Theu.s. B. Du Bois

Same Ideas, Different Results For more than a hundred years, important African-American leaders such as Booker T. Washington and W.E.B. Du Bois have been both acclaimed and cherished in our society’s history books for their individual efforts in the struggle for the civil and political advancement of African-Americans. These two seem to be the main advocates for the advancement of African-Americans in the United States of American after the Civil War, but both had a different approach to it. Although

Slave owners and traders have had an important part in history, but many people have not considered the parts they play and how different they may be. The most obvious similarity between the two is their eyes for profit. The slave business ensued because it became a practical and profitable business in the 1600-1800’s. The men that entered this business did it for profit. Despite this similarity, there remained a number of things that the two did not share, status being one. Another being that they

Carrie Mae Weems and Hank Willis Thomas are two contemporary artists who are defying contemporary social and political categories and taking art photo into an engage era. The essays by Annie E Coombes provide a critical analysis of how the contemporary scene is moving beyond categories of post modern, and post race. Both are efforts to rescue contemporary artists who are dealing with forms of oppression from being described as old fashion or out of date. Carrie Mae Weems is an African American

Throughout history, Georg Simmel and W.E.B. Du Bois have had a substantial influence on imperative theories and concepts developed in the area of social sciences. Two of the most significant and distinguished concepts fostered by both of these theorists are the concepts of “double consciousness” and “the stranger”. In this essay, I will be analyzing each of these works to draw upon differences and similarities concerning the two. The resemblances I will be expanding on are the usage of the paradoxical

Sid Lemelle hoped for his book, Pan-Africanism for Beginners, to be a comprehensive guide to the complex concept of Pan-Africanism. Lemelle begins the book by broadly defining Pan-Africanism to mean the inclusion of “all people of African ancestry living in continental Africa and throughout the world.” This definition sets the foundation for his analysis of Pan-Africanism. Pan-Africanism for Beginners explores the major leaders and events associated with Pan-African sentiments chronologically. The

The Pan-African movement as described in Lemelle’s Pan-Africanism for Beginners is "a set of ideas and ideologies containing social and cultural, political and economic, material and spiritual aspects." Each aspect is accompanied by a plethora of historical figures and terms unique to the movement, well described throughout the text and in the presented glossary. This book makes it easy to understand all the information accompanying each topic. While it does have its strengths and weaknesses, this

Langston Hughes Use of Literary Devices Only a half of century after the abolition of slavery, the African Americans began the movement of the Harlem Renaissance in the 1920‘s. Suppressed by whites, segregation, second-class citizen ship and a poor education Langston Hughes became one of the most inspirational poets of his time. Langston Hughes let the world know of his existence through his poetry. Ignited with passion, pride and knowledge of the journey through slavery and there after, Hughes

Washington organized an effective approach of gradualism among blacks but was disrupted by militant leaders like W.E.B. Dubois. After reconstruction, the hopes for full citizenship rights were broken when the government renewed white supremacist control to the South. The government adopted a laissez faire policy, and the Jim Crow laws brought social, occupation, and educational discrimination to the American Negro. In 1896, the Supreme Court’s decision in Plessy v. Ferguson strengthened the segregation

stereotypes themselves. In 1903, W. E. B. Du Bois published the book, The Souls of Black Folk. He criticized "the old attitude of adjustment and submission" that had been expressed by Booker T. Washington in the Atlanta Compromise Address (Hill 734). Washington addressed that Southern Black people should work and submit to White political rule, while Southern White people guaranteed Black people the reception of basic educational and economic opportunities. Du Bois believed that full civil rights and

The Harlem Renaissance created a new racial identity for African-Americans living in the United States, after the First World War. This new racial identity caused the African-Americans to become a nation within the United States. A nation is defined as a group of people that share common language, ethnicity, history, and culture. A nation of people may or may not have sovereignty. Harlem, a neighbourhood in Manhattan, New York City, emerged as the “race capital”1 for African-Americans living in the