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Theme Of Invisible Man

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Waleed Sheikh
AP Literature (Mr. Bierbaum)
Invisible Man by Ralph Ellison
September 14, 2015
The Blues

Shake him, shake him, you cannot break him For he’s Sambo, the dancing, Sambo, the prancing Sambo, the entrancing, Sambo Boogie Woogie paper doll. And all for twenty-five cents, the quarter of a dollar … Ladies and Gentlemen, he’ll bring you joy, step up and meet him, Sambo the – (Ellison).
These haunting words render the true essence of Ralph Ellison’s novel, which is the “Invisible Man”. The title within itself engraves a meaning so deep that it shines light within the deepest crevasses of the reader’s soul. The brief excerpt interprets the true meaning behind Ellison’s novel. As ambiguous as it maybe, it summarizes not only the …show more content…

O’meally suggests that Ellison also incorporates the Blues within his character developments for a very different purpose, other than those of mood and rhythmic sequences. He suggests that Ellison intentionally focuses on the music of Armstrong so as to introduce a concept of materialistic fascination within the narrator. Just as the catchy tunes of the Blues, the narrator too is fascinated by the concepts of equality and justice and is haunted by racial imbalances however, he is simply intrigued by such ideologies but never really tries to divulge his entire aspirations into the cause. He waits for a magical idea, which for him will be the ticket to success and consequently allow him to become visible. He is in many aspects selfish to his own dilemma of invisibility and strives only to be recognized much as the various artists from the Blues era. The narrator’s obsession with recognition can be recognized early on in the prologue where he strings 1369 light bulbs in the underground hole just to feel visible. Such a comparable lunacy can be observed in the Blues where many musicians often transcend into another state of consciousness where the singular focus of their cognizance is the beat similar to the narrator’s unrealistic obsession with

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