Winton's Response To Tom Keely

Flashbacks to Tom’s previous rugby games with his brother re-affirm the loss he feels towards his old life. Tom feels the need to have everything the way it once was, and Coghill can’t replicate the joy he found in the endless afternoon training sessions with Daniel and his father, nor the adulation of the local community.

This powerful characteristic that transitional phases possess have the potential to be a rewarding experience, as they provide an individual with the opportunity for growth and knowledge development through newfound relationships. In ‘The Story of Tom Brennan’, Tom exhibits this through his bond with Chrissy following the dark trauma he endures caused by his brother Daniel. Initially, Tom feels detached from his own identity as he refers to himself in third person “I missed…simple Tom Brennan”, emphasising his deteriorated mental state. However, the relationship he forms with Chrissy is instrumental in his recovery as he begins to find himself again. His passionate tone in “Today I kissed Chrissy Tulake, I felt like Tom Brennan” epitomizes how this bond empowers him to assert a stronger sense of personal identity. Burke, therefore, is able to reveal how transitional

The author creates a lot of suspense with the setting and the characters in the story. To begin, the author, Will F. Jenkins, creates a lot of suspense in this short story with the characters. For example, when Mr. Tabor calls Madge to see if she can drive his niece, his

Suspense is an important trait in many works of fiction. In David Montrose’s novel The Crime on Cote Des Neiges, he uses narration, digression and secondary characters to create suspense throughout the novel.

Therefore, the foreshadowing in the story creates suspense for both the characters and the readers.

By using descriptive words and phrases to help us imagine the characters and setting the readers are drawn further into the suspense. Beginning with the descriptions of the carnival, usually a joyous time, it is not so joyous but mostly dark with the vision of “[dusk] one evening during the supreme madness of the carnival

The events happening in the story can really happen, and this allows open-minded readers to put themselves in the story line and feel what O’Connor makes the characters feel. A great example of creating fear and sympathy in the audience is when O’Connor writes, “There were two more pistol reports and the grandmother raised her head like a parched old turkey hen crying for water and called, ‘Bailey Boy, Bailey Boy!’ as if her heart would break” (O’Connor 454). In this line, readers feel hearts almost break in sympathy for the grandmother as if they have lost their own son, but soon fear creeps up because everyone has been murdered except the grandmother, leaving her alone with evil. Through characterization, O’Connor creates an emotional and relatable connection between the story and the readers, which is a great element that defines good writers from great writers. Reading is just a way for people to escape the everyday redundancies of life, even if it is met with fear and sympathy.

During the time that I’m reading the novel, there is abundant of psychological descriptions and conversations, but it is hard for novel readers to see and feel directly what is happening except for imagination. First, by observing the tone of the novel, the text can’t pass the difference and the changes of

Thomas Tryon’s debut novel, The Other, tells a tale of harrowing macabre and psychosis that haunts a New England family. The Other follows the life of a set of young twin boys and the horror that follows. In The Other, Thomas Tryon crafts a story of delusion and insanity, one that preys on the readers’ fear because of the story’s normalcy and familiarity.

This sets a dark mood to the story and hints the climax is starting. The reader is told of the evils coming, but there is not enough good in the townspeople for them to all realize the situation.

Williams demonstrates his cognizance, and skills as a writer, as this book is a well-written piece of literature, touching upon historical

     The author wrote this story as a literary genius. There is an extreme level of suspense that leaves you wanting

Suspense is a detail that many horror writer use to catch the attention of many readers and keep them holding on till the end. Just as W.F. Harvey does when creating suspense in his story August Heat. Mr. Harvey used three methods to create his suspense for his story, foreshadowing, withholding information, and reversal. With these three methods he is able to make the reader feel like, “ We may even hold our breath without realizing it as we read on eagerly to find out how the story ends”(Source 1).

Within these two texts, the topic discussed is ‘how do these separate types of text forms explore horror and suspense within their plot?’ Because one is a 92 minute film and the other a book over 1000 pages, they would have their own ways of adding suspense to the plot and keeping the audience entertained at the same time. Movies contain lighting, music and camera shots to show the grittiness to the scene. A book would have other forms of horror and suspense, and would house paragraphs describing the scene in unnecessary detail, painting a clean image of the scene within the reader’s mind.

What three themes or issues that are explored in Wintons stories and how are they relevant to the target audience