Alora Nguyen
Prof. Hesketh
Writing 39A: Academic Essay
27 February 2015
The Truth to the The Things They Carried When reading Tim O'Brien's The Things They Carried, there were many truths that were presented and while some were actual facts, others were fictional. The author uses the art of storytelling instead of mere recital of facts, generic when telling a war story, as a way to express unexplainable emotions. O'Brien shows that the truth is unimportant in communicating human emotions through stories because there are some emotions that can not be explained through mere facts. In his collection of short shorties, O’Brien writes in a style that is very vivid and often times causes the audience to find themselves accepting the events and details of these stories as the truth. O’Brien contrasts the truth to fiction by reminding the audience that within these short stories, the details are not the truth and are there to demonstrate the human emotions that can not be communicated as absolute facts. It is in the “Good Form” that O’brien presents the actual truth stating in his first sentence, "It's time to be blunt," and goes on to say that everything in the book, besides the
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O'Brien addresses the reader in Good Form by saying, "I want you to feel what I felt. I want you to know why story-truth is truer sometimes than happening-truth." This is the philosophy on which “The Things They Carried” is written on. O'Brien's point is not that the truth is unimportant, but that in fictionalizing the truth, the reader can more wholly experience the human emotion not necessarily based on fact. For example, at the end of “Notes”, O'Brien writes,“ Norman Bowker was in no way responsible for what happened to Kiowa. Norman did not experience a failure of nerve that night. He did not freeze up or lose the Silver Star for valor. That part of the story is my
What is “truth”? In The Things They Carried, the reader has their eyes opened to a new kind of “truth”; a “truth” that is not based on the honesty of events, the “happening-truth”, but the honesty of human nature, the “story-truth.” The novel itself, The Things They Carried, is comprised of many different stories based on the author Tim O’Brien’s service in the Vietnam war. Recalling from memories of his service, Tim O’Brien intricately weaves fact and fiction into his novel to force the reader into a turmoil of emotions by telling “true war stories,” that are not, in fact, war stories. Although many readers believe that “truth” is the act of retelling reality, “truth” is, in O'Brien's reality, the act of portraying emotions; that is why a “true war story” is not about war, but emotions.
The items the soldiers carry hold a substantial amount of credibility throughout each personal story; however, within O’Brien’s story, he lacks credibility aside from the obvious tangible elements of the items held, questioning where the truth lies within these evidential fragments of the soldiers’ lives. These personal accounts of exact measurements attest the reader’s knowledge of war as well as the mental ability to calculate the exact weight upon each person’s hump through a fiction of mental and emotional agility. O’Brien quotes within Chen’s criticism stating, “A true war story, if truly told, makes the stomach believe” (Chen 77). This background knowledge of O’Brien’s theory that an “absolute occurrence is irrelevant because a true war story does not depend upon that kind of truth,”(Chen 77) places the credibility of the information upon the emotional accounts that O’Brien’s writing bestows upon the personalities of the soldiers. The “academic tone that at times makes the narrative sound like a government report (Kaplan 45),” adds documentation like analysis of these compilations of war endeavors as told by the narrator. Kaplan continues that the “transitional phrases such as “for instance” and “in addition,”’ (Kaplan 45) as well as “whole paragraphs dominated by sentences that begin with “because,”” (Kaplan 45) convince certainty of the
Throughout The Things They Carried, by Tim O’Brien it is difficult to separate what is fictitious, and what is true. During the entire work there are two different “truths”, which are “story truth” and “happening truth”. “Happening truth” is the actual events that happen, and is the foundation or time line on which the story is built on. “Story truth” is the molding or re-shaping of the “happening truth” that allows the story to be believable and enjoyable. It is not easy to distinguish “happening truth” from “story truth”, and at times during the novel O’brien reveals which is which. On the other hand, when the reader is blind to
In The Things They Carried by Tim O’Brien, O’Brien uses many short stories to describe his experience in Vietnam. The story that captured many aspects of writing was “How to Tell a True War Story” because it acts as a guide to writing a true story. O’Brien uses many different rhetorical strategies, narrative techniques, and establishes a theme in this story to help develop his characters and story line.
Written by author Tim O’Brien after his own experience in Vietnam, “The Things They Carried” is a short story that introduces the reader to the experiences of soldiers away at war. O’Brien uses potent metaphors with a third person narrator to shape each character. In doing so, the reader is able to sympathize with the internal and external struggles the men endure. These symbolic comparisons often give even the smallest details great literary weight, due to their dual meanings. The symbolism in “The Things They Carried” guides the reader through the complex development of characters by establishing their humanity during the inhumane circumstance of war, articulating what the men need for emotional and spiritual survival, and by revealing
In The Things They Carried, Tim O 'Brien uses a variety of stories to explain the life experiences that he and many of his fellow soldiers endured during a single year in Vietnam. He tells these stories in a way that we can connect to these experiences. We never spent time in Vietnam, but O 'Brien wants us to feel like we were there. O 'Brien uses what he calls "story-truth" to write these stories. The outcome or the people may be different but the feeling is real; that 's the truth in the story, the feeling. He wants us to feel what he felt, see what he saw. He doesn 't just tell us what was happening exactly; he tells a fictional story that conveys the same emotion. He plays with the truth, that 's the reason why this book is a work of
In The Things They Carried, Tim O’Brien uses the art of fabricating stories as a coping mechanism. Trying to distinguish the difference between fictional and factual stories is a challenge in this book, but literal truth cannot capture the real violence that the soldiers dealt with in Vietnam, only “story truth” can. He explains, “If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made victim of a very old and terrible lie.” (O’Brien 65). The novel illustrates that storytelling is a way to keep the dead alive, even if it may not be a true story.
The Things They Carried by Tim O'Brien expresses the importance of a story-truth, as opposed to a happening-truth by use of literary elements in his writing. The novel is about war and the guilt it leaves on everyone involved in the war. Story-truth is not exactly what happened, but uses part of the truth and part made up in order to express the truth of what emotion was felt, which an important thematic element in the novel is. The three literary devices he uses to express this are diction, imagery, juxtaposition, and hyperbole. All of these elements allow the reader to identify emotion that is expressed in each story, as though that were the complete truth.
The text, The Things They Carried', is an excellent example which reveals how individuals are changed for the worse through their first hand experience of war. Following the lives of the men both during and after the war in a series of short stories, the impact of the war is accurately portrayed, and provides a rare insight into the guilt stricken minds of soldiers. The Things They Carried' shows the impact of the war in its many forms: the suicide of an ex-soldier upon his return home; the lessening sanity of a medic as the constant death surrounds him; the trauma and guilt of all the soldiers after seeing their friends die, and feeling as if they could have saved them; and the deaths of the soldiers, the most negative impact a war
While the Vietnam War was a complex political pursuit that lasted only a few years, the impact of the war on millions of soldiers and civilians extended for many years beyond its termination. Soldiers killed or were killed; those who survived suffered from physical wounds or were plagued by PTSD from being wounded, watching their platoon mates die violently or dealing with the moral implications of their own violence on enemy fighters. Inspired by his experiences in the war, Tim O’Brien, a former soldier, wrote The Things They Carried, a collection of fictional and true war stories that embody the
Telling a war story will be changed for everyone depending on their experience and the different wars they been to. In The Thing They Carried telling a true war story is different because O’Brien says that it needs to be a heroic and noble and very specific “In any war story, but especially a true one, it’s difficult to separate what happened from what seems to happen. What seems to happen becomes its own happening and has to be told that way. The angles of vision are skewed” (pg.67-68) it shows how O’Brien wants to impress the audience with his stories that makes one wonder if it is real or not. He wants to sound heroic which makes part of the purpose of the story, his side
There are many levels of truth in Tim O'Brien's The Things They Carried. This novel deals with story-telling as an act of communication and therapy, rather than a mere recital of fact. In the telling of war stories, and instruction in their telling, O'Brien shows that truth is unimportant in communicating human emotion through stories.
In the chapter “Good Form,” Tim O’Brien explains the difference between the “story truth” and the “happening truth,” (O’Brien 179) The “happening truth” is a historically accurate summary and told without feeling, while the “story truth” is told with details and is a dramatization. The “happening truth” tells while the “story truth” shows. This example of metafiction shows that sometimes the truth cannot be told by facts, it has to be demonstrated through a series of exaggerations to get the real
Tim O’Brien’s, The Things they Carried is a riveting tale of struggle and sacrifice, self indulgence and self pity, and the intrapersonal battles that reeked havoc on even the most battle tested soldiers. O’Brien is able to express these ideas through eloquent writing and descriptive language that makes the reader feel as if he were there. The struggle to avoid cowardice is a prevailing idea in all of O’Brien’s stories.
In many respects, Tim O 'Brien 's The Things They Carried concerns the relationship between fiction and the narrator. In this novel, O 'Brien himself is the main character--he is a Vietnam veteran recounting his experiences during the war, as well as a writer who is examining the mechanics behind writing stories. These two aspects of the novel are juxtaposed to produce a work of literature that comments not only