Willy Loman Theatrical Response

In Death of a Salesman, by Arthur Miller, Willy Loman’s life seems to be slowly deteriorating. It is clear that Willy’s predicament is of his own doing, and that his own foolish pride and ignorance lead to his downfall. Willy’s self-destruction involved the uniting of several aspects of his life and his lack of grasping reality in each, consisting of, his relationship with his wife, his relationship and manner in which he brought up his children, Biff and Happy, and lastly his inability to productively earn a living and in doing so, failure to achieve his “American Dream”.

In Arthur Miller’s Death of a Salesman, the author conveys the reader about how a person lives his life when he or she cannot live the “American Dream.” Willy Loman, the main character in the play is a confused and tragic character. He is a man who is struggling to hold onto what morality he has left in a changing society that no longer values the ideals he grew up to believe in. Even though the society he lives in can be blamed for much of his misfortune, he must also be the blame for his bad judgment, disloyalty and his foolish pride.

Many workers today go through a low time or a struggle and give up. Today’s workers do not necessarily commit suicide when they are in a low point but they do things such as quitting the job or relying on government assistance. Willy strives to achieve the American dream and he eventually realizes that he has failed and gives up on life. This dream is a belief in America and that all things are possible if you work hard enough (Criticism of ' the American Dream' in 'Death of a Salesman'). Arthur Miller uses this story to expose the problems with pursuit of such a dream: “What Miller attacks, then, is not the American Dream of Thomas Jefferson and Benjamin Franklin, but the dream as interpreted and pursued by those for whom ambition replaces human need and the trinkets of what Miller called the ‘new American Empire in the making’ are taken as tokens of true value” (Bigsby). “Death of a Salesman” creates a challenge to the American Dream and shows that an American should live a prosperous and plentiful life instead of get lost and die tragically (Criticism of ' the American Dream' in 'Death of a Salesman'). Gradually throughout the play, Willy gets farther and farther away from achieving his idea of the American Dream. His income slowly decreases to nothing: “as a salesman, Willy stages a performance for buyers, for his sons, for the father who deserted him, the brother he admired. Gradually, he loses his audience, first the buyers, then his son, then his boss” (Bigsby). His problem is that he completely surrenders to the American Dream and by the team he realizes his mistake, he has nothing to fall back on (Panesar). If Willy would have embraced his natural talent for manual labor and his family’s love for the countryside, the Lomans could have a totally different lifestyle (Panesar). Towards the end of the play, Willy became overwhelmed

Arthur Miller shows the downfall of the American dream through the eyes of Willy Loman. Willy Loman is an all American family man and businessman that would do anything for his family. In the end of the play Willy Loman committed suicide to save his family from going under. Arthur Miler describe Loman’s tragic story as “a man who did believe that he alone was not meeting the qualifications laid down for mankind by those clean-shaven frontiersmen who inhabit the peaks of broadcasting and advertising offices (Isherwood, 2012) “. The thing I find so innovating about this play is that even though some of the events mentioned are controversial the author never down played the events that

Willy Loman was a failure as a family man who never achieved the American Dream. His life is an example of a true downfall, which affects all of those close to him. By living in an illusion, Willy guaranteed that he would be unable to achieve all that he thought he should. As a result, his death is the final confirmation of his failed life. Truly, success could never be achieved in his life, even if he had made plenty of sales. By giving up his dreams and true desires, Willy Loman died long before he crashed his car, and that led him to become every bit the failure that he will

Looking at all of those characters individually, it is tough to pinpoint if Miller believes in one, all, or a combination of those views. Fortunately, it becomes clearer in the introduction written by Christopher Bigsby. Insightful in his analysis of the play, Bigsby explains that “Death of a Salesman is not an attack on American values. It is, however, an exploration of the betrayal of those values and the cost of this in human terms” (Bigsby XXIII). To put it more simply, Miller’s view of the American dream (A dream where equal opportunity to achieve success and prosperity through hard work, determination, and initiative) is that it serves more as a misrepresented societal norm, than a guide to lifelong happiness. Looking at the work as a whole, he shows that more often than not, the theory of the American dream is not aligned with the reality of an American life.

Willy Loman, the central character in Arthur Miller’s Death of a Salesman, is a man whose fall from the top of the capitalistic totem pole results in a resounding crash, both literally and metaphorically. As a man immersed in the memories of the past and controlled by his fears of the future, Willy Loman views himself as a victim of bad luck, bearing little blame for his interminable pitfalls. However, it was not an ill-fated destiny that drove Willy to devastate his own life as well as the lives of those he loved; it was his distorted set of values.

Willy chooses to exaggerate his success in front of his family and even his boss in Act 2, but when he is contradicted “Now, Willy, you never averaged...” he still continues on with his façade thus further emphasizing his delusional nature. He teaches his children that they should be “liked and you will never want,” which implies that for Willy popularity is more important as it is this that will deem how prosperous one is in business as that man “is the man who gets ahead.” This contradicts the initial ideals of the American dream where you work hard in order to achieve success, and hence could be used by Miller to indicate how futile the concept was as well as how it lead to people conceiving inconceivable dreams - “He had the wrong dreams” as mentioned by Biff in the requiem.

In The Death of a Salesman by Arthur Miller, it is argued weather that Willy Loman is a tragic hero. There are cases for both classifications of Willy. By definition, a tragic hero is a person born into nobility, is responsible for their own fate, endowed with a tragic flaw, and doomed to make a serious error in judgment. The tragic hero eventually falls from great esteem. They realize they have made an irreversible mistake, faces death with honor, and dies tragically. The audience also has to be affected by pity or fear for the tragic hero. In order for Willy Loman to be a tragic hero, he has to fulfill all of these descriptions. Willy Loman fits into some of

The success attained by Willy?s role models, his father, Dave Singleman, and Ben, is what he envisions to be the American Dream. He only visualizes the end product, being successful, and not the process they may have gone through to achieve that success. Willy?s father sold flutes and made that his living. In an encounter with his thoughts of the past, Willy listens to Ben, his brother, who refers to their father by saying, "Great Inventor, Father. With one gadget he made more in a week than a man like you could make in a lifetime" (49). Willy assumes that by being a salesman, like his father was, he is automatically guaranteed success, and that it wasn?t something that he would have to work for. Material success, such as money, luxury, and wealth, and popularity are his goals and his definition of success. On the other hand, self-fulfillment and happiness through hard work is not. By only focusing on the outer appearance of the American Dream, Willy ignores the

In the play Death of a Salesman by Arthur Miller, Willy is both sympathized with and looked down upon throughout the story. Willy is a very complex character with problems and faults that gain both sympathy and also turn the reader off to him. Willy Loman is both the protagonist and the antagonist, gaining sympathy from the reader only to lose it moments later.

In “Death of a Salesman” by Arthur Miller, Willy Loman doesn’t lose faith in what he does and you can’t ask someone if they want a job when you know they got one. Willy isn’t really successful; but he loves what he is doing and knows a lot about it. He does a lot of foreshadowing in the book by saying “a person is worth more dead than alive “and in just that one quote you can see that Willy feels worthless. That of course leads to him committing suicide.

Willy Loman is a man on a mission. His purpose in life is to achieve a false sense of the "American Dream," but is this what Willy Loman really wants? In Death of a Salesman, Arthur Miller analyzes the American Dream by portraying to us a few days in the life of a washed up salesman named Willy Loman. The American Dream is a definite goal of many people, meaning something different to everyone. Willy's version is different from most people though; his is based more on being well-liked and achieving monetary successes rather than achieving something that will make him happy. Willy never becomes part of the "American Dream" because he never follows his true dreams and

This idea is also clearly represented in modern times due to the fact that the nation is once more in a recession and every one wants the shiny new car or the huge lavish house. Miller senses this and uses Willy as an example of one of the many who fail to reach the American Dream and never will. Miller also challenges society to reflect upon how it interprets success, as Abbotson points out:

  In Arthur Miller’s Death of a Salesman, Willy is depicted as living in his own world. The play centers around the end of Willy’s life, when the real world comes crashing through, ruining the false reality he had created for himself and his family. Throughout the play, Willy Loman uses the concept of being well liked to build a false image of reality, as shown through his teachings to his son, what he considers successful, and his reasoning for committing suicide.