Where Are You Going, Where Have You Been?

Oates emphases that Connie is in her adolescence, who is trying to transition into thinking like an adult. Connie, who is obsessed with her appearance, is constantly “craning her neck to glance into mirrors or checking other people’s faces to make sure her own was all right”(Oates 1). She is starting to

In the beginning of the story, the way Oates describes Connie’s behaviors help construct Connie’s state of mind as a doubtful and vulnerable young girl. The author perfectly capture the essences of Connie’s character by illustrates how Connie has, “a quick, nervous giggling habit of craning neck to glance into mirrors or checking other people’s faces to make sure her own was all right,”

The character in the fictional book is what makes a great story and brings it to life to the reader’s eyes. In “Where Are You Going, Where Have You Been,” by author Joyce Carol Oates, the fifteen-year-old protagonist Connie is an interesting character who seems to be obsessed with wanting to grow up so fast. However, Connie seems to act differently when she is at home and when she is away from it. When she is away she seems to be a tad sexual with her appearance and tries hard to prove she is maturing. In this story, Connie is a tragic hero, who teaches us that even a great quality can be our doom. A tragic hero is usually a character who has a flaw that leads to their downfall at the conclusion. This happens when she tries so hard to act mature and finds out that maturity was not what she expected. Next, the narration is a key factor to the story that makes it what it is. The third person limited narration has Connie’s point of view which indicates that she somewhat thinks she knows what other characters are thinking throughout the story, sometimes the point of view seems to shift,

In the short story “Where Are You Going? Where Have You Been?” both characters, Connie and Arnold, suffer from having dual identities. Connie is an individual who acts completely different outside her home, where she tries to portray an image of being sexually appealing. However, she is the complete opposite within her home, where she hides her sexuality and acts more like the adolescent she really is. Arnold is a mature man, something Connie is looking for in life and this intrigues her. Both characters have trouble with their dual identities, Connie’s leads her to being vulnerable to growing mature in an unpleasant manner by the force of Arnold, while Arnold’s unknown character proves to not be genuine, as Connie brings out his violent nature in her quest to be an independent adult.

In the story Where Are You Going, Where Have You Been? It talks about a man and a woman whose names are Connie and also Arnold friend. Arnold is suppose ably Connie’s friend who seems to just be Connie’s conscious speaking to her to tell her to do the thinks that she does.

In the short story "Where are you going where have you been?" by Joyce Carol Oats and the song Wake Up by EDEN, the author and the artist both show the thematic concepts on how fantasies come to an end, and when reality hits, it hits hard.

Connie is a young fifteen year old who cares about her sexual drive that men have toward her. “The 1960s unleashed the so called sexual revolution. It seemed more a source of comic relief and tragic nostalgic recirculation than political inspiration…” This revolution consisted of women demanding their own rights so they could become more and more independent. There were significant shifts in social attitudes, behaviors, and institutional regulations at the beginning of the 60’s and also lasted through the 70’s. The sexual drive increased majorly and the amount of women that had sex before marriage also sky rocketed. In Where Are you Going, Where Have You Been, Connie wants sexual attention from men, and that hurts her self-confidence and

Connie’s identity is shown at the end of the story, but who she was at the beginning of the story differs to who she became at the end of the story. To start, Connie was a fifteen year old girl who was beautiful and adventuress, but failed to acknowledge and grasp the idea of a real family. Connie’s family or her mother is not the exact loving and caring mother some people have experienced. In “Where Are You Going, Where Have You Been”, Connie sated “Her mother, who noticed everything and knew everything and who hadn 't

In the beginning, Connie’s character is one of innocence, self-absorption, and shallowness. Oates describes Connie as a fifteen-year-old girl who has “a quick, nervous giggling habit of craning her neck to glance into mirrors and check other people’s faces to make sure her own was all right” (Oates 157). In this description, Connie’s dynamic character acts shallow and is self-absorbed. She places her values on her physical appearance and in her friends’ acceptance. Connie “knew she was pretty and that was everything” to her (158). Connie bases her self -worth on her looks and in the values of her friends’ perception of her.

In the story of “Where Are You Going, Where Have You Been?” the main character Connie, is always caught up in her appearance. She is nothing like her sister who is said to be the “perfect” child. The mother always says how she wishes she could be like her sister, and Connie wishes that she and her mother were dead. Connie’s friend’s father drives them to a shopping plaza but they always end up going to a restaurant and meet with boys. She then finds a boy named Eddie where she eats with him and goes to an alley with him, where Connie sees a man say to her, “Gonna get you,

The Cultural Revolution and Sexual Desires in Oates’s “Where Are You Going, Where Have You Been”

Through its contrasting reality and dreamlike scenes, Oates’ “Where Are You Going, Where Have You Been?” uses details from a true American horror story to convey a message about society, youth and a loss of innocence. Arizona native Charles Schmid murdered Alleen Rowe on May 31, 1964. Schmid was considered a serial killer and was subsequently arrested and convicted of the heinous crimes that he was accused of. The profile of Schmid as a short man who wore makeup, wigs and altered boots to make

In the short fiction Where Are You Going, Where Have You Been? tells a story about a young 15-year-old girl named, Connie. Connie spends her time meeting boys, lounging around the house and going out with her friends. One night an unusual man makes a threatening gesture to her in the parking lot of a local drive-in restaurant. Until, one day the unusual man pulls up in her driveway in a gold colored car. The man introduces himself as Arnold Friend and asks Connie to join him for a ride. During their conversation, Connie is aware that Arnold is dangerous; his language becomes more sexual and violent, and he warns her that he will hurt her family if she calls the police. In the end, she leaves the house and joins Arnold. Connie is stuck between the lines of her sexual daydreams and reality up until she is entangled among by Arnold Friend and his infatuating music playing in his car. Everything about her had two aspects to it, one when she was at home and one for anywhere but home.

A short story titled "Where Are You Going, Where Have You Been?" tells a tale of an adolescent girl who suffers consequences of growing up in the unsupportive environment and the society preoccupied by the media. It is considered to be the most famous work of Joyce Carol Oates, an American writer, the winner of many significant literary awards and a two- time candidate for the Nobel Prize in Literature. The story was first published in the fall of 1966. It is dedicated "to Bob Dylan", as though, after having heard Dylan's song "It's all over now, Baby Blue" Oates got inspiration for the story. She was also influenced by the article about Charles Schmid, a twenty-

The author puts Connie out to be a bad kid but is she really? Yeah, Connie is not the most respectful or well-behaved kid but who is at the age of fifteen. The author shares some instances where Connie does not make the best decisions. The author shares, “She spent three hours with him, at the restaurant where they ate hamburgers and drank cokes…and then down an alley a mile or so away” (Oate’s. 109). The quote shows how Connie put herself in situations that a girl her age should have never been in. The author gives Connie the identity of not being confident in herself when she says, “Connie would raise her eyebrows at these familiar complaints and look right through her mother, into a shadowy vision of herself as she was right at that moment: she knew she was pretty and that was everything.”