Theme Of Mrs. Mallard

Throughout the story, Chopin adds bits of foreshadowing to hint at the demise of Mrs. Mallard. On the opening page of the story, the first sentence states, “Knowing Mrs. Mallard was afflicted with heart trouble, great care was taken to break her...husband's death” (6). This sentence leads the reader to believe that Mrs. Mallard is already gravely ill. On the final page of the story, Mrs. Mallard argues with her sister, Josephine, who fears that Mrs. Mallard is making herself sick from heartbreak. Mrs. Mallard shouts, “Go away. I am not making myself ill” (8). This foreshadows that she is already making herself sick.

The doubt and misconstruction placed upon the women in the stories is a huge factor in the way their characters develop. Mrs. Mallard's sickness was misdiagnosed by both her family and doctor. They believed she suffered from heart problems but no evidence of this was produced during the story. When Mrs. Mallard was up in her room, her sister, Josephine, was worried that Mrs. Mallard would make herself ill because she was alone and suffering from her husband's death. Chopin gives the reader an insight as to Mrs. Mallard's thoughts by using a third person limited omniscient narrator, and by doing so, allows the reader to understand that Mrs. Mallard's family's ideas of her health were false. Near the end of the story the doctors and Mrs. Mallard's family believe that she has had a heart attack because she was happy to see that her husband was alive, while in actuality, she died because didn't want to live if she had to live with him.

Mrs. Mallard and Mrs. Sommers have a fair share of intemperance. Mrs. Mallard has come to the realization that the death of her husband is not only a tragic occurrence, but also a beneficial cutting of her previously binding marital ties. The crisis of her grief has given her new insight on her life, and Mrs. Mallard understands that her marriage has limited her independence and freedom. Due to this realization she immediately forgets about the accident and starts to think about her freedom: ““Free! Body and soul free!” she kept whispering” (paragraph 14). It is only an hour after Mrs. Mallard has received the bitter news of her husband’s death. Considering that her husband is gone, instead of mourning, she is overwhelmed with the freedom she

When her husband is killed in a train accident Mrs. Mallard cries, but for different reasons than would be expected. She is sad for her husband’s death, but, moreover, she is overcome with joy. For now she is free. No one recognizes her true emotions because women fall apart when their spouse dies; it’s required. Marriage is portrayed as a life sentence. "She said it over and over again under her breath: ‘free, free, free!' Her pulse beat fast, and the coursing blood warmed and relaxed every inch of her body"(1). Mrs. Mallard was relieved that her husband died for she thought her sentence was over. When she realized that he was still alive, and therefore she was still committed to the marriage, she died from the shock and horror of being trapped.

Mallard’s emotions towards the “death” of her husband because of outside inspiration that took apart in her epiphany. When she first discovered her new emotions and did not know that they were tied to how she had felt in her marriage, she had questioned what she was actually feeling “What was it? She did not know; it was too subtle and elusive to name. But she felt it, creeping out of the sky, reaching toward her through the sounds, the scents, the color that filled the air” (Chopin 476).The emotion that she had of the liberation her husbands “death” gave her was reaching out to her from the window and the forethought of a life where she lives as her own

     The background of the story gives us the idea of what Mrs. Mallard’s marriage meant to her. We see a picture of a young well-to-do wife who seems to be very pleased with her life. We also get the impression that she was deeply in love with her husband.

Mallard underwent a change when she came to the realization that she would no longer be under the control of her husband and was free. She began to think about all the time she would have to herself and “Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body” (Chopin 279). Her previous state of sadness and mourning over the loss of her husband diminished. However, her joyous outlook on her new life was short lived due to her death from her heart disease after she saw her husband, whom she thought was dead, walk through the door. This is an extremely drastic change for Mrs. Mallard because she went from being alive to being deceased.

Mallard after her sister tells her the news of her husband is not the common reaction expected when someone suddenly dies. Her reaction quotes, “She did hear the story as many women have heard the same, with a paralyzed inability to accept its significance. She wept at once, with sudden, wild abandonment” (Chopin 653). This quote indicates the fact that she does not react the way that a spouse would when he or she’s spouse has passed and having the utter feeling of denial. Though uncertain of her own feelings, Chopin begins to describe Mrs. Mallard’s decaying thoughts of her former lifestyle into something more

The character Mrs. Mallard from Kate Chopin’s “The Story of an Hour” can be considered both sympathetic and unsympathetic for various reasons. She could be seen as a sympathetic character because of the times Mrs. Mallard’s character came from. On the other hand, she could be seen as unsympathetic for how her character is very self-centered. We see this in how she is constantly rationalizing with herself that her feelings of joy at her husband’s death were well founded. There are also several other variables that must be taken into consideration when deciding if Mrs. Mallard is a sympathetic character, or not.

When an author uses characterization in a story, the reader gets a better understanding of the character. In “The Story of an Hour”, Kate Chopin doesn't directly characterize Mrs. force the reader to infer Mallard, she uses more indirect characterization to force the reader to infer the traits of Mrs. Mallard.

When it is revealed that she has “heart trouble”, her sister uses extreme caution when breaking the news about the death of Mrs. Mallard’s husband. Chopin makes use of certain things in the short story where things can be taken literally and figuratively. Mrs. Mallard’s heart condition can be looked at literally and figuratively because Chopin incorporates it as both a physical and symbolic problem. Mrs. Mallard did have mixed feeling about her marriage and the lack of freedom that she had. When Mrs. Mallard realizes that she has this

Mrs. Mallard’s heart trouble is symbolic of her broken relationship with her husband, Brently. Of all the possible health issues that Mrs. Mallard could have been battling, it is heart trouble that she if faced with. It is noted that Josephine speaks “in broken sentences; veiled hints” (Chopin, “The Story”), so that the news of Brently’s death is revealed to Mrs. Mallard as carefully as possible. However, the news of her husband’s death actually brings a new life to Mrs. Mallard: “Her pulses beat fast, and the coursing blood warmed and relaxed every inch of her body” (Chopin, “The Story”). Mrs. Mallard’s marriage has confined her to her home and has caused the loss of her freedom, which is represented by her heart trouble. Her death is not caused by the joy of seeing her husband like the doctors thought, but rather due to a loss of joy, as she loses her newly found independence upon seeing Brently walk through the front door. Chopin shares: “When the doctors came they said she had died of heart disease – of joy that kills” (“The Story”). The window in Mrs. Mallard’s bedroom also serves as an important symbol in the story, representing Mrs. Mallard’s freedom. Upon seeing the beauty throughout the streets as she looks out her window, Mrs. Mallard is finally able to realize that the rest of her life is full of countless possibilities (Rosenblum,

The story goes on to explain the emotions that Mrs. Mallard goes through when she is in her room alone, going over the news she had just received. This is the part of the story when the conflict turns from outward to in; a conflict with the character against the situation to a conflict between the character and herself, or the character and her emotions. The passage; “ She was beginning to recognize this thing that was approaching to possess her, and she was striving to beat it back with her will--as powerless as her two white slender hands would have been. When she abandoned herself a little whispered word escaped her slightly parted lips. She said it over and over under the breath: free, free, free,” possesses beautiful imagery that brings the reader into the emotional conflict Mrs. Mallard is experiencing. (Chopin)

She noticed the "there were patches of blue sky showing here and there through the clouds". The other characters in the story have one impression of Mrs. Mallard; she seems to have reacted to the terrible news as one would expect, but the reader is aware that a distinct change has come over her.

Socrates, a Greek philosopher once said: "Each one must know himself." Unfortunately, most of us are not aware of our true character. Social conventions are the main cause making us repress what we really think and feel. Only when unexpected events happen, we do have an opportunity to take a close look at our hidden self. "The Story of An Hour" by Kate Chopin reflects the dramatic development process of Mrs. Mallard's character through the death of her husband; it demonstrates that the true identity cannot be sheltered forever.