Wife Beatinging In Edgar Allan Poe's The Black Cat

The earliest literature reference to domestic violence against men can be found in the studies of Suzanne Steinmetz (1977,1978) entitled, “The Battered Husband Syndrome.” She hypothesizes that the incidents of husband-on-wife beatings rivals the incidents of wife perpetrated batterings, and that it was husband abuse not wife abuse that was underreported form of domestic violence. Steinmetz used two United States populations, a broadband nonrepresentative group and a random sample in New Castle, Delaware in the form of police reports and family surveys. The small study found only small differences in the percent of men and women who resorted to violence in the context of pushing, shoving, or hitting with hands or an object. This suggested early on that domestic violence is not a one way street. Husband beating is a serious issue and needs attention due to the fact that it is grossly underreported. Steinmetz received numerous criticism from her colleagues on this concept. In later studies, Murray Straus, Richard Gelles, and Suzanne Steinmetz (1980), authors of the book, Behind Closed Doors: Violence in The American Family, supports Steinmetz’s earlier studies in finding that women acted violently during marital affairs compared to a similar number of men who act violently in the United States. The study used 2,413 family surveys, finding in majority of them that the level of violence was a mutual or bilateral activity, with only 27% of cases finding that husbands were the

Throughout the 1800’s in the United States, state laws and cultural practices continued to support a husband's “right” to discipline his wife. It wasn't until 1895 that women were given the right to divorce their husbands no matter the conditions (Dryden-Edwards MD, 2012). Another stride in unveiling the taboo and private nature of domestic violence was made through the Battered Women's Movement, which was a by-product of the Women’s Liberation Movement from the 1960’s. Greatly supported by the Feminist theory, this movement was frequently credited for unmasking the extent of intimate partner violence and agitating for social change (Meyer-Emerick, 2002).

The events that unfolded in Edgar Allen Poe’s, “The black Cat,” are all due to one person, the narrator. It is because of his Mental state, being an alcoholic, and being abusive to his wife and pets that the fault lies heavily on the narrator. What this paper will entail is all three of the reasons why it is the narrator's fault for what happens in the story and it will come to a conclusion based off the findings in the story.

Domestic violence, alternatively referred to as Intimate Partner Violence, is defined by the Department of Justice as “a pattern of abusive behavior in any relationship that is used by one partner to gain or maintain power and control over another intimate partner.” While domestic violence is commonly thought of as only physical or sexual abuse, domestic violence can also be emotional, economic, or psychological. Domestic violence has remained constant in society throughout history, even though over time society’s response to the issue has changed. While domestic violence affects everyone regardless of race, gender, age, etc. it is estimated that approximately 90% of all victims are women. For the purpose of this paper, I will be focusing on

Just like Janie, many women are physically abused. The National Coalition Against Domestic Violence estimates that 1.3 million women are victims of physical assault by their partner each year. Nearly eighty five percent of domestic violence victims are women and females between the ages of twenty and twenty-four are at the greatest risk of partner violence. Janie was only one of the few women to be assaulted. In the 1900’s, Janie’s time, it was even more likely that women were abused since men had more rights.

The article constructs domestic violence as an issue of gender, race and socioeconomic status. Women are identified as the “majority” of victims (Taylor 2014). Consequently, the article conceptually represents domestic violence as events of intimate terrorism where one partner violently terrorizes the other partner to gain complete control over the relationship, which is entirely perpetrated by men (Johnson 2012). With that said, Johnson (2012) points out that majority of domestic violence is situational couple violence, where both the man and the

The main themes of Edgar Allan Poe’s works are death, perversity, revenge and destruction. The settings he employed in the given short stories, especially in The Fall of the House of Usher and The Black Cat are Gothic. Therefore, naturally the mood of these stories would be dark and sepulchral. However, this is not a trivial employment undertaken to put the reader in a certain kind of zone.

She assumed that my bruises were his work” (Butler, 2003 116). The stereotype of controlling abusive men remained hundreds of years later. Dana’s cousin knew nothing about the situation and didn’t bother to ask. Her cousin assumed that any black women who is married to a white man, could only be bruised by her husband. During this time, this assumption was normal and logical.

One way that Poe’s “The Black Cat” thematically posits the vulnerability of a 19th century American

The Black Cat is one of Poe’s most memorable stories. The story was first published in 1843, edition of The Saturday Evening Post. This like a study of the psychology of guilt, paired with other works by Poe. “Near the beginning of the tale, the narrator says he would be "mad indeed" if he should expect a reader to believe the story, implying that he has already been accused of madness” (Cleman). Poe is creating a sense of confusion for the readers and making them think more about the story before reading. The story is centered around a black cat and the idea of deterioration of a man. From his prison cell, the narrator is writing the story about his life which is falling apart. He has a love for animals, and for his wife that he married young. One of the things that he takes on as a hobby, is

Domestic violence used to be considered a private family matter and was not considered a societal problem until feminists in the 70's started pushing the matter. Beginning in the 1970’s, social policy toward female victims of domestic assaults focused on improving legal response and

Historically, domestic violence on females has evolved drastically. It used to be a norm for women to be objects of their fathers or husbands and lacked civil rights. In many cultures, domestic violence was not preceded as a crime. According to Marcia Chaiken’s article “Domestic Violence and Criminal Justice,” she explains the history of violence against women and how it has evolved through the centuries. Chaiken states how women experience physical and sexual violence by their intimate partners which leave harmful effects on mental and physical health, and their ability to live healthy and productive lives. In the past, men had the right to use physical force against their wives and forcing sex was considered a private relational problem. Forcing sex was sought as romance back in the day, not rape. Religions generally discouraged the act of physical abuse within relationships, but women had to obey the men because they lived under his roof. A common perception of the past was that a man’s home was inviolate and authorities cannot interfere with relationships. Around the 1960s, women

The history of domestic violence goes back all the way to the start of mankind. Ever since lower people were taken advantage of by higher people in society. The men were much stronger than the women which resulted in the women usually being the ones abused. In the beginning, the man had every right to abuse his woman. If you stare back into the 1940’s and 1950’s you will notice that little was done to stop domestic violence. The police would get involved but would leave the situation to be resolved by the family members. As suggested in the peer-reviewed article “Domestic violence past and present” by Anna Clark, policemen would just tell the man to composed himself and the woman to stop aggravating him. For example, in the sentence “Before the 1970s, judges and police officers still saw wife beating as a trivial offense—policemen would tell husbands to calm down and wives to stop annoying them, and cases rarely came to court. Popular culture depicted wife beating as a joke, and psychiatrists saw it as a pathology of the

Domestic Violence is a human tragedy, and has been a part of life for many individuals. It is not subjective to a particular group, race, or culture. Historically, the feminist movement preserved the theory that domestic violence is a growing matter because of the continuous power differential between the male gender and the female gender. Remarkably, this approach on domestic disputes unveiled the inner workings of barriers men, women, and children would face when in a domestic violence situation. The feminist theory emphasizes on studying “the gendered nature of all relationships…which aims at understanding how gender is related to social inequalities and oppression” (Marsigila & Kulis, 2015, p. 148). Disastrously, an ignorant notion that once dominated our culture was the belief that emotional agony was less painful than physical brutality. However,

The title of Edgar Allan Poe’s “The Black Cat” leads the reader to believe the short story is about one black cat. However, almost in the middle of the story, a second cat emerges. Since the title suggest there is only one cat, and the narrator hints the second cat is one of the first cat’s nine lives, comparison of the cats become necessary to see if they are one and the same. For example, both cats desire to be around the narrator and both are missing an eye, but each cat has a major difference in the color of their fur.