Who Was Jocasta Indecisive?

How could she live with marrying her son who she had gave away when he was a baby and thought he had been killed as ordered but instead she had 4 kids with him and ended up marrying him having no knowledge that he was her son. The puzzle pieces have been coming together for Jocosta as Oedipus would ask her many questions because he had found out his adopted father had died and the messenger ended up Telling him that Polybos wasn't his real father and that's when everything clicked for Jocosta when the messenger told Oedipus "I will tell you: long ago he has you from my hands, as a gift", " You're ankles should tell you that" and then Jocosta says " why think of him? Forget this herdsman", "Forget it all this talk is a waste of time". Knowing that Jocosta finally knew all of this I don't blame her for taking her

In the story of Oedipus the king at the beginning Jocasta does not have any idea of what her husband it is to her. Later on she finds out that her husband it is her own son whom she throw away because when he is born a bad prophecy is giving to him. She tries to stop him when she realize it and she starts begging him, she tries to stop him. As an example, she says to him, “listen to me, I beg you: do not do this thing!”(Sophocles 1088) Also she says “you are fatally wrong! May you never learn who you are!” (Sophocles 1088), that gives us a clue, at that point she knows Oedipus is her own son and that the prophecy has already begin to happen in his life. The journalist Anders

As prophets are the messengers of the gods, contesting with Tiresias is tantamount to defying the gods themselves. As king, he feels that he has the power to determine truth, and that he has supreme power over the city. He accuses Creon of conspiring with Tiresias, and threatens to exile or even kill him. Before Oedipus was the accused, his status as king gave him confidence and leadership, which are attributes that were productive in solving the mystery. After he was accused of murdering the former king, this status became a negative and caused him to be too overwhelmed with his power to identify the truth. This is also the point at which he stops trusting the divine ability of prophets. His mother Jocasta seems to stop trusting prophets at this point as well. She began to tell Oedipus not to listen to Tiresias, even though she proved at various points earlier in the story that she believed in prophecies. She pretentiously conveys a disbelief in prophecies as she speaks to her son and husband: "Fear? What should a man fear? It's all chance, chance rules our lives. Not a man on earth can see a day ahead, groping through the dark." She realizes that she failed in preventing the predetermined fate, but attempts to maintain the stability and reputation of the royal family by hiding the truth. The family would inevitably be destroyed, however, as was the will of the god Apollo. The inferiority of the family's political power compared with the divine power of

Even though he is given the truth about his past, he is unwilling to hear it because of his pride. Here, Oedipus is given the chance to stop and turn back this quest, because in the end the murderer he must face in the end is himself. Instead, he begins to have self doubts about himself, which damages his pride, and continues on his journey into his past to restore his hurt pride. His pride forces him not to believe the truth, and so it leads toward his own undoing. Oedipus pride pushes him forward, shedding some light on the grim truths of his dark past. Finally, when faced with his wife Jocasta, she begs him not to continue with this mad quest, knowing that there will be nothing good for them in the end. Jocasta states “For God’s love, let us have no more questioning! Is your life nothing to you? My own pain is enough to bear” (Sophocles 1003-1005), realizing that Oedipus may be the murderer of her husband Laius and that the prophecy that the oracle said many years ago may finally come to light and be true. Oedipus however refuses to listen to her insistent pleas, and so gives up the last chance for him to turn back. Oedipus could have easily stopped here and listened to Jocasta but as Arthur Miller states

Also, when Antigone told her to help her she refused to bury the body. “Ah sister! Oedipus died, everyone hating him for what his own search brought to light, his eyes ripped out by his own hand, and Jocasta died, his mother and wife at once, our mother, she twisted the cords that strangled her life; and our two brothers died, each killed by the other's sword, and we are left. But, oh, Antigone, think how much more terrible than this our own death would be if we should go against Creon and do what he has forbidden!” This illustrates how she just cares about herself and not her family by giving excuses to Antigone, then she tells her that we are the last of Oedipus’s line don’t kill yourself just because of

In the establishment of the play, Jocasta and Oedipus seem as though they are a traditional royal husband and wife, with ordinary children. They love each other, unaware of the truth. Jocasta illustrates what she did to her son as a consequence of an incestual and sinful prophecy that her son would someday kill Laius and marry her, as told by an oracle. She reveals that she and Laius fastened their son’s ankles and left him on a mountain to die. She declares, “[...] My baby / no more murdered his father than Laius suffered -- / his wildest fear -- death at his own son’s hands” (794-796). While both

Finding out who his true father is seems important for someone who has just been told he will kill his father. Nor is Oedipus particularly intelligent about the way he conducts himself. Even though he did not know that Laius and Jocasta were his parents, he still does kill a man old enough to be his father and marry a woman old enough to be his mother. One would think that a man with as disturbing a prophesy over his head as Oedipus would be very careful about who he married or killed. Blindly he pursues the truth when others warn him not to; although he has already fulfilled the prophesy, he does not know it, and if he left well enough alone, he could continue to live in blissful ignorance. But instead he stubbornly and foolishly rummages through his past until he discovers the awful truth. In this way, Jocasta 's death and his blindness are his own fault.

     By burying her brother, Antigone knowingly and willingly went against royal orders and in doing so chooses her own death. She knows as well as anyone in the town that death would come

Oedipus did not know that his mother was going to be his wife. He was told from when he was only the prince of Corinth that he will end up sleeping with his mother. During the investigation of King Laius, the blind prophet is providing a detailed crime scene and interviewing the only eyewitness to his murder. In curiosity, Oedipus asks about who his biological parents are so he can finally know the truth and settle the rumors. The Theban Shepherd confirms that his parents are in fact Laius and Jocasta. Oedipus and Jocasta have not seen each other since the day he was born. Many years ago, she gave her three-day-old infant to her servant to be killed because she knew about the prophecy. Behind her back, the servant gives Oedipus to a childless royal couple living their separate lives without knowing each other. Jocasta tried to change their destiny, but their fate was already chosen for them. Regardless of Oedipus knowing that his wife was his mother, he still committed incest. “But now all god-deserted, born in sins, in incest joined with her who gave

Jocasta rejoices, convinced that Polybus’s death from natural causes has disproved the prophecy that Oedipus would murder his father. At Jocasta’s summons, Oedipus comes outside, hears the news, and rejoices with her. He now feels much more inclined to agree with the queen in deeming prophecies worthless and viewing chance as the principle governing the world. But while Oedipus finds great comfort in the fact that one-half of the prophecy has been disproved, he still fears the other half—the half that claimed he would sleep with his mother.

Theatre Under the Female Microscope Compare and contrast the depiction of female characters in Oedipus Rex, A Midsummer Night’s Dream, and The Glass Menagerie. What does each author suggest about the role of women in his society based upon the way that women are written for the stage? The influence of female characters in the world of theatre is vast, and highly determined upon the thoughts of the author. The depiction of these versatile characters in Oedipus Rex, A Midsummer Night’s Dream, and The Glass Menagerie, are nowhere near a sequestered concept, but instead, a mirrored theory for societal norms.

She valued family pride over the authority of the king. Leaving the dead unburied is against the natural laws of the gods, she then chose to disobey the Kings law by attempt to bury her brother, Polyneices. But I will bury him; and if I must die Literature for Composition 462.55

Starting with Sophocles primary play, “Oedipus Rex,” the relationship between Oedipus and his parents support the works theme of fate and pride. Through antecedent action told throughout “Oedipus Rex,” Oedipus received a prophecy that he would kill his father and sleep with his mother. Jocasta, his biological mother additionally received a prophecy long before Oedipus pronouncing her child to kill her husband. Both, Jocasta and Oedipus recall that they can outsmart the prophecies by avoiding the fate in which they write. With extreme pride that they carry out avoidance plans that contribute to the plot and irony of Sophocles work. Jocasta sentenced her son to death to avoid her prophecy. Oedipus ran from his perceived “real parents,” from Corinth to Thebes to avoid his fate, killing a stranger on the way to the new kingdom. Eventually, Oedipus and Jocasta get married and conceive children together providing accuracy to their fate later when all mysterious are discovered. Their relationships shows that the Gods are beyond their control, even though with their hubris that noted they could get out of it. The family relationship aspect of “Oedipus Rex,” situation adds more dramatized plot to Sophocles work. Faith in the trilogies is a concept in all of Sophocles three plays that can unarguably be avoided, Oedipus and Jocasta having the same thought process and traits shows a son and mother relationships. Jocasta and Oedipus marrying one another is Sophocles way of creating the irony for viewers of the play.

Jocasta is forced out of denial and commits suicide at the same time that Oedipus discovers the truth. She feels so guilty for her despicable actions which could not alter the prophecy’s course and for her incestuous sins that she takes her own life to end the suffering.

Oedipus and Jocasta both don’t want to see the truth. Although it may occur to them at some point, but they don’t give it a second thought because they think it is absurd and it isn’t possible. “Why should anyone in this world be afraid, since fate rules us and nothing van be forseen? A man should live only for the present day. Have no more fear of sleeping with your mother: How many men, in dreams, have lain with their mothers! No reasonable man is troubled by such things.” Jocasta is further from believing than Oedipus, she constantly tells him not to worry about it, don’t get worked up, and to just forget what you were told. Oedipus cannot forget what the oracle has said and goes on to pursue the case.