Charlotte Perkins-Gilman’s portrayal of mental illness in The Yellow Wallpaper truly captures the historical truth of how the lives of everyday women were shaped by stereotypes and abuse. In the short story, the narrator’s mental state slowly deteriorates and is marked with periods of severe disassociation as consequence of her sentence. The inability of her husband to accept her condition is a massive factor in her initial disassociation. The narrator’s condition spirals after a month’s stay locked up, characterized a notable avoidance of reality, all while under her husband’s belief that resting is the miraculous cure for her sudden and “temporary nervous disease”. A week before she is able to go home, she has fully detached from societal expectations and fully into madness, escaping from her cruel treatment. Her disassociation was her way of gaining back her freedom, despite by-product of her loss of sanity. …show more content…
She would benefit greatly from emotional support, but her husband is extraordinarily unhelpful in her recovery. The unequal relationship between the narrator and John is a metaphor for the larger gender inequality in society. He dismisses her well-thought-out opinions and belittles her writing – her creative impulses. He speaks of her as he would a naughty child who is trying to avoid chores by condescending phrases such as “Bless her little heart, she will be as sick as she pleases!” (Gilman 5) He overrides her judgments on the best course of treatment for herself as he would on any issue, making her live in a house she does not like, in a room she detests, and in an isolated environment which does nothing but cultivate loneliness. John’s governing of her “care” shows that he believes the theories which claim that women’s societal inferiority leaves them in a constant state of infantile
“The Yellow Wallpaper” is a symbolic tale of one woman’s struggle to break free from her mental prison. Charlotte Perkins Gilman shows the reader how quickly insanity takes hold when a person is taken out of context and completely isolated from the rest of the world. The narrator is a depressed woman who cannot handle being alone and retreats into her own delusions as opposed to accepting her reality. This mental prison is a symbol for the actual repression of women’s rights in society and we see the consequences when a woman tries to free herself from this social slavery.
Charlotte Perkins Gilman’s, “The Yellow Wallpaper,” tells the story of a woman suffering from post-partum depression, undergoing the sexist psychological treatments of mental health, that took place during the late nineteenth century. The narrator in Gilman’s story writes about being forced to do nothing, and how that she feels that is the worst possible treatment for her. In this particular scene, the narrator writes that she thinks normal work would do her some good, and that writing allows her to vent, and get across her ideas that no one seems to listen to. Gilman’s use of the rhetorical appeal pathos, first-person point of view, and forceful tone convey her message that confinement is not a good cure for mental health, and that writing,
She has been trained to trust in her husband blindly and sees no other way. He calls her “little girl” (352) and “little goose” (349) and states “She will be as sick as she pleases!” (352) whenever she tries to express her issues. Instead of fighting for what she thinks will make her better she accepts it and keeps pushing her feelings aside, while he treats her like a child. We get an instant feel for her problem in the first page when she says, “John laughs at me, of course, but one expects that” (pg 346). A woman shouldn’t expect her husband to laugh at her concerns. Even after briefly writing about her condition she remembers her husband telling her the very worst thing she can do is think about it and follows his instructions. This is when she begins to focus on the house instead of her problems and the obsession with the wallpaper starts. She has nothing else to think about alone in the home; they don’t even allow her to write, which she has to do in secret.
In Charlotte Perkins Gilman’s “The Yellow Wallpaper,” the narrator must deal with several different conflicts. She is diagnosed with “temporary nervous depression and a slight hysterical tendency” (Gilman 221). Most of her conflicts, such as, differentiating from creativity and reality, her sense of entrapment by her husband, and not fitting in with the stereotypical role of women in her time, are centered around her mental illness and she has to deal with them.
Through a woman's perspective of assumed insanity, Charlotte Perkins Gilman comments on the role of the female in the late nineteenth century society in relation to her male counterpart in her short story "The Yellow Wallpaper." Gilman uses her own experience with mental instability to show the lack of power that women wielded in shaping the course of their psychological treatment. Further she uses vivid and horrific imagery to draw on the imagination of the reader to conceive the terrors within the mind of the psychologically wounded.
Analysis: The above quotations clearly display the similarity between John and the Narrator’s relationship to that of a father and a daughter. John controls the majority of the Narrator’s behavior to the point she feels an overwhelming sense of guilt for her incapacity as John’s wife. The Narrator is restricted in her actions and is therefore unable to fulfil her wifely duties, forcing her to consider herself as a burden. When is reality, John treats the Narrator as his daughter and does not permit her to complete her duty. For instance, the Narrator dislikes the yellow wallpaper and wishes to have it removed; however, John does not allow her to do so and acts as if it would feed into a child’s stubbornness. His continued belief in his superiority disregards the Narrator as is wife and instead infantilizes her. He believes her identity exists only through him, which merely encourages his paternalistic
Although tender and caring, John played a significant role in causing the narrator’s descent into ‘madness’. By taking on the role of a physician and a husband, John symbolises the stronghold power men had over women in the past. Instead of respecting his wife’s request for some form of mental stimulation, John insists that she takes on the ‘rest’ treatment. The treatment only focuses on the physical condition of the patient, and not the emotional or mental
John is an antagonist of the story. He feels he is doing his wife good; by locking her away in this mansion. However, the reader soon realizes, this treatment is only worsening her mental state. He is never home with her; he always has patients to see in town, leaving her locked in this house; alone with her thoughts. He ensures that she gets rest and fresh air to get well. To him, it may seem as though he is doing his wife good; by locking her away in this mansion. However, this seclusion she experiences causes serious damage to her mental state. Her husband has control over her that women
The author states, “John hates me to write a word”(474). It seems that writing is a form of escape to her, but as close as she is to do it, her husband keeps an eye on her which prevents her to keep writing and give up on it. Also Perkins states, “I did write for a while in spite of the; but it does exhaust me a good deal having to be so sly about it, or else meet with heavy opposition” (474). Writing allowed her to make sense, in her mind at least, of the confusing world she was living in. John did not like her writing because to him it was a threat that can make her more sick and he was only trying to help her be better. He has to control her, and as a woman her thoughts were not important. Writing gave the woman a small sense of control or power. It allowed her to express herself and her thoughts, which John was very uncomfortable with. “John does not know how much I really suffer. He knows there is no reason to suffer, and that satisfies him” (475). With this, the reader can conclude the obstacles women went through with gender inequality. John thought that he was providing for her, keeping her safe, giving her everything she wanted, but he did the opposite. He kept her locked at home, with supervision around all the time, which brought the yellow wallpaper as a major symbol for
This just shows how she is not considered to know what is best, even for her own mental health. She does not even realize that this is happening. She just says things like "And what can one do?" (Gilman 317) or "But what does one do?” (Gilman 317). I believe the entire purpose for her mental health problems lies in the fact that she is trying to hold back the feeling that she cannot express herself or give an opinion about her own problems. In American Literature Research and Analysis Web Site, Wohlpart claims that prior to the twentieth century, men assigned and defined women’s roles. It is considered improper for a woman to openly express dissatisfaction and anger. She says at the bottom of page 317 that she gets "unreasonably angry with John sometimes" and she blames it on her "nervous condition.” John tells her not to "neglect proper self control" (Gilman 317). So she is not allowed to express herself in speech nor in her writing, which I think she used for comfort and as a release. The mental-battle with doing what is considered proper and what she wants to do is what is slowly driving her crazy.
John, the narrator’s controlling, but loving, husband represents the atypical man of the time. He wants his wife to get better and to be able to fill the role of the perfect wife that society expected from her. John, being a doctor, did not quite believe that her mental illness was out of her control and insisted on
Charlotte Perkins Gilman once said, ‘’There is no female mind. The brain is not an organ of sex. Might as well speak of a female liver’’. Gilman’s belief that there’s no difference in means of mentality between men or women demonstrated through ‘’The Yellow Wallpaper’’. Gilman symbolically portrays that women suffer from psychological disorders caused by lack of love, care, and a constant pressure of secondary roles and personal unimportance in social life. The Yellow Wallpaper is a short story about a woman who has a mental illness but cannot heal due to her husband’s lack of belief. The story appears to take place during a time frame where women were oppressed. The short story can be analyzed in depth by both the psycho-analytic theory and
Charlotte Perkins Gilman’s “The Yellow Wallpaper” is a detailed account of the author’s battle with depression and mental illness. Gilman’s state of mental illness and delusion is portrayed in this narrative essay. Through her account of this debilitating illness, the reader is able to relate her behavior and thoughts to that of an insane patient in an asylum. She exhibits the same type of thought processes and behaviors that are characteristic of this kind of person. In addition, she is constantly treated by those surrounding her as if she were actually in some form of mental hospital.
Charlotte Gilman’s short story “The Yellow Wallpaper” is centered on the deteriorating psychological condition of the female narrator. As a woman in a male dominating society in the 19th century, the narrator has no control over her life. This persistence eventually evolves into her madness. The insanity is triggered by her change in attitude towards her husband, the emergent obsession with the wallpaper and the projection of herself as the women behind the wallpaper. The “rest cure” which was prescribed by her physician husband, created the ideal environment for her madness to extend because, it was in her imagination that she had some freedom and control.
"The Yellow Wallpaper" is portraying a story of a woman suffering from postpartum depression. The story describes the mental and emotional outcomes of a distinct old therapy called “rest cure” that was prescribed to people. Which is what their prescribed Mrs. Gilman with. It appears that she was writing about her own suffering that she went through in the year 1887, two years after giving birth to child. From the story, it was obvious that Mrs. Gilman was writing about her own life experience which can now be viewed as a clear reflection of the feelings of women, like herself who have gone through these same treatments. In her words, “It is the same woman, I know, for she is always creeping, and most women do not creep by daylight.” (Gilman,487).