Use of Character Flaws and Literary Devices to Teach Morals in Oedipus Rex
The Greek tragedy Oedipus Rex is an excellent example of how an author can use literary techniques and personality traits to teach a certain moral or theme. In Oedipus Rex, Sophocles communicates his themes and morals to the reader through the character flaws of Oedipus, a tragic hero.
The most prominent character flaw that Oedipus possesses is his excessive arrogance. One way this flaw is displayed is Oedipus' repeated use of the pronoun "I". In lines sixty seven through eighty alone, Oedipus uses the word "I" eight times, projecting his haughty personality. "I have found one helpful course, and that I have taken: I have sent Creon…to Delphi…"
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In this quote Oedipus mocks Teiresias because he is unwilling to except Teiresias' view of the future. Oedipus is so egotistical and proud that he dares to suggest that he is superior to a high priest of Apollo.
Another major character flaw that Oedipus holds is his inability to view a problem on more than one plane of thought. Every time Oedipus is confronted with a situation he makes a rash decision and assumes, because of his hubris, that he has made the best choice. These decisions, however, contribute to the ultimate fall of Oedipus. "I found one helpful course, and that I have taken" states Oedipus, displaying his characteristic of looking at a problem and considering only one solution (70-71).
Oedipus seems solve problems with rash and close minded solutions. This can be seen when Oedipus, no matter what the consequences, insists on knowing his true origin even after Jocasta pleads him to stop questioning the messenger: "For god's love, let us have no more questioning! Is your life nothing to you?" (1005-1006). "However base my birth, I must know about it." replies Oedipus (1024). Since Oedipus did not stop to consider what might be revealed in his past, he obtained all knowledge and fell from his high pedestal. When Oedipus was living in Corinth with his supposed parents a soothsayer told him that his destiny was to murder his father and marry his mother. Stricken with fear, Oedipus considered only one solution to
tragic flaw. While he contributed to his own downfall, Oedipus was not entirely responsible for it.
Oedipus did not know that his mother was going to be his wife. He was told from when he was only the prince of Corinth that he will end up sleeping with his mother. During the investigation of King Laius, the blind prophet is providing a detailed crime scene and interviewing the only eyewitness to his murder. In curiosity, Oedipus asks about who his biological parents are so he can finally know the truth and settle the rumors. The Theban Shepherd confirms that his parents are in fact Laius and Jocasta. Oedipus and Jocasta have not seen each other since the day he was born. Many years ago, she gave her three-day-old infant to her servant to be killed because she knew about the prophecy. Behind her back, the servant gives Oedipus to a childless royal couple living their separate lives without knowing each other. Jocasta tried to change their destiny, but their fate was already chosen for them. Regardless of Oedipus knowing that his wife was his mother, he still committed incest. “But now all god-deserted, born in sins, in incest joined with her who gave
He is consumed in hubris as he disbelieved the oracles, and sealed his fate. Although he was cursed at birth for his father's misdeeds, his godlessness paired with vain pride leads him deeper into tragedy. Prophecy foretold that Oedipus would kill his father, and marry his mother. Jocasta, without belief in the gods, prays to them. She only prays to them at her own convenience. She prays to the altar of Apollo requesting that Oedipus doesn't learn the truth of the situation. Jocasta thinks that her prayer has come true. A messenger walks in, and reveals that Oedipus' dad has died. She doesn't want Oedipus to find out who his true parents are. Polybus was believed to be Oedipus' father. He was relieved to hear of Polybus' dying a natural death as a sign that the oracles are false. “PAGE 26/40 OEDIPUS...the oracles are dead-- Dust, ashes, nothing, dead as Polybus. JOCASTA “Tell me Oedipus, didn't I tell you this would happen a long time ago?” But Jocasta was just praying to those same 'powerless' gods. Despite the brief relief of his dead father, he refused to visit his mother. He feared the other half of the prophecy, for he was scared of scorn from the Gods. He constantly questions if it can be true, and wavers on the line of deception and truth. Oedipus lives in deception. He lives in constant sorrow and unease, for he is sacrilegious and hypocritical. “PAGE 26/40 OEDIPUS If only my mother
Oedipus has spent all his life running from his fate. He has, we learn, been told that he is fated to kill his father and marry his mother. And he refused to accept that fate. He has spent much of his life moving around, so as to avoid his fate. It was a
Oedipus flaw characteristics that stood out were anger, cowardness, pride, fear, willfulness, and deniable. His anger most of the time would get the best of him and in the most desperate times also. “He that led the way and the old person himself wanted to thrust me out of the road by force. I became angry and struck the coach
Oedipus’s tragic flaw is gained once he obtained his greatness and became king. Oedipus’s knowledge contained arrogance, and a metaphorical blindness that fosters his urge for the truth. Hence, Oedipus’s tragic flaw was his own intelligence, which later became curiosity for the all the burdens that is be fallen over his kingdom. He had a troubling obsession for learning the truth, so he could not sit aside so he went on a menacing quest for answers. Oedipus stated a message that reveled his flaw, “Then once more I must bring what is dark to light, but for my own sake to be rid of evil” ( Sophocles 134; 140). His pride and determination clouded his judgment to see the surface of the whole truth. The truth is Oedipus wanted to avoid his fate, but instead his own tragic flaw walked him into it. Even after Oedipus learned of the truth from the prophecy, his mind continued to deny what was the actual truth. The prophet spoke these words to Oedipus, “I say that you, with your eyes, are blind / you can not see the wretchedness of your life” (Sophocles 196-197). He still ventured on to find the alternative to his fate and he only became worse. Soon Oedipus’s pride corrupted his intelligence increasing his flaw. He now accused anyone who restated the prophecy and told all they were only after his crown.
The first incidents of Oedipus’ arrogance and pride were when he went to the Oracle of Delphi about his lineage. Even though the Oracle did not answer the question about his lineage, the Oracle did give him a prophecy that he would kill his father and marry his mother. Thinking that he was doing the right thing by putting as much distance between his parents and himself, it was arrogance and pride that ruled him. He believed that he could out run the gods and defy prophecy. Another example of Oedipus’ arrogance was when he was forced off the road by another chariot; he lost his temper when the old man angered him causing the death of the old man and his aides. Because of his intelligence and his keen sense being able to solve riddles; again, his arrogance was when he solved the riddle of the Sphinx. The Sphinx was so distraught that
Oedipus flaw is he does not know who he is this ignorance leads to him bringing about his own downfall.
Oedipus is one of the most famous tragic heroes in drama history. His bizarre fate leads him to a tragic defeat that leaves the audience and reader feeling emotionally overwhelmed. According to Aristotle’s definition, Oedipus’ story makes him as a tragic hero. Oedipus is the personification of Aristotle’s characterization of a tragic hero through his ability to maintain and keep his virtue and wisdom, despite his shortcomings and situation in life. Aristotle’s observation of a tragic hero does not reveal the lack of morality or the evil of the character, based on an error in judgment. The tragedy and drama fit the Aristotelian characteristics of Oedipus.
Oedipus the King by Sophocles is about Oedipus, a man doomed by his fate. Like most tragedies, “Oedipus the King” contains a tragic hero, a heroic figure unable to escape his/her own doom. This tragic hero usually has a hamartia or a tragic flaw which causes his/hers’ downfall. The tragic flaw that Sophocles gives Oedipus is hubris (exaggerated pride or self-confidence), which is what caused Oedipus to walk right into the fate he sought to escape.
Fate chose him to kill his dad, marry his mom, and discover it all in Oedipus Rex, Sophocles’ tragedy. Oedipus was so determined to save Thebes from the plague bestowed on them by Apollo. But little did he know that he was the source of it all. His constant reversal of fortune, neutrality, and suffering make him the perfect example of a classic Greek tragic hero.
Another trait that Oedipus fails to show is selflessness. Oedipus does not show compassion and empathy to his subjects nor does he put them before himself. When presented with the fact that his people were suffering at the hands of a plague, Oedipus remarks,
Conscience, in modern usage, term denoting various factors in moral experience. Thus, the recognition and acceptance of a principle of conduct as binding is called conscience. In theology and ethics, the term refers to the inner sense of right and wrong in moral choices, as well as to the satisfaction that follows action regarded as right and the dissatisfaction and remorse resulting from conduct that is considered wrong. In earlier ethical theories, conscience was regarded as a separate faculty of the mind having moral jurisdiction, either absolute or as a representative of God in the human soul.
Oedipus’ obsession to unravel mysteries is a factor in his fall. In fact, an ignorant Oedipus would have been far better off than a knowledgeable Oedipus (Will 44). During his stay in Corinth, a visitor calls him a bastard. His curiosity takes him to an oracle to seek an explanation, where he learns about his fate. On the other hand, Oedipus would not have embarked on this journey for ‘self-discovery’ if he had dismissed the drunkard’s remarks. Oedipus, as king of Thebes, learns from his wife that they had disposed off the son who was to kill his father; therefore, there was no possibility of the prophecy’s fulfillment. Regardless, he becomes even more determined to dig deeper. He states that he will start afresh and, once again, unravel the mystery (159-160). Indeed, Oedipus takes a step closer to his fate with every piece of information he gathers. Thus, his unyielding desire to unravel truths that could have been better left buried, leads him to the tragic revelation about his
The tragic hero suffers from a character flaw, a moral weakness in character. The flaw is what sets his actions and what inevitably leads to his downfall. The hero's downfall is partially his own fault, the result of free choice, not of accident or villainy or some overriding, malignant fate. Oedipus seems to make important mistakes or some "errors in judgment" that set the events of the story into action. Oedipus flaw is his pride and stubbornness. When a drunken man tells him that he is a bastard, his pride is so wounded that he will not let the subject rest, eventually going to the oracle of Apollo to ask it the