By demonstrating how the benign exchange of hospitality changes into a vicious cycle of assault and retaliation and how it ultimately leads to tragedy, Beowulf makes a point about the limits of hospitality, whereby nothing short of death can end the cycle of obligation. The world of Beowulf is constructed upon the rules of hospitality and requisites of reciprocity. As Marcel Mauss asserts, there are no free gifts. Regardless of time and place, a gift of any sort “obliges a person to reciprocate the present that has been received” (Mauss 9). While it might appear so, Beowulf’s arrival at the shores of Denmark to proffer his help to Hrothgar to kill the monsters is not a simple act of selflessness. He partakes in a system of exchange that underlies …show more content…
As Beowulf descends to the lair where Grendel’s mother resides, he becomes a guest of hers, though ironically one who strives to kill his hostess. His sword is described as being unable to “bite” (Beowulf 1524) through her body, a term which echoes Grendel’s feasting earlier in the poem. The act of making his sword bite into a creature that is indirectly cast as his hostess breaches the rules of hospitality, and this illustrates how the rules of hospitality have been sabotaged by the monsters in the poem. Even the rhythm of the fight scene between Beowulf and Grendel’s mother is reciprocal: Beowulf flings his sword away, grips her shoulder and throws her to the ground. In retaliation, she clutches him tightly in her embrace, makes him fall, and pounces on him. She draws a knife but fails to cut through his chain-mail, and in return, he swings a sword and slashes through her neck, killing her (1535-68). Once again, reciprocity ends in death. While this dispatching of the second monster seems cause for rejoicing, it also reinforces the notion that there is no way to end the cycle of hospitality and reciprocity without …show more content…
Heardred’s mistake in offering hospitality to the sons of Ohthere results in him being “mortally rewarded with wounds from a sword” (2386). Onela’s treatment of Heardred’s hospitality as treachery results in a cruel parody of hospitable exchange: a fatal sequence of assault and revenge. The fate of Heardred also serves to reaffirm that hospitality in this poem can never wholly seal itself from treachery and peril. Later on, in his report to King Hygelac after returning to Geatland, Beowulf speaks of how Hrothgar attempts to make peace between the Danes and Heathobards by marrying his daughter Freawaru to Ingel. In spite of the feud between the two sides, the Heathobards are obliged to host and entertain the Danes since a Danish princess is marrying the Heathobard king. But as Beowulf mentions, “the spear / is prompt to retaliate when a prince is killed” (2029-30). Paradoxically, the system of reciprocity here becomes a source of both Heathobards’ hospitality (as host) as much as their desire to retaliate against the Danes. Ultimately, the force of grievances outweighs the bond established through the offering of the bride as a gift: a guest who wears the heirloom snatched from the host’s father has betrayed hospitality, which invites retaliation from the host. This suggests the limitations of hospitality as a principle of socio-economic
Beowulf proclaims “In the blackness of night, hunting monsters out of the ocean, and killing them one by one; death was my errand and the fate they had earned. Now Grendel and I are called together” (liens 156-160). Beowulf claims that he must go to defeat Grendel, as it was his errand, or his duty, and his fate. This speech he makes to King Hrothgar reinforces his true reason to come to the King, not for any pride. Another vow Beowulf makes is when he says “That this is one favor you should not refuse me—That I, alone and with the help of my men, many purge all evil form this hall” (lines 163-166). In this line, Beowulf is pleading for the King to do one thing, which is to give him the permission for him and his men to go and fight Grendel, what Beowulf had arrived for. The fact that Beowulf asks the king for only one thing, which is to fight Grendel, shows Beowulf’s selflessness and concern for the safety of others. At no part does he ask for a reward, but even says that if fate is in favor of Grendel to give his armor back to his family. These words help paint the image of Beowulf being concerned for others, not for his
Not only does Hrothgar give Beowulf treasures, but he also puts his trust into him: "Now Beowulf, best of men, I will love you in my heart like a son, keep to our new kinship from this day on"(Crossley, 32). This is an excellent portrayal of the lord and thane relationship, and shows how much appreciation
In the Anglo-Saxon epic poem Beowulf, the stupendous hero’s many great deeds often appear to be for other’s benefit, yet Beowulf’s final conquest exposes his lust for glory and fame, thereby showing his lack of concern for anything else. This lust for immense glory and fame feeds his ego and causes his death and the imminent downfall of his great people the Geats.
“If this combat kills me, take care /of my young company, my comrades in arms. /And be sure also, my beloved Hrothgar, /to send Hygelac the treasures I have received.” (lns. 1480-1483) This quote shows that Beowulf thinks first of his people, then of his possessions. The quote starts with Beowulf facing the fact that he may not come back from this fight alive, revealing that although he has superhuman strength, he is still human and can die. The very next thing Beowulf says of Hrothgar is a request to keep the young men that came to fight with him safe should he not survive. This shows Beowulf’s compassion towards his fellow warriors and that they are his main concern. Lastly he makes sure that Hrothgar knows what to do with Beowulf’s earthly possessions. By requesting that his possessions be given to his king Beowulf shows his selflessness and loyalty to his people.
The concepts of wealth, payment, greed, and generosity evaluated give new insight. Beowulf is full of literary allusion. Many different themes are shown throughout Beowulf, and they give insight in to the time period of this era. Wealth, payment, greed, and generosity were very important in the Medieval era. The text of Beowulf, shows this off with perfection, and it gives a great representation of the time period. These four concepts balance very well throughout the book. Wealth, payment, greed, and generosity are also important today, in this modern era, and will continue to be important for as long as we
In “The Battle with Grendel” we also see how Beowulf can be violent. For example, lines 385-397 demonstrates how powerful Beowulf is while fighting Grendel. The quote says, “Grendel/ Saw that his strength was deserting him, his claws/ Bound fast, Higlac’s brave follower tearing at/ His hands. The monster’s hatred rose higher,/ But his power had gone. He twisted in pain,/ And the bleeding sinews deep in his shoulder/ Snapped, muscle and bone split/ And broke….Grendel escaped,/ But wounded as he was could flee to his den,/His miserable hole at the bottom of the marsh,/ Only to die, to wait for the end/ Of all his days” (385-397). This moment in the text shows how intense and extreme Beowulf’s actions were while fighting the monster. We, as readers, start to see how Beowulf slowly becomes who he is trying to defeat.
The Anglo-Saxon epic Beowulf touches on the vice of pride, and is instilled in the main character, Beowulf, the great and mighty warrior. His boasting and arrogance when first dropping anchor at Heorot transitions throughout the poem, and, in contrast with his ideal kingsmanship, motivates him to accomplish and overcome the many challenges he faces as an epic hero. The contrast of his absent humility in the rise and fall of the story help promote the progression of the story, through its different purposes. Beowulf, when first landing upon Hrothgar’s kingdom, boasts, which does not go unchallenged, so that he might gain the trust of the Danes, but when knowingly facing his last battle, uses bragging to comfort and brace himself for his ultimate demise.
“[Grendel’s] mother had sallied forth on a savage journey,/ grief-racked and ravenous, desperate for revenge” (Beowulf, 1276-1278). Her desire to avenge her son is carried out, but it ultimately leads to her death. Beowulf’s desire to garner fame and respect overpowers all of the raw emotion and anger felt by Grendel’s mother. She serves the purpose of showing the purest form of revenge, and how its blindness can lead to one’s demise.
Alcohol has been observed in countless works of literature throughout history. It has been seen a tool of an assailant, the preferred drink of unsavory character, or maybe even a symbol of peace. The versatile concoction has taken many forms, and at times it seems to be specifically praised and at other moments it is just a convenient transition to the next viable part of the narrative. Yet there are some narratives that expose alcohol as an important part of their ceremonies and rituals without calling undue notice to this feature. While glory, fame, and reputation are significant elements to the overall foundation of the Warrior society that is explored within Beowulf, there are other less obvious elements that hold crucial substance as well. The ceremonies such as the feasts, the passing of the beer horn, and gift presentations are saturated with ritual demands that must be observed. This analysis will take a deeper look at the significance of beer drinking that is exposed as a crucial element to the ritual completion during two different moments with the text. The first will be the Feast after Beowulf’s arrival at King Hrothgar’s court and the second will be during the feast as which Freawaru is observed distributing drink and gifts. Could the drink be used as a formality of displaying alliance and safe boarding or could it be a be a way to temper reactions during more emotionally charged moments?
Leadership skills are exemplified in the poem Beowulf through Beowulf’s characteristics and actions and his ability to lead and motivate his thanes. Unwillingness to give in to pride is also a leadership skill revealed in Beowulf. Beowulf displays courage and confidence during the battles of all three beasts of Beowulf. He ensures that his warriors trust in him enough to believe that they may be able to achieve a definite goal together. Beowulf, however, does allow his pride to obscure his vision of the future, therefore he does not possess all the necessary skills a leader should have.
The world as it is depicted in Beowulf is home to many aspects of society that are at odds with behaviors acceptable in modern culture, but perhaps shares a startling number of similarities as well. As part of the Anglo-Saxon society, the concept of loyalty is imbued into the seams of the civilization, and allegiance can be found split between lords and kin. Tales concerning themselves with eternal human problems are not few and far between in Beowulf—given that it is an epic poem—and antithesis governs the flow of the narrative. In the midst of the battles raging between evil and good, heroes and villains, mourning and glory, and victory and defeat, death is omnipresent, constantly looming and prompting men to drift towards their swords. This is a society in which chances for a clean slate—a tabula rasa—are minimal, and every action is chiseled in stone, forever etched into eternity. During a time period when very little is certain, the only guarantee of being remembered, of having your name go down stamped with your identity, is through heroism and action. Boasting is a means through which one can build a reputation for himself, planting his name into his opponents’ heads and setting a foundation for success. It remains a skill to be used prudently, though, as overstating and misrepresenting one’s abilities has the great potential to yield adverse repercussions.
Beowulf is one of the greatest epics from early British literature history we have managed to salvage, and amidst the tales of brave heroes and mighty battles, there lies an interwoven theme of isolation and death. These two plagues to the human mind and body walk together in a correlated marriage within Beowulf’s many episodes. Death is an obvious theme; the alpha and omega of the poem are grandeur funerals (Beowulf, l. 26-52, 3114-3155) and loss is littered throughout Beowulf’s journey. Isolation, however, is a theme that is directly related to the death inside of Beowulf’s world, and needs further examination as to how and why. It seems that the evil creatures that fall to the hands of our mighty hero indulge this theory, but this thematic duo take more than just the lives of the monsters. Isolation followed by death sweeps up innocent characters as well, including Beowulf himself.
Beowulf sees the need of taking risks when he must help his friend across the sea in bringing peace to his land. Hrothgar’s kingdom, Denmark, is being terrorized by the vicious, bloody thirsty demons, Grendel and his mother. Sailing across the sea, putting his own life at risk for others is an immense risk that can certainly lead to Beowulf’s demise. The Geats, who idolize Beowulf, see this risk but can comprehend that Beowulf must go as it is the only way to save the Danes “Would sail across the sea to
The king of Danes, Hrothgar, was first introduced as an accomplished and wise king. He comes to be well known as a young king when he protected Beowulf's now departed father, Ecgtheow. Hrothgar wergild peace with Ecgtheow's enemies so that the bloody feud would end. With Hrothgar doing this generous deed to help Ecgtheow and his kingdom out Beowulf devotes his assistance in the beginning of the poem. One thing that makes Hrothgar a good king is that he always seems to stay true to his word, as is told at the beginning, “the king kept well his pledge and promise to deal out gifts, rings at the banquet” (53-55). It was clear that Hrothgar was an exceptional military leader with his bravery and strength but he is aged now and cannot fight the same as he used to. The Danes are then faced with an evil and wicked monster, Grendel, who terrorizes his realm. Beowulf asks Hrothgar if he could fight this battle for him to pay back his family debt and Hrothgar agreed. Hrothgar makes a promise to reward Beowulf if he succeeds in killing the monster Grendel. He says, “For his gallant courage I’ll load him with gifts…. shall know not want of treasure or wealth
Throughout the epic poem, the possession of wealth and treasure represents a reputation of honor, status, and skill, but were also used to solidify bonds and ensure loyalty. Every king along the lineage of royalty had a duty to spread his riches, a responsibility indicated by the frequent use of “ring-givers” that would even provide, “far-fetched treasures… and precious gear” (36-37). Wealth, a vastly important role in Beowulf, enables the king to manifest his generosity upon society. This act was not only a practice, but also a representation of honor as it was a way to exhibit benevolence to others as well as rewarding their loyal followers. An example would be during the time Beowulf saves the hall of Hereot from the terror and destruction of Grendel. As a result of Beowulf’s heroic acts, Hrothgar showers treasure on him and his men in order to show his thankfulness and goodness. The poet asserts how this giving of gifts signifies the manifestation of Hrothgar’s honor as king.