Why Is Okonkwo's Masculinity In Things Fall Apart

The novel Things Fall Apart by Chinua Achebe discusses the rise of an Igbo chieftain who came from great poverty to power and the eventual loss of Igbo traditions, rites, and the influence of his clan through his eyes due to western imperialism and colonialism. The intended audience for this novel is very broad, but if we tried to define it would primarily be people who have not experienced the Igbo culture and westerners or people who speak English. In this essay I will be focusing on the last six chapters: chapters 20 to 25. These chapters highlight the loss of power and customs of the Igbo people who have succumb to colonial rule. I fell Achebe is rhetorically effective and

Change is a reoccurring theme throughout history. It destroys and creates. It displaces and introduces. It can cause death and life. The movement of imperialism in Africa brought great change to the native tribal life. Forcing the indigenous people to turn away from their century-old traditions caused violent rifts between the European settlers and the tribes, as well as internal problems between once amiable members of the Ibo culture. With the introduction of the foreign Western Society in Chinua Achebe’s Things Fall Apart, the tribe’s life and ideals are drastically altered as the new ethics and principles collide with the old traditions and laws, causing the members of the society to either adapt or be crushed underneath the foot of colonialism. Achebe’s character, Okonkwo, was impacted immensely by the cultural collision, as his previous way of life was pulverized before his eyes, and he found no reason to live any longer.

This novel is the definitive tragic model about the dissolution of the African Ibo culture by Nigerian author, Chinua Achebe. Okonkwo, a great and heroic leader, is doomed by his inflexibility and hubris. He is driven by fear of failure.

In this day and age suicide is not an effort usually perceived as manliness. Suicide is an effort to end problems without putting an effort to solve them. In the book Things Fall Apart, by Chinua Achebe, the character named Okonkwo is obsessed with becoming his own definition of manliness, and prestige; Okonkwo then got fed up and surprisingly committed suicide. Okonkwo’s decision to commit suicide was a cowardly act, because he wanted an easy way out from the ordeal he was going through, he is selfish he rather have his friends and family suffer over him than to suffer himself, and he gave up his hopes and dreams.

The world is full of cultural collisions. Every day people meet other with different worldviews. This concept of cultural collision, is shown perfectly though Chinua Achebe’s Things Fall Apart. In the story it is the cultural collision, of the introduction of Western Ideas into the ibo society, that causes Achebe’s characters to grow and change. One character in particular is forced to reevaluate his sense of identity because of the cultural collision. This is the character of Okonkwo. The collision challenges Okonkwo’s sense of self, as a religious leader or an Egwugwu, as a leader of his people, and as a man. It is Okonkwo’s response to these challenges, that shapes the meaning of the book of that as your world changes so must you or you

Okonkwo is a man who has to have things his own way. In the novel, there is a scene where his second wife, Ojiugo, did not make him his afternoon meal. Okonkwo, in an act of anger, started to beat his wife heaviley. His other two wives begged for him to stop beating Ojiugo, as it was the Week of Peace, a sacred Igbo holiday. However, “...Okonkwo was not the man to stop beating somebody half-way through, not even for fear of a goddess” (Achebe 30). Despite believing that he may be punished by a god, Okonkwo did not stop beating his wife. Unoka was a more compassionate man than Okonkwo, he was also stubborn. Unoka was lazy and fiscally irresponsible. He spent what little money he had on alcohol and didn’t

Things Fall Apart, written by Chinua Achebe, depicts the life of a clansman of Umuofia, known as Okonkwo. Okonkwo was one of the wealthiest and respected men of his tribe. He gained respect as a great wrestler in his clan, and worked to surpass his father, Unoka’s image, which had been sullied by unpaid debts, and his work-shy attitude. Unoka was no man to Okonkwo, for Unoka had not taken any titles in his clan, therefore, he was nothing more than a woman in Okonkwo’s eyes. In such a patriarchal society being called a woman was disgraceful, and Okonkwo wanted nothing to do with anything womanly, and in turn he wanted nothing of his father, including any traits he carried, righteous or not. Okonkwo’s twisted view of masculinity and lack of compassion creates high expectations. When Okonkwo begins to see that his clan, family, and he himself cannot reach his expectations of strength, he will have nothing the turn to, but the noose that fate has made for him. The Igbo proverb “The thought that led a man to truncate his own existence was not conceived in a day” applies to Okonkwo’s suicide, which had begun with his twisted ideology of masculinity. The thoughts that led Okonkwo to commit suicide originate within his perception of weakness tied to his father; he sees this weakness in his son, in his tribe, and in himself. Okonkwo is disappointed in his son Nwoye for becoming so much like Unoka, he is ashamed of his clan for conforming to the views of the Christians, and he is

Chinua Achebe was a Nigerian novelist, poet, professor and critic. He is mainly known for his trilogy that investigates, using fiction, the history of Nigeria. The trilogy begins with Things Fall Apart, followed by No Longer at Ease and ended with Arrow of God. Furthermore, in this critically analytical essay, through a feminist perspective, a chapter of his second novel, No Longer at Ease, published in 1960, will be discussed. The setting of the novel is Lagos, Nigeria and Umuofia, Nigeria during the 1950s, before Nigeria attained independence from Great Britain. The novel, No Longer at Ease begins with Obi Okonkwo on trial, charged for accepting a bribe. However, using flashback, the author takes us back to the point before Obi’s departure

Nwoye’s betrayal in the novel is the same level of betrayal that Achebe is condemned with in his lifetime. African literary theorists who vie for the purity of African literature for African languages defy Achebe as a European traitor, writing his stories with his back turned to his native homeland. Yet this thesis argues for a reevaluation of that criticism. Achebe does not in fact deny his beliefs, his country, or his heritage. He rather aligns himself in a tragically ironic way with the hero of Things Fall Apart. Achebe writes his own struggle with colonialism into the life and death of Okonkwo. It is interesting to note that Achebe’s father was in many ways very similar to Nwoye. His father, Isaiah Achebe, was orphaned early in life and spent most of his childhood with his uncle, Udoh. Udoh was a man of the land; he prided himself on tradition and leadership. Chinua writes in his essay, “My Dad and Me,” that the differences between Isaiah and Udoh were seen early through the eyes of Chinua, a questioning child who was placed in the middle

Even though the novel depicts a societal conflict between colonizers who attempt to impose change and tribesmen who reject that change, Achebe avoids stereotyping the colonizers as “bad” and the tribesmen as “good.” The protagonist, Okonkwo, is portrayed with little sympathy. An angry, callous man, he is shown to act outwardly only in violence. Growing up, his father was a weak, effeminate man, and Okonkwo aspired to be everything his father was not: “He was ruled by one passion—to hate everything his father had loved, one of these was gentleness” (13). Even though his motives are established, Achebe does not attempt to justify the selfish and detrimental actions of Okonkwo. On the contrary, Okonkwo’s uncle Uchendu is rendered as a selfless, compassionate, and wise old man. When Okonkwo is banished from his tribe, Uchendu receives his nephew with open arms and helps him re-establish his life. “As soon as Uchendu saw him with his sad and weary company, he guessed what had happened, and asked no questions” (129). By showing both undesirable and appealing characters, Achebe offers a reputable and non-biased portrayal of his native people to unfamiliar American audiences.

Achebe’s essay “An Image of Africa” analyzes the book Heart of Darkness by Joseph Conrad. He dissects the false representation of the african people and the bias in his book. In “Heart Of Darkness,” Conrad feels that the people of Africa are undeveloped and they are savages; he looks at all their culture and tradition and only sees it as uncivilized, he has no appreciation for their beliefs. This relates to Achebe’s book, Things Fall Apart, because Conrad’s views represents the white colonist and their feelings towards the africans. The colonists did not respect their culture or their gods. Okonkwo is well-respected by his tribe, he is extremely traditional and values his culture. The colonists are a threat to that because they do not understand or respect the African ways, they want to change it and convert them to Christianity. Okonkwo has a need to stand up for his culture and his beliefs, he feels he has to be able to prove that he is a strong and powerful man. Okonkwo worries that if he does not protect his customs, he will be seen like his father: cowardly and feminine. He has been haunted by that fear his whole life, “It was the fear of himself, lest he should be found to resemble his father. Even as a little boy he had resented his father’s failure and weakness, and even now he still remembered how he had suffered when a playmate had told him that his father was agbala”(Achebe 12). His need to distinguish himself from his father and protect his people are what drive him to make do things like kill Ikemefuna and the messenger. Things fall apart for Okonkwo because the other villagers do not have the same passion and drive as him. The

The only thing he (Okonkwo) fears most is not ending up like his father, Unoka. However, Achebe ‘‘makes an insightful comment on the nature of masculinity through his representation of the tribal leaders. Achebe basically, was conducive in creating four alter egos of Okonkwo: one of which were the masculinity; next of his fatherly abilities; and the last of his family progress and four of his likelihood of success’’ (Achebe.179). My paper will explain how Okonkwo’s Masculinity from Achebe’s Things Fall Apart will be characterized by his fears, beliefs, and emotions for several reasons.

Chinua Achebe’s novel “Things Fall Apart” chronicles the life of Okonkwo, a strong man whose existence is dominated by fear and anger, and the Ibo tribe, a people deeply rooted in cultural belief and tradition. As events unfold, Okonkwo’s carefully constructed world and the Ibo way of life collapses. The story of Okonkwo’s fall from a respected and feared leader of the Ibo tribe to an outcast who dies in disgrace dramatizes his inability to evolve beyond his personal beliefs, affecting the entire Ibo tribe beyond measure. The “things” that fall apart in Achebe’s novel are Okonkwo’s life – his ambition, dreams, family unity and material wealth – and the Ibo way of life – their beliefs, culture and values.

This paper reflects the novel “Things Fall Apart” written by Chinua Achebe in 1958. Achebe gives an overview of pre-colonialism and post-colonialism on Igbo, detailing how local traditions and cultural practices can “fall apart” in some scenarios through some introduced, externally created hassles elevated because of colonization. The protagonist named Okonkwo mentioned in the story is a proof showing the lifestyle of the tribe. My main objective and focus is to lay emphasis on Africa specifically the Igbo society, before and after the arrival of the Europeans in Umuofia community; the results of their arrival concerning Igbo culture, thus leading to the clash of cultures between the two categories. I will also draw on post-colonialism with respect to globalization.

Chimamanda Adichie’s Purple Hibiscus and Chinua Achebe’s Things Fall Apart both emphasize the complexities of progenitor-son relationships. The adult composition of devoted contention is improved throughout the manner of both texts and attend to illustrious the impact of Western imperialism on Igbo culture. While Adichie publicly profess that she was inhaled by Achebe, a finisher look at the nuanced variance between the two novels illumine Adichie’s own vote. Okonkwo, the misogynistic individuality with a masculineness complicated, is a omi still cicatrice by his father’s shameful value in Things Fall Apart. His sire’s unwell fame and deficiency of entitle tern Okonkwo to chase a more biography in an effort to disunite himself from his father.