V For Vendetta And 1984 Comparison Essay

Aldous Huxley’s Brave New World and George Orewell’s 1984 were both composed surrounding times of war in the twentieth century. The authors were alarmed by what they saw in society and began to write novels depicting the severe outcomes and possiblities of civilizaton if it continued down its path. Although the two books are very different, they both address many of the same issues and principles.

The first similarity between 1984 and V for Vendetta is that the society is being run by totalitarian rule. It is the government that controls the lives of the people and how the society should be run. In 1984, ‘Big Brother’ aka the Inner party, is the figure that keeps an eye on the people and

George Orwell wrote 1984 as an alternative historical book for the World War II, and V for Vendetta is a dystopian political thriller film based on 1984 DC series directed by James McTeique, and written by The Wachowskis. In 1984, the dystopian future of humanity was divided into three main lands. Eurasia, Eastasia, and Oceania. History is centered in the life and politics of Oceania. They are from a historian sense a mixture of the Nazi party and the Socialist party. However, its ideology is based on the total power of few people or in other words totalitarianism. This organization is called INGSOC or to be more appealing the Big Brother. The main story shares parallelisms with regards to V for vendetta’s sociopolitical system, and

Symbols play a key role in establishing the stories of Winston and V. 1984’s chant for the Brotherhood is the “Oranges and Lemons” English nursery rhyme refers to the bells of churches in London that extends on by people who matter to Winston; and everyone who betrays him. Mr. Charrington gives him the first piece, but is revealed to be a part of the Thought Police, Julia, who betrays him at the end of it all before her mental death, and O’Brian, who instead of his savior becomes his torturer. The Fifth of November is also a rhyme that’s based off real events, referencing Guy Fawkes’s failed plan to blow up the English Parliament on November 5th, 1605. Both rhymes are tied into Great Britain and a passion that varies between the protagonists, providing them with their only link to the past. Television is also a main symbol for the government’s control- both the telescreens in 1984 and the telly in V for Vendetta broadcast only the Party’s views and bias. Gordon, a side character in V for Vendetta, airs his uncensored skit on television as an unintentional way of oppressing the glorification of Chancellor Sutler, before being killed and dragged away from his own home.

Literacy has been used in many forms throughout time and one of these forms is to revolt against unfair governments and totalitarian governments. These forms of literature often demonstrated another type of totalitarian government, the film ‘V for vendetta’ directed by James McTeigue and the novel ‘1984’ written by George Orwell are great examples of this. V for vendetta shows a totalitarian government in an alternative London and 1984 shows a totalitarian government in a fictional world.

Both novels not only entertain but also inform. During critical times throughout our history these two stories were created and still hold the same amount of extensive importance as they did when they were first published. Orwell and Moore use suspense and symbolism to capture its readers. They warn its readers of the future ahead of them if they do not stand up when they know that something is not right. 1984 serves a powerful message of a society that strips you of your individuality, freedom, and privacy during a time of leadership that was trying to do just that. The novel fills the reader with suspense while they create a connection with the main character, Winston Smith. George Orwell uses his creativity to twist every aspect of the novel into a symbol for something else. The three powers Oceania, Eastasia, and Eurasia are all three acting as the three world power during WWII and the strict rules of that society represent Hitler’s ruling (Matthews). V for Vendetta represents Moore‘s thrive for anarchy during a time of harsh rule and fascism. The graphic novel has remained influential throughout its entire existence and is becoming even more important once again due to recent political turmoil. The novel takes you through a time when fascism has taken over while also giving you a hero to get you through

V for Vendetta opens similarly, immediately addressing the absence of freedom and independence coexistent in 1984. Following a montage of Evie and V, the dystopic qualities of their world are quickly revealed. Curfews set up along with roaming Fingermen emphasis the freedom that has been removed from its citizen’s as well as the implied illegal action towards something as ordinary as going to dinner with her boss. McTeigue emphasises this element of forsaken freedom and independence through the use of the Film Noir with the dark forbidden scenes portraying the danger in Evie’s actions. The use of medium and long shots was used to convey her anxiety while also revealing the scenery dotted with the sinister fingermen. Complete with the tense music playing during the scene it exposes to the audience the dystopic nature of the society present in the film.

In 1984 and the film V for Vendetta both have comparable perspectives on how society is, no doubt run. Since The book 1984 was made before V for Vendetta, so maybe V for Vendetta may have based some of its thoughts on this book. Both 1984 and V for Vendetta have similar qualities like the way the subjects and how the male holy persons are the one accountable for troubling the association. Serious governments and the mental control of the people are the robust subjects and forewarn signs that these two powerful centerpieces, 1984 and V for Vendetta.1984 and V for Vendetta have their similarities and complexities yet their planets are built around these key standards. Yet fluctuating with their level of control, both the novel and the film depict

Most nightmares are horrendous. In these delusions, the subconscious’ worst-case scenarios are discharged. Imagine a nightmare come to life. What type of government is there? There is most likely a tyrannical leader forcing upon society oppressive measures, manipulating them through authority and control. This is an example of a dystopia. Analyzing this disturbing situation helps criticize and ridicule something of reality. This is called satire, and in this case, satire of a dystopian society. George Orwell’s 1984 is about a protagonist, Winston Smith, living under a totalitarian government in Oceania. He befriends and forms an intrepid relationship with an audacious dark haired girl,

The first similarity between 1984 and V for Vendetta is that the society is being run by totalitarian rule. It is the government that controls the lives of the people and how the society should be run. In 1984, ‘Big Brother’ aka the Inner party, is the figure that keeps an eye on the people and uses telescreens to watch their movement while in V for Vendetta;

2a) Describe the differences between the fascist Norsefire government’s and V’s anarchist view of a “healthy country.” How do Norsefire and V define the role of the government and the role of the citizen differently?

It is believed that complete government authority is only possible through coercion and deceit. In both George Orwell’s book, 1984, and James McTeigue’s film, V for Vendetta, abusive and deceptive tactics are used by oppressive governments in order to change the behaviours and perceptions of their citizens. This is done to ensure that there are no acts of rebellion that challenge their sovereignty. Despite the similarity between these two dystopian societies, however, psychological manipulation is more effective in 1984 than in V for Vendetta because of the absence of laws, staged acts of terrorism, and lack of religious belief.

1984 and V for Vendetta are remarkably similar in multiple aspects, including the overall vision of the future of society and the government that the novel and film contain; however, due to the disparities between the main characters of these two stories, it is apparent that the vision of the future that is portrayed in 1984 is far more credible and frightening than V

Of the many symbolic masks, the Guy Fawkes mask stands out as one of the most effective, often being used as a “masked identity” in order to make profound statements. Not only does this secret identity create more attention to the “masked one” but it also diverts attention to the cause rather than the identity. Literally using a mask, Fawkes was the main influence of the character “V”, in James McTeigue’s, V For Vendetta. V’s connections and motivations to Guy Fawkes, his attempt to justify himself as a terrorist, and V’s concealment of his true identity, collectively define the message that V conveys to his audience: to break parliament and take control of their own country.

“V for Vendetta" is a movie about freedom, about human struggle against the state, the government of the sacrifice of a symbol. V for Vendetta was born from the successful combination of a sudden, seemingly incongruous things: out of the comic’s conventions and the anti-globalization pathos. I think this movie is a combination of the of Lewis Carroll’s abstract absurdity and George Orwell’s totalitarian nightmare. Alice meets with Hitler. Evey dressed up and went out on a date, but instead of rabbit hole, she found the black "funnel". Once the British had already made a movie "It Happened Here," an alternative fantasy on the theme of the Nazi’s occupation of England - now the enemy did not come from outside but from the inside. In the near future, England is living under a power of tyrant, neurotic clown with flabby face. Supreme Chancellor autocratically governed the country. Bishops are concerned about the moral health of the nation. People are constantly live in fear of external threat after the tragic virus attacks a few years ago. Every person sentenced to death if he keeps a Koran. Same thing for the "unnatural" sex. There was nothing else to be executed for;