War Photography Effects On Society

In the story “The War Photo No One Would Publish” by Torie Rose DeGhett the photographer (Kenneth Jarecke) takes gruesome photographs of deceased war victims. In 1991, the photo was taken of an Iraqi soldier struggling to pull himself out of a burning vehicle. The fire “incarcerated him to ash and blackened bone” (The War Photo No One Would Publish 1). After taking the photo, Jarecke wanted the image to be published but, due to its unsightly nature no one would publish it. DeGhett believed that this photo should be published he is trying to convince you as to why. The reason this shall not be posted is this soldier is somebody's family member; they do not want to see that image disseminated to the public.

It’s no secret that the horrific violence of war that soldiers bear witness to can affect them negatively. The kind of violence that haunts every aspect of their life, leaving them forever changed. Soldiers suffer from the traumatic events that come with war, long after they have left the warzone. Simon Armitage’s 2008 poem “Remains” delves into the guilt and trauma experienced by soldiers. While Carol Ann Duffy’s 1985 poem “War Photographer” shows bystanders forced to watch the conflict unfold, helpless— change.

“It’s not pretty exactly. It’s astonishing. It fills the eye. It commands you,” (81) is a quote from Tim O’Brien’s book, The Things They Carried. This quote shows how war can affect an individual through taking over one’s body and mind. War affects everyone in different ways, but it is impossible to understand how war affects each and every single person. The texts and forms of art communicate different ideas to the viewer. It is through interpreting these texts that humans get a better idea of the overall impact of war. When individuals experience war, they lose their innocence and morality. This will be evident through “How to Tell a True War Story,” “The Wound,” and “Machine Gun.”

Everyday men and women die in the most brutal way possible away from their family either killed from gun shots or landmines and they do come back. But in caskets, as images like these emphasize the destruction of war and these snaps just show the side effects of humankind's worse anger being shown. In the Article “The Stranger in the Photo Is Me”, Donald M. Murray expresses how harsh it really was in the war and how it changed himself forever and not in a good way. Not to mention, that he describes the way he felt ready to go to war, maybe even excited, but he wishes that horror on no one “I would not wish for a child or grandchild of mine to undergo the blood test of war” as the sacrifice these men and women go through is undeniably tremendous

• Thomas is the protagonist character • He wakes up in elevator shaft • He does not recall of anything about his life (family, friends ..etc.) • Elevator stops moving after what felt like hours but it was most likely thirty minutes

People who have never experienced the war portray it as “grotesque.” (O’Brien 77) They’ve never truly listened to the soldier's stories, Tim O’Brien is able to find beauty within the “awful majesty of combat.” (O’Brien 77) The metaphor comparing the “trace rounds” to “brilliant red ribbons” illustrate the war in a completely different light. (O’Brien 77) The respect for “the fluid symmetries of troops” shows the organization of the war and the training and preparing that the troops do to serve our country and protect Americans. (O’Brien 77) There is beauty within these individuals and their stories of why they decided to risk their lives to protect us. Tim O’Brien’s simile comparing a “bombing raid” or “artillery barrage” to “a killer forest fire” or “cancer under a microscope” explains the “aesthetic purity” within the war. (O’Brien 77) Tim O’Brien puts the war into an idea that his readers can understand, he proves it’s possible to find beauty even in a

Objective: Craft a collage of images and items that portrays the effects of war on people and environments. - 5 points

These include the images that are released to the news, newspapers, and even textbooks. There is a certain photographer, Christoph Bangert, mentioned in Source D who takes photos of war scenes, calling these pictures “war porn”. He uses that term not because he believes it is war porn, but to undermine the argument. “You can always say that this… is dehumanizing, but I think it’s too easy to call these pictures pornographic or voyeuristic. If you say it is morally wrong to look at them, you avoid being confronted with these events.” He says that we must be confronted with the events that occur in wars, so that we may be able to accurately remember history. Bangert offers us a scenario when saying, “Just imagine if nobody had published pictures of the Holocaust or of the liberation of the Nazi camps. That would mean that it would be very difficult for us to remember these events.” This is true, and very significant to our society and history. These images show us knowledge, and allow us to prevent future cruelties, all following Sontag’s

The beliefs of the patient’s bill of rights and how they are mirrored in policy and practice: Part of the nursing philosophy indicates the professional nursing practice supports autonomy, encourages collaboration, demands accountability, and enables participation in decision making (Goebel, 2016). These ideas empower the patient to be knowledgeable about their health care and with knowledge comes power in decision making. Also the first line in the values statement support people above all, which includes treating patients with compassion, dignity and respect (BMC, 2015). Even though Banner does not publicly display the patient bill of rights on their web site, there is a patient privacy page that addresses the Health Insurance Portability Act of 1996 (HIPPA). Finally, in the values statement of the Banner organization people above all are listed first and that means to treat with compassion, dignity and respect (BMC, 2016).

When driving through any state in America, it is hard not to notice the segregation that often establishes itself throughout the neighborhoods; there exists a clear distinction what streets are predominantly populated by White, Black, Hispanic, Arab, or other racial groups. According to recent analysis of the U.S. Census Data, “Chicago is the most diverse city, as well as the most segregated” (chicago.cbslocal.com). This raises the question of whether or not Chicago has also joined the bandwagon of so many cities across the United States where it has become an accepted social circumstance that every ethnic, racial, political, or religious group in a community must stand alone to overcome their own struggles and “fight their own battles”. Chicago is a city that defies the pattern of separation in activism. Chicago has become the symbol not

The clothing of the soldier looks civilian, but he seems to have all the equipment for war. By taking a closer look at the photo, the feeling of the bullet going through the soldier’s head seems realistic. The composition of the photo have included the motion of the soldier falling back with pain and death. In analysis of the photo, there were several reasons that made it so impactful for the world and the history of war photography. First of all, the close up of the soldier being killed reflected on the bloody side of war. In addition, the picture emphasizes on people have lost their live pursuing for what they believe. Throughout Robert Capa’s career, his intention as a war photographer was never in the interest on how the advancement of weapon or artillery. His work and his intention has always been on people and how war has affect people in multiple ways. As a young kid serving days in the Hungarian jail, he knows how it feels to be oppressed by the dictatorship and living without what a purpose. War is the solution to regain freedom, but it is also a method to take away freedom. People are always the winners and the losers of

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The violent markings of the photo album and its images, however, produce an equally powerful message that jars the memory as it disrupts and distorts the photographic chronicle of her life and that of her family and friends. The result is a complex visual experience that addresses the use of images in producing knowledge and making history.

Photographers were expected to be able to take these mind blowing pictures of the war in rapid action, but the truth is there technology back then wasn’t advanced enough to be able to produce these sort of images. The images took only minutes to develop but a huge

War has always been an unfortunate part of our society and civilization. War will sadly and undoubtedly be with us as long as we exist. However, the portrayal of war for many centuries gave a sense of patriotism and romanticism. Then the invention of the camera changed how humanity perceived war in the late to mid 19th century. And all of a sudden, images of war became of shear violence and destruction. The violence in these images would play a significant part in the social and political standpoints of war in our nation.