'Who Shot Johnny?' by Debra Dickerson: Summary and Analysis

Society, as viewed today, is not the same as it was at the end of the twentieth century, treatment of minorities was much different. Brent Staples was a writer at the time and choose to highlight this treatment in a piece titled Black Men and Public Space. Staples published this piece in Harper’s Magazine in 1986 which was an American magazine that covered politics, society, culture, and the environment. Even though the readers of the magazine were most likely aware of the culture surrounding African Americans it still was an effective piece. In Black Men and Public Space Brent Staples analysis the cultural identity of African Americans through the descriptions of personal experiences that he has had.

In Brent Staples’ "Just Walk on By: Black Men and Public Space," Staples describes the issues, stereotypes, and criticisms he faces being a black man in public surroundings. Staples initiates his perspective by introducing the audience in to thinking he is committing a crime, but eventually reveals how the actions taken towards him are because of the fear linked to his labelled stereotypes of being rapists, gangsters and muggers. Staples continues to unfold the audience from a 20 year old experience and sheds light onto how regardless of proving his survival compared to the other stereotypical blacks with his education levels and work ethics being in the modern era, he is still in the same plight. Although Staples relates such burdens

In Brent Staples’ “Just Walk On By: Black Men and Public Space” he forces women to recognize the feeling of estrangement from the surrounding public that he has endured. He first took notice at the age of twenty two, when his own self-judgement resulted from scaring a woman when solely walking at night near his college, the University of Chicago. He maintained his dejected attitude when he wrote that a few years later, his own work mistook him for a thief instead of a journalist. Brent Staples heightened his frustration by mentioning a black male journalist who was blamed as a killer in a murder, instead of the writer reporting it. In portraying two versions of his story, he proves that this was a rather common and difficult occurrence for not only him, but others of his race. To attempt to resolve this, he decided to attempt to cross the street or sing classical songs to portray innocence. In this article, Staples’ forces his audience to encounter the hypocrisy in which all black men are dangerous. He concluded the essay with the realization that you can't change what people think, only attempt to show them who you are. Brent Staples appeals to the audience through his emotionally charged language with the use of his experiences with unconscious prejudice.

Staple’s “Black Men in Public Spaces” and Rae’s “The Struggle” address misperceptions with ethnicity. Staples and Rae share similar circumstances making it easy to understand each viewpoint. Culture settings and gender define the authors’ differences. Both essays give the readers different perceptions of African Americans’ lives.

Through manipulation of language, Staples demonstrates his comprehension of the effect this discrimination had on innocent black males. Since he has had firsthand experience in this matter, Staples discerns his situation as an “unwieldy inheritance” with “the ability to alter public space in ugly ways.” Clearly, Staples feels as if he was cursed, for he was constantly treated like a “fearsome entity with whom pedestrians avoid making eye contact with.” This put him in an

The first example of society behavior is used through the story of a late thirties white man name Benhard Goetz who shoots four black youths on a subway cart in New York. This anecdote is significant to the novel because it takes place in the mid-80s where society is pointed by drugs, and violent brutality wreaks havoc through the city of New York. Leaving his Manhattan apartment, Goetz hops on the subway and notices four African American youths “horsing around,” and “acting rowdy.” According to the story, Troy Canty, one of the boys, asked Goetz for five dollars. Out of instinct James another one of the boys, “gestured toward a suspicious-looking bulge in his pocket, as if he had a gun in there.”

Staples explained what he went through when he was in Chicago, New York, and Pennsylvania. He tells us a story about why people looked at him in a different way and how they acted towards him because of his skin color. Staple’s voice showed strong emotions of frustration and anger in his story. His tone is very serious and calm. In his essay “Just Walk On By: A Black Man Ponders His Power To Alter Public Space” He uses diction, figures of speech, and syntax. He wants everyone that is reading to feel and try to get the reader to see what he went through and how bad it was to get around town.

Staples successfully begins by not only admitting the possible faults in his practiced race but also by understanding the perspective of the one who fear them. Black males being opened to more violence because of the environment they're raised in are labeled to be more likely to cause harm or committing crime towards women but Staples asks why that issue changes the outlook of

Even in modern society, the simplest of things can shift the delicate atmosphere. A black man entering a room, or any space, full of white people, can automatically transform the ambiance. This ‘ability’ may not be a desired effect, but in certain situations, it becomes inevitable. Through the use of different rhetorical devices, Brent Staples is able to demonstrate his realization of his “ability to alter public space in ugly ways” simply because of his race and stature in his essay, “Black Men and Public Space.” Staples uses the rhetorical techniques ethos, logos, and pathos in order to get on the “same side” as the reader while still presenting the essence of his argument. The author is able to sympathize with his “victims” and justify their feelings, appealing to ethos. He also analogies and details about his background, such as his doctorate in psychology, and the fact that he was a reporter to appeal to logos. Additionally, by using vivid imagery and creative diction, he engages the reader by use of pathos, evoking the emotions of the reader. With the use of rhetorical devices, Staples is able to effectively describe his experiences of being perceived as a criminal, solely based on his “unwieldy inheritance” (205), while, additionally, extending this concept to be true throughout society.

Brent Staples “Black Men and Public Space” is a look at how people perceive black people in the 1960s. Staples explains how people would treat him on a day to day basis. Even when he was a child he would be looked at differently because of his color. He quickly establishes ethos, logos and pathos credibility tough the many examples. This article shows the injustices done to him while living in New York. Brent Staples Black Men and Public Space uses pathos, ethos, and logos effectively throughout the essay.

To engage a large audience, Staples appeals to readers with his use to two different points of views throughout the essay: societal views and black views. Staples tries to connect with the readers by giving examples of unconscious thoughts that run through the minds of most people when in the same situation as the “white women.” In his opening sentence, Staples calls the women a “victim.” In her own eyes, she herself was “victim” due to the influence of generalized stereotypes presented in our culture. She becomes quick to judge based on Staples appearance: his skin tone. Because of his color, his every action becomes nothing but threats and anxiety on the women. “She casted a back worried glance. To her, the youngish black- broad six feet two inches with a beard and billowing hair, both hands shoved into the pockets of a

Author and editorial writer for the New York Times, Brent Staples, skillfully uses both his educational and racial background to exemplify and reflect on the harrowing times black men faced during the mid-1900’s. Growing up the oldest of 9 in 1951, he pushed himself through primary schooling and against the predications of most, was accepted into college where he earned his B.A, and eventually, a coveted Ph.D. His anthology of literary works focus on politics and cultural issues and popularly include, Parallel Time: Growing up in Black and White, which won the Anisfield Wolf Book Award, An American Love Story, and the piece in mention, Just Walk on By: Black Men and Public Space.

In the present scenario, the main challenge of our society is the stereotype that exists. One of the common stereotypes is that we deem black men as dangerous. Most people grow up with such a perception and feel it be true. In ‘Just Walk on by: Black Men and Public Space’ Brent Staples describes the way black men are perceived as dangerous individuals to society by his own experiences. He rightly acknowledges the occasional hatred that black men are subjected to in everyday social situations. Staples begins his writing with an anecdote using an ironic tone, describing the concerns successfully with emotional and logical appeals in chronological order. He aims to see the problems from the white American perspective and he makes efforts so as to clear their concerns with ease through the use of diction, ironic tone, ethos & pathos.

African American boys are doubly displaced among society. Ann Arnett Ferguson says, “they are not seen as childlike but adultified; as black males they are denied the masculine dispensation constituting white males as being “naturally naughty” and are discerned as willfully bad”(page 80). These African American boys are thought of being two things, either a criminal or an endangered species. They are not allowed to be naughty by nature according to society, but rather there naughtiness is a sign of vicious, inherent, insubordinate behavior. African americans are seen as endangered victims, which makes them criminals. Ferguson states, “It is their own maladaptive and inappropriate behavior that causes African americans to self-destruct”(page 82). There are two versions of childhood that are contradictory to each other. A real child would be seen as a “little plants” ready to grow up accordingly which is what white men were like to educators. On the other hand the African American boys were seen as children who are powerful, self centered, and have an agenda of their own. These black boys are seen as adults from such a young age, they don’t have time to be young and grow up because others make it seem like they are already fully grown. This drives them in the path to do bad things and make bad decisions.

Within essay one, Black Men in Public Spaces by Brent Staples it describes the life and experiences of a young African American man living between Chicago and New York City over about a ten year span. Due to stereotypes on his race, society assumes he compliments them resulting in being viewed as dangerous