Tv vs. Internet

Piracy has become a major issue in the United States. For every motion picture that has been featured in theaters also has been pirated onto the Internet the next day, and for every new musical album that is released, yet there is a free torrent file of the album within the same hour. Even though these online pirates steal music and movies from other companies and make a drastic profit, yet these “rogue” websites receive 53 billions visits a year from across the globe according to Creative America. The persistence of the thieves that break copyright laws of the productions has lead the entertainment business to place a definitive complaint to the U.S. government of the constant notion of piracy. While the notion of piracy was not left

The pervasive nature of the Internet has made the copying of music and software exceptionally easy, fast and for the most part, undetectable. The ubiquity of the Internet and the speed at which music and software can be copied is also changing the sociological and legal aspects of computing as well (De George, 2006). For the first time the availability of technology is driving a level of expertise with computer users globally that give them the opportunity to capture, distribute, duplicate and even re-publish massive amounts of intellectual property that isn't theirs (Wilson, 2007). This is forcing the issue of copyright infringement and the protection of intellectual property at a global scale. In so doing, this dynamics is also re-ordering ethics surrounding all forms of digital content as well.

For many years illegal file sharing and music swapping has been going on. Two very popular cases are the MGM Studios, Inc. v. Grokster case and the A&M Records, Inc. v. Napster case. Both cases differ in many ways however they also have similarities. A lot of music and other sorts of entertainment are being distributed for free all over the internet. What some people do not think of are the consequences that will be faced if they get caught. Not only is the distributor at risk for getting caught but those of us that download the software illegally can be charged.

As you upload the most recent (and most spectacular) new Lady Gaga album Art Pop into your ITunes Library, you scale back and take a long look at your devoted collection. You’ve collected nearly 2000 songs, 150 movies, and 200 books. From the Beatles to Deadmau3, Miley Cyrus to Nirvana, you have every type of music you could possibly imagine. Worst of all, you don’t even listen to a tenth of it! You’ve collected all this media for an outrageous price too: Absolutely Nothing. After 2 and half years of constant file sharing through Limewire, Frostwire, and Vuze, You’ve easily transcended beyond a four or five thousand dollar threshold of Pirated Media. In the end though, your actions do come with a cost. When the federal government discovers

With technology so readily available there are many people and companies who have participated in similar illegal activities. The original copyright law did not take into consideration the digital area. By implementing Digital Millennium Copyright Act (DMCA) it has tightened up the protection of things online and in the digital arena.

This paper is an analytical essay on global ethical issues on peer-to-peer (P2P) file-sharing. A history and background of peer-to-peer file-sharing will be given, as well as how it became an issue. This paper will explore what aspects of file-sharing are ethical and at what point it becomes unethical. An explanation of the laws will be described and whether the laws different from region-to-region around the world. The paper will include personal experiences with file sharing, as well as an in-depth analysis on the topic with high-quality industry and academic references to defend a particular moral/ethical position.

Increased levels of high-speed Internet access, powerful PCs with DVD readers and writers, portable video devices, and leading-edge file sharing services have made downloading of video content faster and easier than ever. Free and often illegal video downloads are currently outpacing paid video downloads by four to one.

The music industry has undergone radical changes since the end of the 1990’s, largely a function of the internet and its effects on sales and copyright. Besides placing artists and their music on the world stage, the internet also permitted the downloading of music from free-file- exchange networks. A parallel and equally worrisome, phenomenon is record pirating, a practice made easier by the proliferation of CD burners and access to high speed internet. Unauthorized downloading and pirating circumvent intellectual property laws and result in reduced sales. “In Atlantic Canada, average annual household expenditures on CDs and audio cassettes dropped by 27 percent between 1996 and 2001, from $96.00 to $70.00.”

In the short time that computers and internet have existed in the modern era, the world has seen a complete 360 degree turn and in the various forms of electronic entertainment that people all over the world are now using. In the days before CD’s, DVD’s and the internet, not much was said if a vinyl album (remember these?), VHS cassette (or these?) or an audio cassette was loaned to a friend for their listening / viewing pleasure, but today with the availability of sending an email with three or four megabytes (mb) of information, one can enjoy a borrowed song but is assumed that it is piracy or stealing. Is this a fair assumption? This Author will not give

From the moment consumers were able to use the internet to get music, software, and movies, piracy has had serious financial implications for the motion picture industry. Copyright protection presents some difficulty in illegally obtaining movies, but there are many avenues around most of these systems. The RIAA, or Recording Industry Association of America, has tried several legal ploys to prevent people from accessing this material, but many consumers continue to access it with little concern. Much like the music industry, which was challenged to reinvent its distribution model, the movie industry has to do the same thing. To counter the amount of piracy the movie studios must develop new systems for content delivery including streaming new release movies at home.

We all know that downloading pirated music and films is illegal, but what exactly is it? The term piracy refers to the copying and selling of music, films and other media illegally; in other words you are copying and selling copyrighted media without the permission of the original owner (NiDirect, n.d.). With the massive growth of the internet and its ability to store and capture vast amounts of data, we have become much more reliable on information systems in all aspects of life, but it does not come without the risk of information technology being used unethically. With the number of IT breakthroughs in recent years “the importance of ethics and human values has been underemphasised” often resulting in various consequences. Not surprisingly one of the many public concerns about the ethical use of IT is that “millions of people have downloaded music and movies at no charge and in apparent violation of copyright laws at tremendous expense to the owners of those copyrights” (Reynolds, Ethics in Information Technology, 2015). This essay covers the ethical issues of downloading pirated music and films and the impact it has on music corporations and recording and film companies.

Such policy seems to be working with plagiarism at e.g. Universities, but in term of intellectual property the intangible aspect of the product makes it more difficult to control. Therefore stopping online piracy is easier said than done, as it would require enormous human resources from a government to track down illegal websites and taking a legal action against them leading to the closure. One case study worth following regarding this issue was on the major streaming website TV SHACK.net has been seized many times by the US government and it kept changing the domain addresses to overseas addresses as .co or .bz. The owner, 23 year old student Richard O’Dwyer from Sheffield has been charged with copyright infringement and the US Justice Department has been seeking to extradite him from the UK since May 2011 – BBC reports. Streaming itself is a grey area in many countries, i.e. Germany, where it is not perceived as downloading but has been sourced using illegal means. Compared with the legal issues and the fact that the content was stored on foreign servers the law enforcement was extremely difficult, but now it has been set an example worldwide of tackling with piracy. On entering the internet address now a video clip displays which in a humoristic educated people on what piracy is and how much a “free” movie really cost. Such attempt is one of the suggested ways in dealing with piracy through

An impressive push to extend intellectual property by the entertainment industry may result in the development of new technologies and revolution in the way people watch TV, access information at home, experience interactive TV. But at what cost?

Companies like Apple, have decided that it is best to get in with the downloading business. However, an end to the illegal downloading conflict remains to be realized. The RIAA and associated artists continue to wage war against illegal downloaders while computer savvy audiences persist in sharing music files online every day. While it is undoubtedly true that downloading music is a crime, it remains to be proven that it is wrong. Without establishing this principle, most downloader's are likely to continue the activity. Even with new, inexpensive and available means of downloading files, they can still be shared for free online. The rift must be repaired between music lovers who feel that they have been taken advantage of in the past and recording companies and artists who worry about their future livelihood.

People largely turn to internet with the expectations of getting free content. Most people tend to work on this innate notion of why pay for it if you can get it free? It’s easy and it’s convenient. Nobody thinks twice about it because everyone else does it. Nowadays it has become a status-quo about knowing how to download torrents. And according to the recent researches, Australia comes first when it comes to online piracy. Almost one third of Australian adults admit to routinely using illegal download services to watch movies and that number is much higher in younger people. Otherwise law abiding citizens, particularly those under thirty five, think nothing of watching TV shows and movies they have obtained illegally on file-sharing websites (Munro, 2015).