet’s father died and his mother remarried to his uncle Claudius within two month of his father’s death. Hamlet is also compelled to avenge his father’s death and against his will he must kill King Claudius. In Death of a Salesman, Biff Loman struggles with the knowledge of his father’s affair, and his lack of success in life. On top of that he finds out that his father is in a state of mental decay. With the effect of tragedy how do Hamlet and Biff measure up through influence, relationships, and emotions?

Later in a flashback, Willy and Biff are on their way to Ebbets Field for a football game when Charley appears and beings a conversation with Willy. Merely joking around, Charley makes a few comments which Willy takes great offense too and beings insulting Charley and telling him to put his hands up as if to fight. Willy's arrogance shows it's face once again when Willy is talking to Biff about his meeting with Oliver. Completly ignoring what Biff is saying, Willy goes on about how good of a kid Biff is and how impressive he is. Though not directly insulting, Willy ignores what his son has to say and goes off on his own tangents, losing the respect of the reader. Willy then ends up in another flashback in the bathroom of the restauraunt where he met Happy and Biff for dinner. The most disgusting part of Willy is revealed here. Biff walks in on Willy and his woman friend whom hes had a secret relationship with. Willy attempts to cover it up and when that doesnt work he orders Biff around and shows how bad of a person he can be.

This is what Willy has been trying to emulate his entire life. Willy's need to feel well-liked is so strong that he often makes up lies about his popularity and success. At times, Willy even believes these lies himself. At one point in the play, Willy tells his family of how well-liked he is in all of his towns and how vital he is to New England. Later, however, he tells Linda that no one remembers him and that the people laugh at him behind his back. As this demonstrates, Willy's need to feel well-liked also causes him to become intensely paranoid. When his son, Biff, for example, is trying to explain why he cannot become successful, Willy believes that Biff is just trying to spite him. Unfortunately, Willy never realizes that his values are flawed. As Biff points out at the end of the play, "he had the wrong dreams."

All throughout America, competition flows through the people’s blood like an epidemic there’s no cure for. From the age Americans are infants, it is bred into them. They are taught that there are winners and there are losers, and not to be a loser. Although some believe this kind of competition can lead to success and happiness, the outcomes are quite the opposite. This is shown in Arthur Miller’s, Death of a Salesman when the main character, Willy Loman, not only lives his life by the myth of competition but also drives this myth into the minds of his family. This causes one of Willy’s sons to be led down a path of misguided aspirations, leads Willy to have very low self-esteem, and evokes poor relationships with others. Through this, Miller shows that competition is just a widely believed American myth which doesn’t lead to a fulfilling life.

Biff is the apple of his father’s eye. Young, handsome, strong, intelligent, and full of ambition, Biff is going to take the world by storm, and Willy intends to living vicariously through him. This is not to be however. After Biff’s disastrous attempt to get his father to discuss grades with his math teacher, Biff gives up. Entirely. At one point, he wanted to work and to succeed in order to please his father, but after he discovers Willy cavorting with another woman, Biff does not want to give his father the satisfaction of a flourishing son. Suddenly, Willy is a liar in his eyes, and later in life, this causes Biff to have an almost violent relationship with him. (1268) What makes the strain worse is Willy’s guilt, because he knows whose fault the tension is, yet he cannot bring himself to admit it.

            In speaking about his plays, Miller explained, “It is necessary, if one is to reflect reality, not only to depict why a man does what he does, or why he nearly didn’t do it, but why he cannot simply walk away and say to hell with it” (Eight ix).  In the case of Death of a Salesman, it is Willy’s desperate hope of success that keeps him from committing suicide for so long.  Eventually, however, he gives in to his feelings of depression and ends his life.  It is the only viable solution he sees at this point.  In another writing, Miller said, “My impulse is

Through the play Willy is striving to live the American Dream; to have a better, richer and happier life. He is obsessed with materialism thinking that acquiring possessions will make him and his family happy. When Linda tries to mend her stockings, Willy tells her “I won’t

The play "Death of a Salesman" shows the final demise of Willy Loman, a sixty-

In respect to the main themes, the major theme of the play is sociological. Miller wants to show the contradiction between American democracy which approves the infinite success and happiness of the individual, and the law as well as social conventions which frustrate him. He dramatizes the individual torn between the expected and the actual ( Choudhuri 94-106).