When Innocence is Ressurected through Painful Times in Lord of the Flies “Only through experience of trial and suffering can the soul be strengthened, ambition inspired and success achieved” (Helen Keller). In the novel Lord of the Flies by William Golding Simon, the innocent one, is challenged by being put through extreme hardship and torture. He is constantly put through events that degrade and diminish him mentally and physically. Even though Simon is innocent and quiet he still goes through a great deal of misery. Simon is a seen as bizarre and odd to the other boys leading to him getting picked on but does not give in. Despite all the pain as well as the suffering Simon still keeps a strong mind in attempt to achieve success. Simon is put to trial when asked to speak about the beast. When a commotion breaks about the beast Simon reluctantly decides to take part in the conversation showing his strength even though he feels that speaking is a last option: Simon felt a perilous necessity to speak; but to speak in assembly was a terrible thing to him. ‘Maybe,’ he said hesitantly, ‘maybe there is a beast.’ The assembly cried out savagely and Ralph stood up in amazement. ‘You, Simon? You believe in this?’ ‘I don’t know’ said Simon. His heartbeats were choking him ‘But…’ The storm broke. (95/96) Simon pauses and hesitates several times showing that he is suffering but still tries to push through the impatient and barbaric like crowd when he speaks showing his desire to
William Goldning’s Lord of the Flies is an allegorical novel where literary techniques are utilized to convey the main ideas and themes of the novel. Two important central themes of the novel includes loss of civilization and innocense which tie into the concept of innate human evil. Loss of civilization is simply the transition from civilization to savagery; order to chaos. The concept of loss of innocense is a key concept to innate human evil because childhood innocense is disrupted as the group hunted animals and even their own. Through the use of literary techniques these ideas are seen in the passage where Simon confronts the “Lord of the Flies.”
The Lord of the Flies, by William Golding, is an allegory that connects the boys’ behavior in the novel to the basic behavior of human nature. In the novel, the boys fear a wild beast that has the potential to kill them off. However, Simon, a quiet boy, finds that the beast is not an animal that everyone should fear, but is a part of each boy himself.
Simon is the one boy who never participates in destructive behaviors and always contributes to the well being of the boys. He continues to work even after everyone stops, gives Piggy food when no one else will, and speaks his mind about the beast. He is also the only one to realize that the true beast is inside the boys. Simon’s moral compass, much like the superego, allows him to see the evil of mankind. Simon is whole-heartedly good. The superego attempts to lead a person to the morally right pathway, much like Simon aims to show Ralph how he can do what’s best for the tribe. The primitive nature of the others overpowers Simon’s internal good nature. Even after his death, Simon’s moral nature lives on through the boys similar to how the superego can continue to shine after a person follows the desires of the id.
Within the novel innocence is progressively lost through the boys. The boys were placed in a situation where they had no other choice but to grow up, and grow up fast. These boys were put in a very traumatic situation and they had to learn on their own and from each other how to survive and almost create a thriving society all on their own. Slowly they learn that their needs to be a leader, but there are no adults to precede the role of authority. Therefore the children resume power and take the role of authority. All these things make the boys lose their innocence and become very violent. No one is completely innocent and everyone has the ability to turn violent, this is demonstrated in William
Ralph explains that after Simons death, the young boys not only had to fear the chance of survival and fear the high probability that they would be there until they died also ended up fearing
"We've got to talk about this fear and decide there's nothing in it. I'm frightened myself, sometimes; only that's nonsense! Like bogies. Then, when we've decided, we can start again and be careful about things like the fire" (82).
Simon is a character who is a major significance in Lord of the Flies. Simon is one of the boys stranded on the island after his plane crashed. Additionally, Simon is a member of the choir. As part of the choir, he is under the leadership of Jack. Simon is described as “...a skinny, vivid little boy, with a glance coming up from under a hut of straight hair that hung down, black and coarse.” (24) He is also prone to fainting. For instance, shortly after the plane crashes, Simon faints in front of all of the other boys. Simon is an important character in the novel.
Simon was the only person in the book who interacted with the so-called beast. He saw that the physical form of the beast as the Lord of the Flies, a sow's head on a stick. Fear would have been struck through Simon as he heard the pig say: "There isn't anyone to help you only me. I'm the beast." Simon tried to run back to the camp but he came at the wrong time and was mistaken as the beast and was brutally
As the story went on Simon had found a World War 2 pilot “ He finds the airman, rotting and fly-blown” (Document E) . All along the kids were worried about a dead pilot thinking that it’s a beast coming after them. But little did they know that it was something much worse. Next Simon “Then he sets off, weak and staggering, to tell the other boys that the beast is human” from Document E, he was so close to telling* the real truth. The kids would have never guessed what the beast is.
After reading Lord of the Flies many people think to themselves what is the “Beast”. Well if you take a few moments to think about what you have read you may think of a few things. Like perhaps, it was fear taking over their body and there wasn’t really anything there, or may think war. They knew that war was going on the violence was surrounding them and for there to be violence there has to be some kind of contact with someone or maybe even something. Another thing you might think of is they are most likely going insane on this island.
Simon had a specific mission in the novel: the opportunity to talk to the beast and receive answers, very similar to revelations. His role was to help the boys notice what the Beast really was, and not
group, did not allow Piggy to eat as he did not hunt with them. We
Ironically, the dead man was a soldier, a symbol of the savagery that was the true Beast. However, Simon's compassion showed again as he braved the stench to cut the parachute from the corpse; he laid the Beast to rest. With this act of his pensive and generous nature, he proved what a good leader he could have been.
Humans have a monster inside of them that is subdued by society, and if society is taken away, then that “monster” will consume them. This is true for most people, but not all humans are like that. One of the most notable humans to over come the “monster” is Simon, a character from the book “Lord of the Flies” by William Golding. The story is set on an island in the Pacific Ocean. A plane full of British schoolboys crash lands on an island and they’re stranded there with no adults, no society, and no rules. Simon is one of the few characters that stay sensible and good throughout the story. He has a sixth sense about things happening around him, he is kindhearted, and he faints a lot which give the appearance of him being weak.
The boys project their irrational fears as a derivative of their immaturity, in an attempt to identify a realized external enemy. Literary critic Lawrence S. Friedman explains, “Too immature to account for the enemy within, the boys project their irrational fears onto the outside world. The first of these projections takes the shape of a snakelike “beastie,” the product of a small boy’s nightmare.” (233) The boys’ irrational fear of the unknown, one of a small boy’s nightmare, only serves to exemplify their immaturity in handling situations like this. It is a stepping stone to events to come, prophesied by Simon. In addition, the character of Simon alludes to the fact that there evil ‘beast’ can really be traced to their internalized innate evilness. Simon argues, “maybe there is a beast… What I mean is… maybe it’s only us.” (Golding 89) While all of the boys attempt to explain the phenomena of the ‘beast,’ Simon is the one who realizes that the boys themselves are the evil ‘beast’ they perceive. There is no external force, the ‘beast’ only serves to be a placeholder for the boys’ true primal nature. However, it is Simon’s death, at the hand of the boys themselves, that only serves to prove that evil truly exists in all of these boys. Friedman suggests, “The ritual murder of Simon is as ironic as it is inevitable. Ironically, he is killed as the beast before he can explain that the beast does not exist. His horrid death refutes is aborted revelation: the beast exists, all right, not where we thought to find it, but within ourselves.” (236) His death is truly the tipping point, a point of no return for the boys. After his killing, Simon’s philosophy of inner evil is realized. It is clear that his own philosophy is what ultimately leads to Simon’s death, as unfortunate as it may be. It is reflected of the group’s fear of the unknown, and their