Whale Rider Analysis

Whale Rider is set in a small New Zealand coastal village inhabited by Maoris who claim descent from Paikea, the Whale Rider. For 1,000 years a male heir of the Chief has become leader of the tribe. At the beginning of the film, the wife of Porourangi, the Chief’s eldest son, dies in childbirth along with the male twin she was carrying. The surviving child, a girl, is given the name of Pai, the traditional name given to the male child.

For the kid who might be the chief" (Whale). Paikea turns out to be strongly fascinated on this legend because of the way that she is the latest of the bloodline descendant, which implies she is prepared to make every one of the basic decisions of being a chief other than the reality of being female. The youthful heroic girl refers to the legend when contrasting with herself as an approach to empower her rising as the current bloodline descendant. She keeps on participating in the myth all through the movie with a specific end goal to express her enthusiasm for her way of life (William, 3).

When choosing a film for this assignment, my original choice was Bend It Like Beckham because I had heard of it and I had a general idea what it was about. I then decided that I wanted to take on a more challenging film, one that I had never heard of, and one that I would really have to study to understand its full meaning. After looking into a few of the listed movies, I ended up choosing Whale Rider, a drama filmed in New Zealand in 2002. After watching the movie two times, I feel that I now understand some of the more drastic cultural and gender based problems that are occurring today.

In the film 'Whale Rider', by Niki Caro which follows the journey of a young girl named Paikea Apirana and her struggle for acceptance as a leader of her Māori iwi, and especially her grandfather. An important character in this film is Pai herself. This character has significant importance as she is used to portray numerous important ideas and themes throughout the film. Pai helps me to understand and appreciate that women can also be leaders that are equal to men if they have the right attributes. The director Niki Caro uses numerous different film techniques to convey this idea, such as; the camera shots and camera angles when Pai is giving her speech to Koro, the use of camera angles and props in relation to the dialogue when Pai if fixing the motorboat engine, and the use of props when Pai is teaching herself to use the Taiaha.

A young boy sits on the floor gazing up in amusement as his parents tell him stories that have traveled from generation to generation. Whether it be a tale of malicious war or brave acts of heroism, the little boy will always remember the impactful tales. But what about the parents; what is their motive for telling tales to their child? People tell stories for different reasons; a best selling author may write his story to sell books. While a parent tells a story to set their child straight, others simply want the thrill of telling tales of their adventurous life. For The Tao Jones ,or TJ, in Chris Crutcher's Whale Talk, the most impactful story he will hear and tell is his own. Someone might not solely tell their own story but, are also able to tell the story of those around them. Superficially, TJ’s story is one of brutal negativity and oppression. However, beneath the surface TJ and other peoples’ tale, is one of the unbreakable bond of brotherhood, unique self identity, and last chance at redemption.

These contradictory styles stem from the characters’ different perceptions of culture which impact their identity. This is evident in a scene involving the reoccurring motif of the rope. Koro is attempting to fix an engine with a piece of rope whilst discussing where the ancestors originated from with Paikea. Koro converses in the traditional Maori dialect, and no subtitles are provided for the audience, which emphasises the significance of language to traditional Maori values and culture. “Weave together the threads of Paikea, so our line remains strong. Each one of those threads are one of your ancestors all joined together and strong”. He exerts force and physical strength to fix the rope in an aggressive manner, but subsequently, it frays; typical of Koro’s personality, his leadership style and methods are traditional. The crucial principle of the Maori identity - strength - is what breaks the rope, literally and metaphorically which is foreshadowing the future decline of the culture. He leaves to retrieve a replacement, Paikea mends the engine by taking a modern, different approach and promptly repairing the frayed piece by gathering the remains and tying it together. She applies Koro’s same technique of strength, displaying how she maintains her traditional culture, yet integrates her modern mentality to accomplish the task. This shot presages Paikea’s future role of mending the broken tribe, joining the ends of the past and modern times. Paikea’s scenes are dynamic and changing, a visual depiction of her flexible mindset and approach. Paikea demonstrates her ingenuity as a leader, yet Koro reprimands her as she is female. He states “I don’t want you to do that again, it’s dangerous”, implies that the task is too dangerous for her, presenting his patriarchal views. However, her completion of the task defies his archaic

Someone’s destiny may be known from the moment he or she is born; however, how that person will reach his or her’s destiny is unknown. The way someone can achieve their dream can be vastly different or very similar to another. Bless Me, Ultima by Rudolfo Anaya follows Antonio Marez’s coming of age. He experiences loss of innocence, curiosity, and is torn about what his destiny is: be a Luna, a person of the earth, or a Marez, a person of the llano who is free. Whale Rider by Witi Ihimaera is a film that tells the story of Paikea Apirana, a girl who is interested in becoming leader of her clan, but is rejected by her grandfather due to her being a girl. Paikea manages to prove herself to be the true leader through to her risks and hardships.

For years the killer whale, also known as Orcinus orca, has been drawing the attention of the public through the entertainment industry. These marine mammals have been bringing in billions of dollars to amusement parks such as Sea World, but at what cost? An idea that these killer whales can live happily and content while in captivity may be going through the minds of the public, but this cannot be further away from the truth. To have such complex creatures in captivity is not morally correct and there are many points against it, such as their level of emotional competence, violence between the killer whales, violence of killer of whales towards trainers, shorter lifespans, physical harm, and their level of intelligence. After taking a look at how these creatures function and the conditions they are put in while in captivity, there is no question about whether or not these mammals should be kept in captivity; an experience such as this affects these marine mammals just about the same as it would affect a human because of their high highly developed emotions and complexity. Since these industries do not have a natural authority over these creatures no matter the cause, the best thing they could do for these killer whales is to stop capturing them and return those who are capable back to the wild.

With success come some of the greatest stories of how people got to that spot. If you do try for something almost never will you be rewarded for that particular thing. This plays a role in both of the following books. In Whale Talk TJ must give this team and swimming his all to get what he wants in getting his team a varsity letter. When new requirements set back the team from getting their varsity letter TJ take it upon himself to lead and set an example for the rest of his team. Notably, in the book Summer Ball after Danny finds out about what people actually think about him. He takes accepts it and goes harder in camp. He takes nothing for granted anymore.

A hero growing up usually has an awkward vive that displays them as an outcast. Reflecting to the beginning of the movie with the birth of Pai, her twin brother death symbolizes her characteristic. Throughout the movie “Whale Rider,” Pai at moments had a transcendent gender. Her short cut hairstyle and masticated clothes, hidden her feminine image but embraces her boyish characteristic. Others did not recognize Pai within the training school for her natural talent to compete against other males. In the Maori community, Pai is a disgrace because it was abnormal for a female to participate and practice within the traditional worrier school. Pai was not interested in the limited roles of what a woman are set out to do and refuse to limit her learning in the ritual of the worrier ancestors. Her grandfather clearly let her know that she is an embarrassment to him and the Maori community. He was blinded by the fact that her capabilities to with stand physical completions towards other male and in most cases defeat their pride. It was so obvious Pai had all the attributes of what her grandfather was seeking, but was ignorant by belief. There were numerous times she was caught practicing fighting technique and then punished by her grandfather. Punished by her grandfather and was forbidden by him to not

The biggest gender role breakthrough for this tribe is when Paikea finally becomes the first female leader of the Maori tribe.

Throughout “Whale Rider” Paikea is expected to listen to what her grandpa tells her to do and say. Personally, Paikea feels conflicted and under pressure to stick to her grandpas rules, as she wants to go her own way. Her grandpa finds it hard to see Paikea as her own person and can’t accept modernity, which he is not used to. He also stops her from learning the ways of a Maori chief, which is something she still tries to do in secret with the help of the rest of her family. Koro sometimes fails to see what Paikea can do, as he feels very strongly about old traditions, but other times he sees what she can do and fails to appreciate it. Paikea just wants to be loved and accepted by her grandfather and her strong sense of leadership and determination to get that from him leaves her as a role model to others to be brave and to never stop until they get what they want.

Paul Wood is an art historian based in Scotland whose main interest in research is in the history of the modern movement. With this small insight, it is no wonder that his essay “Inside the whale: an introduction to postmodernist art” starts with the statement “’Postmodernism’ is a convenient yet confusing term” (1) giving the indication that his words should not be taken as gospel. The main points of this essay are to critically review “Inside the whale” such that I could elaborate on Wood’s message regarding the change in art through postmodernism, to what extent do I agree on those claims and touch on the points that could’ve been elaborated further.

Kahutia was thus renamed Paikea and known as the whale rider (“Maori Mythology and Legend of Paikea”). In the movie’s timeline, Pai is a descendent of Paikea. Ironically, Pai became the new chief and whale rider, by almost drowning herself and riding the whales.

This book really grabbed me right from the beginning of the story. The story begins with the birth of fraternal twins, with the grandfather patiently awaiting the birth of the son. Right away I felt sadness when the mother and one of the twins die. The boy dies and the girl survives. The grandpa seems to not care about the girl who survived . He was longing for his grandson because he is from the Maori tribe and the tribe is waiting for the sign of a new chief to be born . The chief would lead the village and its community to greatness. Many elders have been born but none with the strength to be the next chief. The little girl was named Pai. The grandma of Pai took her home to raise her along with the grandfather. The grandfather showed