Theme Of Sexual Dissonance In The Picture Of Dorian Gray

Wilde, Oscar. The Importance of Being Earnest. The Norton Introduction to Literature. Ed. Alison Booth, et al. 9th ed. New York: Norton, 2005. 1879-21.

“England is bad enough I know, and English society is all wrong” (Wilde, 145). The Picture of Dorian Gray and The Importance of Being Ernest are both ingenious literary works by the witty Oscar Wilde. The lead roles Dorian Gray and Jack Worthing are the perfect examples of how the Victorian society was phony. Although one is tragic and the other comedic both works by Oscar Wilde offer a social comment on the hypocrisy of the Victorian Era. Through the protagonist’s superficiality, deception and consequence of living a double life such comments are presented. While their superficiality and ability to deceive people are quite similar their consequences for their actions differ a great deal.

Wilde also was famous for his leading of the aesthetic movement and his imprisonment for propagating homosexuality. The Picture of Dorian Gray tells a story about a degradation of a young man Dorian Gray. At the beginning, an artist Basil Hallward paints a portrait of the kind and innocent Dorian Gray and, after seeing the artwork, Lord Henry Wotton - a vain and snobbish class man - requests to meet him. Influenced by eccentric Henry Wotton’s philosophy, Dorian begins to become vain and cruel but while his external appearance remains unchanged, his appearance on the painting alters every time he commits a sin. The novel explores many issues, one of them is aestheticism - exaltation of art and beauty, leading to the eternal question - can a beautiful person be moral and a moral person be beautiful, which always have and will stir society’s curiosity. Oscar Wilde once said that "All art is quite useless" and in The Picture of Dorian Gray, he tends to juxtapose various expressions of art with the routine of Dorian Gray and a shallow life in the nineteenth century. As a tool to reveal the concept of a life at the end of the 19th century Wilde uses art of pretty - but meaningless - things used to please one’s vanity and create a mundane environment. This raises the question: what did Oscar Wilde want to imply by and how does he use art to develop the theme of morality in The Picture of Dorian Gray? It was impossible to avoid art in any of its expressions (parties, theatre, clothes, etc.) in even the most regular lives in the 19th century and of course it influenced the way of thinking, created the social status and the image of oneself, so, after all, art had a huge impact on the individuals of the 19th century. And, as often beauty does, art encourages greed and vanity, which Oscar Wilde demonstrates through the usage of art in the novel.

Most people are taught from a young age what is right, and what is wrong. These teachings set up the basis for later discovering one’s personal values. In Oscar Wilde’s The Picture of Dorian Gray, these same principles are applied and challenged by Wilde. Not only does he question morality and human nature, but also the ideas of the Aesthetic movement- which influenced the ideals and behavior of Dorian Gray. Through Dorian’s morally ambiguous character, Wilde asserts that one is not purely good or evil, but a mixture of the two; Wilde establishes this theme when Dorian breaks up with Sibyl Vane, murders Basil Hallward, and stabs his decaying portrait.

  "I do not think that one person influences another, nor do I think there is any bad influence in the world," Oscar Wilde uttered when under trial (Hyde 353). Although this statement may be true, one of Wilde's most famous works shows a great deal of the effects of people shaping one another, causing one to wonder about Wilde's sincerity in that statement. The Picture of Dorian Gray shows variations on the existence and purposes of influence, displaying two types of personal influence: obvious manipulations such as that of Lord Henry upon Dorian and that of Dorian over Sybil Vane, and those that are more often overlooked such as the more subtle manipulation of Dorian over

The Picture of Dorian Gray, a novel laced with sin, treachery, and raging battles of inner conflict, is Oscar Wilde’s sole novel. Considered immoral and scandalous upon publication, the book centers around a young man named Dorian Gray, who does not age or reflect the darkness of his heart outwardly, and instead a portrait of him bears the damage his destructive life wreaks on his soul. However, the meaning of the story extends past the simple fact that Dorian lives a life of immorality—he walks the path that takes him there with his two friends, Basil Hallward and Lord Henry Wotten. The two attempt to guide and influence Dorian throughout the novel in their own ways, and are a vital piece of Dorian’s tale. Basil and Henry act as character foils as well as a symbolic angel and devil for Dorian Gray’s character, and also contribute themes of choosing one’s own fate.

Finally, Wilde says that he would like to be Dorian but in another time. Dorian starts out as a handsome, wealthy gentleman that's innocent. He is quickly seduced by Lord Henry's words and starts to live life for all its pleasures. These acts are obviously not accepted by the public and with his picture taking all the flaws, his image is never damaged. In my opinion, I believe that when Wilde said he wants to be Dorian, it's because he wishes that he could "get rid of a temptation" by yielding to it,

Wilde’s lifestyle may have caused him to be snubbed in certain social situations.   It maybe that he drew on his own experiences to create the atmosphere of scandal in the last chapters, even though, other than murder, the protagonist’s “sins” are never named and only briefly alluded to.

Much of the criticism regarding The Picture of Dorian Gray by Oscar Wilde has dealt with Dorian Gray’s relation to his own portrait (Raby 392). While some may argue that the portrait represents a reflection of Dorian Gray’s character, this is only a superficial analysis of the novel and Dorian’s character. While Dorian Gray’s true character never changes, it is his own perception of his character (his conscience) that is reflected in the changing face of his portrait. In essence Dorian’s picture becomes a mirror through which the "true Dorian" judges his own metamorphasis as the superficial "Lord Henry Dorian" attempts to embrace Lord Henry’s teachings. Dorian’s

In this novel, beauty and youth reign over everything. In Victorian period, The Picture of Dorian Gray was characterized as scandalous and immoral. Typical idealistic image of behavior and modesty inherent to old time Victorian England was discredited in the novel. The Picture of Dorian Gray contained radical ideals for the period of time it was written. Dorian represents all what was disgraceful and forbidden condemned in Victorian

    In spite of the novel's heterosexual text, many critics agree that it has various homosexual elements in its characters, in the dialogues, and even in the portrait itself. One of the critics, Richard Dellamora, mentions this feature of the text, and comments that "By definition this context is heterosexual. Wotton is married and pursues actresses. Basil himself is a graduate of Oxford, a well-established artist, and respectable to a fault" (28). However, he also remarks the intensity of male friendships, and referring to Basil, he continues "Later, he repeatedly enjoins Dorian to conformity. Both older men live in a network of male friendships that ramify through the novel "

In chapter 20 of The Picture of Dorian Gray by Oscar Wilde, Dorian reflects on his past crimes and wonders whether he will ever change and retrieve his innocence again. Throughout the final chapter of the novel, the elements of Gothic novel that Wilde explores conveys the idea of the pursuit of individualism. Dorian’s wild, racing emotions clearly show how much he is driven by his readiness to fulfill his desires under any circumstance. Through this, the use of specific words and punctuation markings highlight Dorian’s personal yearning of removing himself from his past.

In Oscar Wilde's novel, The Picture of Dorian Gray, beauty is depicted as the driving force in the lives of the three main characters, Dorian, Basil and Lord Henry. Dorian, the main character, believes in seizing the day. Basil, the artist, admires all that is beautiful in life. Lord Henry, accredited ones physical appearance to the ability of achieving accomplishments in life. Beauty ordains the fate of Dorian, Basil, and Lord Henry. The novel embodies the relationship of beauty and morality. Beauty is not based on how attractive an object is to everyone, but how attractive it is to one.

In Oscar Wilde’s Popular nineteenth century novel, the Picture of Dorian Gray demonstrates the importance of the aesthetic movement in Victorian England. This suggests youth and physical attractiveness is emphasized and are valuable additions to society. Therefore, what matters to Dorian, is not the internal goodness an individual possesses but the appearance they present. Consequently, Dorian is able to forget the violent acts he commits as long as he appears beautiful on the outside. Since external beauty is valued, Wilde argues that people tend to lose their individualism and conform to society’s expectations. With this in mind, Dorian gray grows more corrupt, self-centered as he focuses more on the pleasure for himself as he becomes more vulnerable to his own misgivings. He loses his individualism, because he is conforming to society’s form of asethics. I agree with Wilde’s arguement about Dorian Gray, that individuals lose their sense of idenity when conforming to society’s influence, such as in today’s beauty standards portrayed on social media, racism described through facism, and LGBTQ rights violated by intolerant individuals. (too wordy)

Art, what is Art? It is an ambiguous matter: without an exact form, an exact meaning. Does it have any rules or restrictions? However, it can be a great influence on the lives of people. In the novel, The Picture of Dorian Gray, two lovers have fell in and out of love due to Art!