White Lies Natasha Trethewey Analysis

Alice McIntyre talks about how whites view racism in many different examples and stories of white talk. McIntyre defines white talk throughout the reading, “Talk that serves to insulate white people from examining their/our individual and collective roles in the perpetuation of racism. It is a result of whites talking uncritically with/to other whites all the while, resisting critique and massaging each other’s racist attitude, beliefs, and actions” (McIntyre, 45-46). McIntyre talks about the themes that were discussions of white talk: “(1) How the participants constructed differences from “the Other,” (2) how they reconstructed myths about white and people of color, and (3) how they privileged their own feelings and affect over the lived

Characters, in Heidi Durrow’s The Girl Who Fell from the Sky, force the protagonist, Rachel, to choose between her white and black side. They only acknowledge her black side while only celebrating her white qualities. Consequently, Rachel feels the obligation to accept the roles that have been thrust upon her and ignores part of her race because of the commentary from her family and peers. Rachel adapting to the portrayal of her racial identity to appeal to the normalized opinions of her appearance, demonstrates her tendency to comply with the categorization people of color face throughout society. Ultimately, leading Rachel to pick and choose the parts of her racial identity that most please the people she is with.

In 1912, The Autobiography of an Ex-Colored Man was anonymously published by James Weldon Johnson. It is the narrative of a light-skinned man wedged between two racial categories; the offspring of a white father and a black mother, The Ex-Colored man is visibly white but legally classified as black. Wedged between these two racial categories, the man chooses to “pass” to the white society. In Passing: When People Can’t Be Who They Are, Brooke Kroeger describes “passing” as an act when “people effectively present themselves as other than who they understand themselves to be” (Kroeger 7). The Ex-Colored Man’s choice to ultimately “pass” at the end of the novel has been the cause of controversy amongst readers. Many claim his choice to “pass”

“…. because a girl of my age ought to be able to brush her own hair and it was a travesty that my mother hadn’t taught me” (Evans 39). It is often the case that most people develop awareness of their identity when they become involved in diverse social circles, neighborhoods, or schools. In “Snakes”, Danielle Evans carefully chooses the characterization of her characters to give the reader an insight into the racial division that has been pervasive in America. Having never been aware of her biracial identity, Tara confronts the reality of her identity when she leaves her parent’s house to spend the summer with her grandmother. Evans portrays Lydia, Tara’s grandmother, as brutal, bigoted white grandmother to draw parallel between her and white

She makes up lies that she was adopted and her mother and father is a prince and a beautiful blonde so kids would think that she was also blonde. To fit in she tells stories that her “mother English or a Swede, beautiful, blonde,” and her dad an “Asian prince.” She lies to other kids about her parents race so she can fit in with the other kids to make herself feel better. She says this story many times to other kids that “I believed myself sometimes-that I was adopted.” By telling this story many times it’s not just a simple lie to her anymore, she says it so much that she believes it sometimes.

Imagine finding out that your entire life was a lie, and that every single thing you knew about your identity and your family was completely false! Armand Aubigny, one of the main characters in Desiree’s Baby by Kate Chopin, experiences this exact dilemma throughout this short story. Desiree’s Baby is a story about a young man and woman, who fall in love, but Desiree, who does not know her birth parents, is considered nameless. When she and Armand have a child, they are both very surprised because the child’s skin color is not white as expected. It is obvious that the child is biracial, and immediately, Desiree is blamed for the color of the child’s skin because of her uncertain background. The truth, however, is that it is Armand who has

One of the things that is so fascinating about poetry is that it allows readers to discover and sometimes challenge and channel their emotions as well as their understanding. A poem’s words as well as its structure can reveal many things to its intended audience. In “Myth” by Natasha Trethewey, the poems form is just as important as the words she writes, becoming a map for the journey Trethewey takes, using transitions to take us from one place to another. The nature of the poem therefor becomes multifaceted, as it encourages the reader to think about the speaker’s words and use of form and structure she uses to craft this epic story. Using form as a tool, Trethewey is able to use structure as a way to guide us as readers and the speaker across the conscious and unconscious thoughts and dreams the speaker faces in this story.

But [she] didn’t ‘hear’ it until it was said by a small pair of lips that had already learned it could be a way to humiliate [her]” (Naylor, 411). This not only supports the fact that the boy had been taught or heard this word by someone older like a parent, but it is also sad that a nine-year-old had to be taught that such a nasty, ugly word was created to make her and people like her feel ashamed and embarrassed to be black, or that are worth less as human beings, which is absolutely false. That is why slurs are created though, to make groups of people feel less “human”. This essay explored the most infamous slur against the black community. The fact that slurs like this are prevalent in today's society is extremely upsetting and wrong. There are plenty of racial slurs that are so casually used today, it makes one's stomach ache in distress. Ableist slurs are even less reprimanded, a high school student walking through the hall will hear the r-word too many times to count during the course of a day. Just as commonly used are homophobic and anti-LGBT slurs. A high school student will hear the f-slur and the q-slur plenty of times, and even more will “that’s so gay” or “you’re so gay” be whipped from the mouth of students without a second thought. It’s disheartening.

“Passing,” by Nella Larsen is a novel all about pretending to be something that you are not. It is about giving everyone the impression that everything is in order when in reality everything is falling apart. Passing in this novel refers to the ability of a person to be classified as one thing, normally a social group, while belonging to a different group. Passing is usually done to gain class or acceptance by groups other than one’s own. The primary focus of the novel is on racial passing which is the ability to look white and belong to a white group when in reality the person is an African-American in order to gain privileges that were unavailable to them. Although racial passing is the main focus, another major theme in this novel is sexual passing and identity.

McLaurin caught interest in a girl named Charlotte Humphries who had been a schoolmate of his since the first grade. Blue eyes, blonde hair, having the complexion of a white girl, he was impressed and did not think pursuing wanting to date her would be a problem. However, regardless of his feelings, his mother disagreed and insisted that Charlotte would not be a good idea for him. McLaurin’s grandmother began to explain to him that he “just shouldn’t” pursue her, mentioning that the story behind it all goes back a long time ago. She explained that Charlotte’s great-grandmother was someone who was a “mulatto nigra”. Some mulattos pass as white, even though they are not, if they are light enough and that is what happened with Charlotte’s great-grandmother. Even though Charlotte was blue eyed blond hair, McLaurin could not pursue her simply because black ancestry was in her blood.

“White Lies” by Natasha Trethewey, is a poem in which the speaker is recalling her childhood as a bi-racial girl struggling with her racial identity. Due to the fact she is fair complexioned, this identity crisis is even more taxing on her since she is growing up during a time in which interracial relationships were still illegal in her state. In “White Lies”, the speaker is the poet who uses direct words such as “I” in the first line, “The lies I could tell”, to assert that she is the one relaying her story. Trethewey states she had skin “light-bright, near white” when she was a child and she would lie about being full white in order to fit in with the other white children she encountered. The title “white lies” actually is used with a dual meaning, “white lies” are a type of lie we deem as innocent and small, which are the

Alcoff strives to right the wrong of those inadequately identified by the influence of white supremacy, in particular those involving the prejudices of race and gender. In her book Visible Identities: Race, Gender, and the Self, Alcoff argues that the

Despite being from different countries, time periods, and social statuses, poets Elizabeth Barrett Browning and Natasha Trethewey seem to have similar social views as seen in Browning’s The Runaway Slave at Pilgrim’s Point and Trethewey’s Enlightenment. An examination of A Runaway Slave at Pilgrim’s Point by Elizabeth Barret Browning and Enlightenment by Natasha Trethewey demonstrate that Trethewey and Browning used poetry to express their dislike of racial prejudice and slavery relevant to their time.

She erases the blackness of the woman to justify her actions, a common endeavor in white America’s exploitation of the black body. This endeavor is evident of the

In her poem, “White Lies,” Trethewey’s theme in the story is discrimination and her struggle with her personal identity in America. Being born bi-racial, Trethewey explores racial identity that she experienced during her childhood. She was born in 1966 in Mississippi to a black mother and a white father. At this time, interracial marriages were not legal in Mississippi and were seen as shameful in society. Trethewey was very light skinned and had the desire to be white. The poem delivers the author’s experience with bigotry while living in the South (Bentley). This created an atmosphere of a racist society where the white community was superior over the African Americans. Growing up during this period, Trethewey felt like a lost little girl struggling with trying to find herself. In The Washington Post, Trethewey said, “Poetry showed me that I wasn’t alone” (Trethewey). This meant that writing poetry helped her to realize that she was not alone in this world of judgment, there were others facing the same issues that she was. The tone of her poem was sadness because of the prejudices she faced. To her, poetry was a place that could hold her grief (Bentley). Throughout her poem, “White Lies,” she desired to tell lies about who she was and how she lived. Her childhood was filled with thoughts and hopes of being white instead of being bi-racial. She states, “The lies I could tell, / when I was growing up” (Trethewey l. 1-2). These lines imply that she could easily lie to cover