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Theme and Symbol in Ethan Frome

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Divided between the two women, Ethan Frome is a highly confused man. He seeks to find some “ease and freedom” represented by Mattie, but society would not allow him to do so. Society instead compels him to accept its burden represented for him in the shape of Zeena, although it means the ruin of his life. The social pressure, whether it takes the form of conventional morality or any other forms, offers Ethan blind opposition at every turn, leashing his actions “like the jerk of a chain” (p.3). Aware that he has not even the money to take Mattie with him to the West, for instance, Ethan starts on foot for Starkfield to ask Andrew Hale, the village carpenter, for an advance on some lumber. In this episode, he is soon intercepted on the way …show more content…

Repentance would mean that he sees “his life before him as it was” (p.143) and returns to his wife for good and ever. Yielding could mean that, leaving his embittered wife behind, he runs away with Mattie to the West or any other place to begin a new life. But Ethan does not choose either of the two ways, or it might be said that he chooses both them at the same time, as the story turns out later. He goes through of the continual process of oscillating between the tow women. After his cruel quarrel with his wife, for example, he withdraws in his anguish over Mattie's imminent departure to his cold “study,” where he is suddenly seized with a strong sense of rebellion. As the engineer-narrator opens the story of Ethan Frome's tragedy, the reader is quickly made aware that the novel is made up of an expanding series of opposing images and symbols and that the setting is not just a physical place, but also a moral landscape. Mattie Silver's role representative of unrestricted, natural emotions is made all the more clear by Contrast with Zeena, who rules her husband and Mattie with something of a tyranny, as the embodiment of acquired reason and conscience which check them “like the jerk of a chain”(p.3). Furthermore, there is an unmistakeable correspondence between the physical setting of the “outcropping granite,” the bleak and barren village of New England, where the characters move round like ghosts, and the moral

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