Tom murphy backpack items were food, stove, large warm jacket, mittens, emergency kit, water, head lamp, and eight foot square nylon tarp (shelter). But John Colter had a gun and ammunition. unlike tom murphy John had to build his shelter. He built a fort. Tom Murphy's backpack was sixty pounds heavier. Tom murphy's weighed 90 pounds. On the other hand John Colter's backpack weighed 30 pounds. Tom murphy had something in common with John Colter they both had somewhere to sleep. But they also had something different when it comes to the shelter. John Colter had to build a fort by hand. Instead of Tom Murphy having an eight foot nylon tarp that used sticks to hold it up. Tom murphy slept on his jacket because it was a really nice and warm
Do you ever wonder who made the thing you carry your books to school in, called a backpack probably not but this is really interesting. The backpack started off as something fun and started with selling 29 one year now turned into a multi million dollar buisness.
Peggy McIntosh's "White Privilege: Unpacking the Invisible Backpack" addresses the issue of acknowledging whites' unaware privileges, thus weakening the systems of advantage to reconstruct power systems in the society from 1989 to the present. For instance, men are unconscious about their privileges in a patriarchal society while women are oppressed in the society. White people are unaware of the privileges which they take for granted while non-white communities are discriminated against repeatedly. McIntosh identities her privileges from daily life, which she also relates the patterns of white privilege and assumptions that passed down.
The book opens with Tim O’Brien listing items that the soldiers needed to carry with them for life in Vietnam, such as a P-38 can opener, mosquito repellent, C rations, dog tags, and many more necessities, weighing around twelve to eighteen pounds in total. Many men also had the added weight of weapons needed for combat, which then added another five to twenty-six pounds depending on what weapon and the amount of ammunition necessary. On average, most men carried around thirty pounds, but the load was much higher when considering the emotional and psychological weight put on their shoulders from the impact of these items. Early on in the book Tim O’Brien states, “They carried all they could bear, and then some, including a silent
Imagine one day you receive a mail from the government that you been draft to go a war at a different country. How would you feel if you know that purpose of this war is unreasonable in any senses? Angry, anxious or even confused. Vietnam War was “a personal failure on a national scale” (Hochgesang). There are many videos, documents and movies about the Vietnam War that show different angles of the Vietnam veterans’ experience and how the war really changes their life. In “The Things They Carried” written by Tim O’Brien, he argues about how the Vietnam War affect the soldiers in many ways, not only physically, but more important is the psychological effects before, during and after the war.
Following orders, digging a foxhole, carrying a twenty-three pound M-60 assault weapon, or chasing Charlie does not erase the virtues previously programmed. Typically related to ethics and the distinction between right and wrong, morality exists throughout The Things They Carried in many forms. In the book, even the most deranged characters manage to be kind to one another. When dealing with death, characters experiment with ways to respect and remember the dead. In foreign Vietnam, the soldiers deal with cultural differences and work to find a middle ground. In the book, Tim O’Brien illustrates how morality manages to survive amidst the gore of the Vietnam War.
Tim O’Brien’s “The Things They Carried” is based on what soldiers went through facing war, and what they carried physically as well as emotionally. All of this pressure from war can cause and has caused post-traumatic stress disorder (PTSD) in the soldiers. “PTSD is the development of a set of symptoms in the aftermath of psychologically distressing event—an event “outside the range of normal human experience.”” (Roberts 3). PTSD is a disorder that can happen to anyone, but many see it diagnosed in war veterans, from the effects of war. This disorder can ranges from outburst to solitude and can affect each person in a different way. Some symptoms of post-traumatic stress disorder are re-experiencing or flashbacks,
Peggy McIntosh’s “White Privilege: Unpacking the Invisible Backpack” addresses the issue of acknowledging whites’ unaware privileges, thus weakening the systems of advantage to reconstruct power systems in the society from 1989 to the present. For instance, men are unconscious about their privileges in a patriarchal society while women are oppressed in the society. White people are unaware of the privileges which they take for granted while non-white communities are discriminated against repeatedly. McIntosh identities her privileges from daily life, which she also relates the patterns of white privilege and assumptions that passed down.
The short story “The Things They Carried” by Tim O’Brien used many different types of literary devices. Imagery is used to illustrate the war in a descriptive way. Figurative and literal language is used to describe the things that the soldiers carried with them; physically and emotionally. Some of the things that the soldiers carried with them were symbols of luck. Personification was used when mentioning these good lucks symbols and it was also used to describe the dead. Alliteration was used in the short story to emphasize the sound of how fast life could end while being at war.
The Things They Carried, by Tim O’Brien, transports the reader into the minds of veterans of the Vietnam conflict. The Vietnam War dramatically changed Tim O’Brien and his comrades, making their return home a turbulent and difficult transition. The study, titled, The War at Home: Effects of Vietnam-Era Military Service on Post-War Household Stability, uses the draft lottery as a “natural experiment” on the general male population. The purpose of the NBER (National Bureau of Economic Research) study is to determine the psychological effects of the Vietnam War on its veterans. In order to do this, they tested four conditions, marital stability, residential stability, housing tenure, and extended family living. However, it
Many authors use storytelling as a vehicle to convey the immortality of past selves and those who have passed to not only in their piece of literature but in their life as an author. In Tim O’Brien’s work of fiction The Things They Carried, through his final chapter “The Lives of the Dead,” O 'Brien conveys that writing is a matter of survival since, the powers of storytelling can ensure the immortality of all those who were significant in his life. Through their immortality, O’Brien has the ability to save himself with a simple story. Through snippets of main plot event of other chapters, O’Brien speaks to the fact the dead have not actually left; they are gone physically, but not spiritually or emotionally. They live on in memories as Linda lives on in the memories of O’Brien and as many of his war buddies live on through his stories. He can revive them and bring them back to the world through his writings and through these emotions or events he experienced with them and with their deaths can make them immortal. Through the reminiscent stories of Linda and O’Brien’s war companions and himself, O’Brien conveys that storytelling allows people to reanimate others who have died and past selves to create an immortality of humans.
In the story The Things They Carried Tim O’Brien didn’t mention anything about traditional war heroes. I think this was a great idea, because there are no traditional war heroes. A traditional war hero is someone who is fearless and someone who can’t be harmed mentally or emotionally. But in The Things They Carried the soldiers out on the front lines were emotionally and physically scarred. Tim O’Brien didn’t write about traditional war heroes, O’Brien wrote about normal people, people with different views on the Vietnam war, and how the war affected these people.
Every one of us has experienced a strong emotional fear, and in that moment of stress, we learn more about who we are. The short story “The Things They Carried”, by Tim O’Brien, follows the lives of soldiers trying to survive the emotional and physical stresses of the Vietnam War. Throughout the story, O’Brien juxtaposes the physical weight of the supplies that the soldiers must carry with the immeasurable weight of their intense emotional experiences. The theme of “The Things They Carried” is the burden of fear, which O’Brien portrays through the counter-weight of objects the soldiers cling to for consolation and escape. Some men turn to objects that remind them of love, no matter how unlikely it is that they are loved back. Other men
Death defines life; it has the ability to reinvent the living for better or worse. “The Things They Carried”, by Tim O’Brien, provides a non-linear, semi-fictitious account of the Vietnam War that poignantly depicts the complicated relationship between life and death. His account breathes subtle vitality and realism into the lingering presence of the dead, intimating that the memories they impart have as profound an impact as the living.
Another substantially detailed necessity of the men is their military supplies. O'Brien goes into minute detail, for literally pages, describing the supplies that the men used for defense purposes. Primarily, he lists the standard weaponry for war, the typical rifles, grenades, and defensive clothing such as the flak jacket and helmet (6- 7). He relates the enormous burden of weight that Ted Lavender was carrying when he was shot, and how that weight caused him to fall like "a big sandbag or something - just boom, then down." (7) The next passage describes all of the extra weapons they carried, ranging from fragmentation grenades to brass knuckles
In the novel, The Things They Carried, by Tim O’Brien there is an ambiguity assigned to the life of a soldier in the Vietnam war, an ambiguity that represents no clear moral victor, no clear heroes, and seemingly no end. In the movie, Platoon, written and directed by Oliver Stone, the same ambiguity is depicted, with no clear moral direction, no clear heroes, and no clear resolution. In the short story, “How to Tell a True War Story,” O’Brien talks in great detail about how a true war story, and not some reimagining, “is never moral” (O’Brien) and “cannot be believed” (O’Brien). According to O’Brien, the movie Platoon will qualify as a true war story because it is not moral, hard to believe, and has no clear resolution.