What Is Lady Macbeth's Perception Of Gender

Lady Macbeth states, “Glamis thou art, and Cawdor, and shalt be what thou art promised. Yet do I fear thy nature; It is too full of the milk of human kindness to catch the nearest way. Thou wouldst be great, art not without ambition, but without the illness should attend it” (1.5.16-21). Lady Macbeth depicts her husband as being ambitious, but he is also too kind to murder Duncan and take the throne for himself. She also says, “Come, you spirits that tend on mortal thoughts, unsex me here, and fill me from the crown to the toe topful of direst cruelty…”(1.5.41-44). In this quote Lady Macbeth is praying to the spirits to literally deprive her from her femininity because she desires to take the initiative in seizing power for her husband. Another example of reversed gender roles is when Lady Macbeth says, “O,proper stuff! This is the very painting of your fear. This is the air-drawn dagger which you said led you to Duncan. O, these flaws and starts, impostors to true fear, would well become a woman’s story at a winter’s fire, authorized by her grandam.Shame itself!”(3.4.62-67). In this quote Lady Macbeth yet again takes on the dominant role in a relationship and tells Macbeth that he is yet again hallucinating just like he did with the floating dagger that led him to Duncan and he is also acting like a woman. This quote further connects to the thesis in which the roles of the Lady Macbeth and Macbeth is reversed in

In Medieval times women were viewed as innocent beings who must be controlled by the men in their family; however, in Shakespeare’s Macbeth a woman is the mastermind behind the start of several horrendous deeds. Lady Macbeth was a woman with determination. When it was prophesized that Macbeth would be king, Lady Macbeth wished that her husband would immediately be at her side so she “may pour [her] spirits in [his] ear” (1. 5. 25). Lady Macbeth wanted nothing less that Macbeth to be king. In order for Macbeth to ascend to the throne, it needed to be emptied of King Duncan. Macbeth was an ambitious man but he was not evil, he would not commit murder to gain the throne; therefore, Lady Macbeth took it upon herself to see her husband crowned king. By making Lady Macbeth the mastermind behind a murder, Shakespeare disputed the typical role of women which labeled them as innocent and harmless beings.

We see her as a suppressed female clawing to power through men. The most notable scene where Shakespeare conveys this is Act 1 Scene 5. He has Lady Macbeth say, “unsex me here”, demanding elimination of all womanly attributes. She also says, “take my milk for gall”. This demonstrates she does not want to be a nurturing, mother figure. Lady Macbeth thinks her femininity is useless and that she could accomplish more as a male. In the Elizabethan/Jacobean era, women were often subjugated – made to submit to and follow men, regarded as weak and in need of protection. Given no control, women were forced to stay home and bear children. Lady Macbeth yearns liberation from these stereotypes and ideal standards of her time. Her authority cravings lead her to tell Macbeth, “Leave all the rest to me” – seeking dominance. Her husband is essential to succeed so she can be interpreted as somewhat manipulating him into committing larger crimes – namely

Then slowly Macbeth looses his masculine qualities. The witches have a part in him loosing his masculinity. The traditional role of men usually take charge, and wears the pants, but its already clear the Lady Macbeth wears the pants. “ Lady Macbeth appears to be the more freighting figure” (Maternal Power par 1). The role of Macbeth is a friendly person, who is dictated by his wife; She controls his every thought. Its as if he doesn’t make a move without her knowing. She clearly over powers him in every way. The weird sisters also play apart in the gender roles. “ The disruption of gender roles occur in the weird sisters the trio perceived as violating nature and dispute the designation, as sister the gender roles, the characters is also ambiguous” (play with gender role par 3).

The struggle for power is encountered through the interactions between Lady Macbeth and Macbeth. When initially introduced to the character of Lady Macbeth, she reads a letter addressed to her from Macbeth in which he states his plans to kill King Duncan and assume the throne. Lady Macbeth responds with a speech signifying her agreeance and calls for the strength to carry on with the plan: “Come, you spirits/ That tend on mortal thoughts, unsex me here,/ And fill me from the crown to the top-full/ of direst cruelty” (1.5.47-50). Here, she is denouncing her femininity to take on a more masculine role and to be filled with nothing but motivation for the cruel crime. Shakespeare uses this scene to foreshadow the event in which the crime will be committed. While Macbeth begins to have second thoughts and uneasiness towards the situation, Lady Macbeth tells him: “What beast was ’t,/ then, / That made you break this enterprise to me?/ When you durst do it, then you were a man;/ And to be more than what you were, you would/ Be so much more the man” (1.7.53-58). Lady Macbeth is emasculating her husband her by questioning his ability to be a man and how he hesitates to make the move towards power while she is confident in her decision. Shakespeare makes a choice to have a woman be the one to urge the death of Duncan to show the reversal of gender roles and to expose Lady Macbeth’s character. The playwright

Lady Macbeth’s desire for power prompts her interest in controlling Macbeth’s actions. This theme of the relationship between gender and power is key to Lady Macbeth’s character: her husband implies that she is a masculine soul inhabiting a female body, which seems to link masculinity to ambition and violence. Although women were often expected during Shakespeare’s time to be modest, humble, and obedient, Lady Macbeth is actually one of the most explicitly and relentlessly ambitious of all the characters Shakespeare created. She is a woman who defies the stereotypes of her culture, which assumed that most women were or should be unambitious. At one point, she wishes that she were not a woman so that she could kill Duncan herself. A character

The traditional gender role for men and women is a strict set of expectations one must face and either choose to follow or defy it. In the Shakespearian era women portray as the weaker sex because they display as needing protection as the more fragile, innocent, and dependent sex, whereas men have authority as strong, capable, and honourable beings. However, the traditional gender roles play in reversal in Macbeth by William Shakespeare by having Lady Macbeth, the Three Witches (weird sisters), and Macbeth defy the gender roles that allow women and men to portray in a unique way in society. First, Lady Macbeth is defiant to her role as a woman because she is able to take initiative, deceive others, and commit violent acts. Secondly, the three Witches are in fact sisters which avid them to follow their role as women, however they defy their roles because they manipulate others, have the capability to make independent decisions, and kill without hesitation. Finally, Macbeth defies his roles as a man in the Shakespearian era because he acts cowardly, isn’t able to carry out duties himself, and is disloyal to his companions.

The women in Macbeth, namely Lady Macbeth, contradict these expectations through their commanding, and ambitious tones. During that second half of act one Lady Macbeth is portrayed as the ruling figure in the house. Instead of being a grateful and fulfilling housewife she instead pushes and commands Macbeth to commit assassination. She berates him when he falters and asked if he would rather, “live like a coward in thine own esteem.” (Shakespeare)

In Macbeth, one of the most tragic and well known plays, William Shakespeare changes women’s part in society. During this time period, women are known to be both mentally and physically weaker than men. Women are called to be only housewives. Shakespeare reflected the image of women in society by giving the men bigger leads in his plays. Only in a few of Shakespeare's plays did he give women strong leading roles. Macbeth is one of the few plays where women play a more powerful role than the men. In Macbeth, he gives the women unusual traits like manipulation and betrayal. In William Shakespeare's play Macbeth, women like Lady Macbeth , the trio witches, and Lady Macduff portray non-feminine traits.

Upon this realization, Lady Macbeth indicates a newfound desire to be rid of her feminine qualities, seeking instead to replace them with masculine counterparts. Crying out, Lady Macbeth declares, “Come, you spirits. That tend on mortal thought! Unsex me here, and fill me from the crown to the toe top full of direst cruelty” (1. 5. 38-41). Her abstinence towards the limitations of gender thus set her down the road to madness.

In Macbeth by William Shakespeare, gender plays a pivotal role in the development of the overall plot and as the play advances, certain characters, including Macbeth and Lady Macbeth experience a reversal in traditional gender behaviors. Additionally, we see gender confusion among other characters that enhances conflict in the play. Originally, Macbeth and Lady Macbeth are portrayed in ways that enforce their respective masculinity and feminism in accordance to the society around them. As Macbeth begins to contemplate his decision regarding the killing of Duncan, his marriage becomes the primary driving force behind his action and thoughts in this matter. Although in some cases, male and female roles in this play remain static, the

It is interesting to note the importance of gender in the personifications of evil in Macbeth. Lady Macbeth is as obsessed with her gender as her evil. When she implores evil to "unsex" her, to take her "woman's breasts for gall" she reveals the sense of powerlessness and weakness she feels. Being a woman makes her dependant on her husband for her social

At the very beginning of the play, Lady Macbeth is provoked by the letter she receives by Macbeth and starts plotting the murder of Duncan. She also wishes she were a man such that she could commit the murder all by herself saying so in Act 1 Scene 5, “Come, you spirits That tend on mortal thoughts, unsex me here, And fill me from the crown to the toe top-full Of direst cruelty” (Macbeth 1.5.36-52). She appeals to these spirits to remove all aspects of her femininity and seeks to gain power through the prophecy of the witches. Her fear about the ability of her husband to commit the murder is subdued in her designated gender. Lady Macbeth manages her feminine power through her sensuality and pretended weakness through her fainting streak at the notice of Duncan’s death. Manipulation, usually through sexuality is often depicted as the source of women’s power still Lady Macbeth uses this power of hers to commit murder, a masculine demonstration of power. Lady Macbeth in her soliloquy about the planning of Duncan’s death refers to her husband as an individual who plays honestly and does not engage in wrongdoing.

With the visit to King Duncan, the King announces that his son Malcolm will be heir to the throne. In Macbeth’s mind, all he can think about is murdering the King and all that will come along with it. Macbeth sends a letter to his wife telling of all that has happened and to prepare for the King’s visit. In order to keep the murder in her mind she doesn’t want anything to get in her way, so she even goes to the point of seeking evil and not wanting to be a women-afraid of the feminine ways which will interfere in the murder. When Lady Macbeth says, “Come, you spirits/ That tend on mortal thoughts, unsex me here, / And fill me, from the crown to the toe, top-full/ Of direst cruelty! Make thick my blood; (I v ll. 44-47) it shows how far Lady Macbeth is willing to go to make sure her husband and herself gets to the top. She even goes to the point to call upon the spirits to unsex her and fill her with cruelty to make sure that here feminine ways don’t cause the plan to go wrong.

Lady Macbeth’s burning ambition to be queen drives her to the point of insanity. She stops at nothing to gain power and uses Macbeth as the enforcer for her plans. This power is clearly illustrated as her husband follows her command to kill the king of Scotland, she constantly taunts Macbeth bringing him even further under her control. She is quite the opposite of how we generally assume feminine characters to act, and even begs the gods to remove her femininity at one point, “...Come, you spirits that tend on mortal thoughts, unsex me here...Come to my woman’s breasts, and take my milk for gall, you murd’ring ministers...” (Shakespeare 12). As Lady Macbeth expresses her desire to become unsexed, we see the link that clearly exists between masculinity and murder. She believes that since she is a woman she cannot be capable of committing such evil deeds, and her reference to her breasts which is generally linked to the idea of nurture, is called upon in reference to her desire to do quite the opposite. Lady Macbeth presents a very strong character throughout the play, and through her actions a very clear picture of a manipulative wife is painted. Though Macbeth is the one to carry out many of the deviant plans, Lady Macbeth’s role is clearly portrayed as the evil mastermind behind the murders.