Who Was The Real Monster In Frankenstein

What is a monster, really? Is it really a Creature that has three eyes instead of two, with pus seeping out of every crevice in his face and an abnormally large form? Or is it someone with a mind so corrupt it rivals that of Satan? Mary Shelley’s Frankenstein is a story within a story that centers on the tale of a man with an immense thirst of knowledge and a fetish to imitate the Creator. Mary Shelley’s Frankenstein is a lot like the Greek mythological tale of the Greek God, Prometheus, and his brother, Epimetheus, who were assigned the task of creating man. The story captivates the theme of monstrosity. Mary Shelley wrote the novel in a form so the reader’s opinions never stray far from sympathy for the monster and apathy for Victor

Frankenstein removes himself from friends, family and society in order to absolve himself from responsibility of morals. Through efforts to maintain control and an acute fascination, Frankenstein alienates himself at an early age in the name of science. Victor is not entirely ignorant of the dangers of his self-satisfying obsession as he first regrettably reflects, “I was, to a great degree, self-taught with regard to my favorite studies. My father was not scientific, and I was left to struggle with a child’s blindness, added to a student’s thirst for knowledge” (Shelley 28). Rather than recognizing that his isolation is self-induced, Victor blames his alienation on his father’s ignorance. By controlling his relationships, he gains greater confidence in his own abilities, instead of relying on others’ companionship. Notably, evidence for Victor’s disregard toward “domestic affection” is reintroduced as he remarks, “I must absent myself from all I loved while thus employed. Once commenced, it would quickly be achieved, and I might be restored to my family in peace and happiness” (Shelley 138). With selfishness at the core, Victor controls his chaos by distancing himself temporarily, so that he might reunite with his family at a later date. He is being inundated by the common belief that glorious scientific achievement comes at the cost of moral and ethical sacrifice. Victor justifies his self-alienation by means of the creature; however readers

While attempting to uncover the meaning of life and death, and though he believed his experiments would further the paths of science, Victor fails to see the potential consequences of “bestowing animation upon lifeless matter” (Shelley 37). This, in turn, creates a monster. After his “great” experiment, Victor spends his life in grief. Despite this, he manages to belittle his creation, and act superior to him, claiming that “I [Victor] will not hear you. There can be no community between you [the creature] and me; we are enemies” (Shelley 84). Even later on, when assured by the creature himself that Victor would be left alone if he creates a female counterpart, Victor cannot see past the shreds of pride he has left and refuses, causing the death of his family and loved ones. It’s Victor’s pride and his fear of the creature that clouds his judgement and in the end leads to his

Though Victor Frankenstein and his creation both have qualities that are clearly monstrous, Victor’s selfishness, his abandonment of his responsibilities, and his inability to recognize his own faults and the monstrous qualities within himself qualities within himself make him the true monster while his creation is rather the opposite.

Victor pursuit of desiring to build a creature makes it seem as if he was an evil and mad scientist. Shelley demonstrates Victors madness by saying “a resistless and almost frantic impulse urged me forward; [he] seemed to have lost all soul and sensation but for this, one pursuit” (55). This reveals that because Victor was emotionally attached to his creation, he was willing to have sleepless nights just to create a creature. Victor is beginning to show signs of madness scientist because he starts to lock himself up trying to bring this hideous monster to life. Because Victor starts to “lock himself up in his apartment” Shelley makes it seems as if Victor is turning into a mad man and evil scientist (52). Victor’s fundamental quest for knowledge leads to his isolation because he locked himself in his apartment for 6 years without having any connect with his family in Geneva and becoming so fanatical with creating the monster he craved for in his

Mary Shelley’s Frankenstein, illustrates an interesting story focusing in on many different themes, but what most readers may miss, is the similarities between Victor Frankenstein and the creature he created. As the story develops, one may pick up on these similarities more and more. This is portrayed through their feelings of isolation, thirst for revenge, their bold attempt to play god, and also their hunger to obtain knowledge. These are all displayed through a series of both the actions and the words of Frankenstein and his creature.

In Mary Shelley´s Gothic novel, Frankenstein, the Monster once claimed, “The fallen angel becomes a malignant devil. Yet even that enemy of God and man had friends and associates in his desolation; I am alone.” Frankenstein, since the 1910 film adaptation, has known a series of several adaptations that changed drastically, not only the plot but one of the main characters, the Monster, from stealing its creator´s name to being portrayed as a cold villain. Though, in the original storyline, the biggest threat to society is the creator itself, the one pretending to play as God, Victor Frankenstein. This essay will discuss the nature of the main characters of the novel and conclude who is the “real monster” in the end.

There is a myth that every creature on this planet is one half of a whole and must be completed by another half. Sometimes it takes that other half coming into their life to make them realize the truth about themselves and to see hidden parts of their unconscious minds that they otherwise would not have noticed themselves. Mary Shelley, an accomplished writer during the Romantic Era of English Literature, is the author of Frankenstein. Victor Frankenstein is a young man with a hunger and passion for knowledge and science. He wants to do what no one has ever done before- create human life all on his own. Victor creates an eight foot tall, grotesquely terrifying monster that after continuous rejection from society, decides to take revenge on the man that gave him life. Shelley shows throughout this novel how two mortal enemies can be surprisingly similar and even act as mirrors of each other.

There are different types of monsters in the world one could be afraid of. There are those real monsters that do look like a stereotypical beast and then there are those humans that act like a stereotypical monster, in regards of being emotionally impacted. In Frankenstein by Mary Shelley, the scientist Victor Frankenstein who creates the monster, is actually the real monster. “Frankenstein” is a frame story where Captain Robert Walton boat gets stuck due to an iceberg and see a man in the cold, science lover Victor Frankenstein. Frankenstein then meets Walton and tells him the story of how he ended up on the iceberg. Throughout the story Frankenstein’s experiment of trying to bring the dead back to life is showcased. Unfortunately, Frankenstein's

Alhough Victor Frankenstein calls his creature a monster, and considers it disgusting and abhorrent, it is in fact Frankenstein who behaves monstrously. He claims to have created the creature for a noble purpose: to defeat death. However, it is clear that his motives

Since Frankenstein was blinded by his imagination, he was determined to get random body parts together, build himself a monster, and bring it to life. Frankenstein’s monster was something no one has ever created, encountered, or even thought of, “I was created apparently united by no link to any other being in existence,” (14.169). Frankenstein’s creation was completely foreign to any kind of already existing life. He was nothing like anyone had ever seen before. He had created a creature that know one knew how to control or predict.

Mary Shelley wrote Frankenstein in 1817. When she wrote it, she was is her early twenties. The conflict in the story is that Victor Frankenstein creates a creature that doesn't turn out like he intended it to. Victor runs away when he sees what he has created. The creature then goes and does many acts of killing people.

Frankenstein, a novel written by Mary Shelley, published anonymously in 1818, strives to push the limits of mortality. Although written as a ghost story competition between Shelley and her companions, Frankenstein quickly became a famous story in the world of gothic literature. Victor Frankenstein devoted years of his life, sacrificing his health and relationships, to reanimating the once deceased; fashioning a creature of much resemblance to a human by taking what he needed from individuals who had no longer use for them. Fascinated by doing God’s work, Victor does not stop to realize the cons of his creation. When his efforts were finally rewarded, he realized the being was not one of his expectations. Scared of his own creation, Victor abandons it, claiming it to be a monster. The creation, lost and confused, gradually understands its place in society, unpleased by the results. A villain: “a cruelly malicious person who is involved in or devoted to wickedness or crime; scoundrel” (“Villain”), much to the Creature’s dismay, this is a definition that is inevitably cast upon him.

Frankenstein, in Mary Shelley’s Frankenstein, finds himself in college with all the opportunity to engage himself in his studies. The pursuit of knowledge eventually becomes an obsession at a narcissistic level. Frankenstein becomes more focused on his experiment to create a being of his own accord. His self centeredness leads him to create a being in the image of himself. The monster says, “My form is a filthy type of yours, made horrid even from the very resemblance (Shelley). It is as if every aspect within the monster itself is hated by Frankenstein and vice versa. His work eventually becomes himself and he regrets creating it, “…but he confesses that the monster is really self-generated, “the being whom I had cast among mankind…was my own vampire, my own spirit let loose from the grave, and forced to destroy all that was dear to me (Jackson, Shelley). Similar to Raskolnikov, Frankenstein became too involved in himself. He alienated himself from his family and friends for science. His experiment lacked