Victor Frankenstein's Failure as a Mother Mary Shelley's Frankenstein; Or, Prometheus Unbound analyzes the relationships that develop between creation and creator. The novel is somewhat autobiographical and incorporates many of the feelings, thoughts, and sentiments that Shelley was undergoing at the time. Through her life experiences and her novel, Shelley explores the role of the mother figure and postulates that through the creation of the Monster, Victor Frankenstein usurps the role of mother to detrimental results. To Shelley, the creation of a person or being does not necessary indicate that there is an introduction of a new life into the world, but rather perceives it as giving birth to death. For example, Shelley's own birth caused her mother, Mary Wollstonecraft, to die a mere eleven days after giving birth; moreover, Shelley was almost continuously pregnant from the time that she was 16 until 1822, three weeks before her husband, Percy Bysshe Shelley, drowned (Shelley 333). Shelley had cause to relate giving birth to death and dying as the majority of the children that she gave birth to did not live past childhood; her first daughter died days after being born in February 1815; her son, William, born in January 1816, dies on June 7, 1819; daughter, Clara, born September 2, 1817, dies on September 24, 1818; son, Percy Florence, the Shelley's only child to survive, was born on November 12, 1819; and finally, Shelley miscarried on June 16, 1822, three weeks before
In this essay I will be discussing who really is portrayed as the monster in her gothic horror novel, Frankenstein or “The Modern Prometheus”. Frankenstein was written in 1816, (thought by many to be the first real science fiction novel) during the age of Romanticism and it tells the story of a selfish man, Victor Frankenstein, whose ambition conducts him to seek for supernatural powers and leads him to death. He is a young scientist, eager to discover something new, the key to life, help to make scientific advances and let other scientists get a better idea of how the body works and who after studying chemical processes and the decay of living beings, gains an insight into the creation of like, leading him to create a monster that becomes
Frankenstein can be read as a tale of what happens when a man tries to create a child without a woman. It can, however, also be read as an account of a woman's anxieties and insecurities about her own creative and reproductive capabilities. The story of Frankenstein is the first articulation of a woman's experience of pregnancy and related fears. Mary Shelley, in the development and education of the monster, discusses child development and education and how the nurturing of a loving parent is extremely important in the moral development of an individual. Thus, in Frankenstein, Mary Shelley examines her own fears and thoughts about pregnancy, childbirth, and child development.
Frankenstein, a novel first published in the year 1818, stands as the most talked about work of Mary Shelley’s literary career. She was just nineteen years old when she penned this novel, and throughout her lifetime she could not produce any other work that surpasses this novel in terms of creativity and vision. In this novel, Shelley found an outlet for her own intense sense of victimization, and her desperate struggle for love. Traumatized by her failed childbirth incidents, troubled childhood, and scandalous courtship, many of Shelley’s life experiences can be seen reflected in the novel. When discussing the character and development of the monster, Shelley launches an extensive discussion on the
1817 after a trip to Switzerland in the summer of 1816 with a group of
Mary Wollstonecraft Shelley was an English author who lived in London during the Romantic period. Born to radical intellectual parents Mary Wollstonecraft and William Godwin, Mary Shelley’s life was full of fascinating and tragic experiences, ones that no doubt inspired her while she was writing her gothic horror classic Frankenstein. Due to this, Frankenstein can be considered an indirect reflection of Shelley's own turbulent life, as well as the political, economic and sociologic beliefs of her time. One specific theme highlighted in Frankenstein was the concept of the death of an innocent child, William, which is reminiscent of the tragic deaths of two of Shelley’s own children. “William is dead...murdered!” (Volume I, Chapter VI, p 109).
For as long as man has encompassed this world, the divisive enigma of humanity has prevailed. Seeping its way into each generation, while sparking heated conversations, it has become evident that there is much we do not know about what truly makes us human. Regardless of our genetic composition, philosophers often ponder the deeper meaning of humanity. We know that, biologically, recreating the genetic makeup of a human does not yield humanity, so what is the missing aspect? Humans -have the ability to contemplate their own existence in this world. Awareness of existence. This driving force enables us to analyze situations while placing ourselves within them. Our involuntary ability to understand the impact of our actions and the affect they have on others causes us to be inherently human. Our actions evoke strong emotions within us that allow us to learn through our experiences. We retain the resonated feelings of certain occurrences and apply them to others in order to deduce outcomes. Often this facet of mankind is taken for granted, yet we are reminded, through both literature and hypothetical scenarios, of its importance. Frankenstein, by Mary Shelley, constitutes as one of these profound reminders. Shelley develops a theoretical story in which the humanity of Frankenstein’s monster is questioned. Despite having the accurate organs and framework of a human, Shelley causes the reader to seek the missing aspect that is preventing the monster from being human. Likewise,
In some novels, the main character often possesses a negative trait which ultimately becomes his/her biggest flaw. The manner of how the protagonist responds to his/her troubles impacts the development of the flaw. One character in particular encompasses a trait that even with his self-awareness, is unaware of the selfishness in his veins. In the novel Frankenstein, the protagonist Victor Frankenstein is this particular individual whose conscience consists of much responsibility but no discipline to show for it. Although he feels responsible for deaths of many others, Victor never confesses when he knows the fault is his. His vengeance almost keeps him away from the
"Victor Frankenstein, does not live up to his role model. He lacks compassion for his creation" (Madigan 3)
Mary Shelley, the author of Frankenstein, was raised by a single parent, her father William Godwin. She acknowledges the mentally stimulating role a father plays in the development of a daughter, presumably speaking from personal experience. She declares, "There is a peculiarity in the education of a daughter, brought up by a father only, which tends to develop early a thousand of those portions of mind, which are folded up” (Veeder). Shelley offers in Frankenstein a portrait of how children’s minds are shape, and ultimately their fates sealed, due to influences from their fathers. Alphonse, Victor’s father, made mistakes in his parenting that negatively shaped the development of Victor’s mind and how he treated other living things.
Mary Shelley, in her book Frankenstein, makes several allusions to the fact that Victor Frankenstein is usurping the role of God in bringing his creature to life. The point of the book seems to be that a human who attempts to usurp the role of God will be heavily punished. Victor Frankenstein is severely punished. He loses everyone he loves before perishing himself in the arctic wastes. But did he really "play God" or did he merely unleash his own id and destroy himself?
Mary Shelley's Frankenstein Mary Shelley is an author who wrote the novel of Frankenstein. Mary Shelley herself in her life, experienced many deaths of close friends and family. When she was first born her mother died, furthermore Mary had a baby, who died 12 days later and her husband Percy Shelly drowned. Maybe it was these experiences, which led Mary Shelley to write such a novel of great horror published in 1818. Frankenstein itself is called 'the modern Prometheus'.
A romantic life full of pain and abandonment could only be given the monstrous form of "Frankenstein." Mary Shelley 's life gave birth to an imaginary victim full of misery and loneliness and placed him as the protagonist of one of her most famous and greatest works of art. As most people would assume, he is not just a fictional character, but in fact a creature who desperately demonstrates Shelley 's tragedies and losses during the age of the Romantic Era. Since Mary Shelley 's birth there have been numerous losses in her life. One extremely dominating event in Shelley 's life was the death of her mother. Soon after, her father remarried and Shelley entered a battle as the victim of a fight for love. In her
but was able to live her life long after losing her own children. In Frankenstein, Victor
The family aspect in the Frankenstein is a strong theme that has been developed and challenged in the novel. The novel places weight in the role of parents within a family with parents having the role of protecting their children. For instance, Victor’s father is identified to protect him with different scenarios that are causing harm to him in addition to the happy upbringing filled with father’s affection. "No human being could have passed a happier childhood than myself. My parents were possessed by the very spirit of kindness and indulgence” (Shelley 23). Meanwhile, his family friends have surrounded the young man as they are in need to see his success. Through the traditional notions of attaining a stronger family, commitment, time, coping ability, spiritual wellness, appreciation, and communication are the most essential aspects (Westheimer and Yogada 24-29). However, Frankenstein has revealed more breaking up of ties between family members and friends characterized by non-commitment, no time for family members, and lack of unity as well as, poor sexual relations revealed by Victor. Frankenstein has challenged the family concept against the traditional notions as we see; the home has been the place where refuge can be found.
Mary Shelley’s Frankenstein has become a classic in modern literature. Her tale is full of moral lessons that encompass a wide variety of subjects but one of the most prevalent is the theme of knowledge and its pursuit. Frankenstein, Walton, and the Monster all have an appetite for acquiring knowledge and actively pursue their perspective interests, but it soon turns to the obsessive and proves to be dangerous. Each of the character’s desires demonstrates to be detrimental to them when no boundaries are established. Through the use of consequences, Shelley’s Frankenstein shows that the relentless and obsessive pursuit of knowledge can lead to dangerous and disastrous situations.