Frailty, thy Name is Woman Women stereotypically are portrayed as a weak gender. Often women are given the roles in which they must rely on the protection and permission of men to go about both action and idea. When conflict occurs between any male characters, the female character can be torn and forced to make a decision in which no matter the decision, she will be put in a bad view. When the demand for a woman to have allegiance to a man’s will and subsequently given no opinion or independent thought, this will undoubtedly drive any woman mad. In Shakespeare’s Hamlet, both Ophelia and Gertrude, the women, are represented as lower than the men, expected to obey the males’ commands and eventually, the women die as a result of the men. Both Gertrude and Ophelia are represented to the men as the followers or servants, because of their gender, being lower than males. When Hamlet is upset with his mother’s decision to marry Claudius with so little mourning, he claims that, “Frailty, thy name is woman” (1.2.146). Though initially directed toward Gertrude, the line is capable of being construed to be a very general statement towards women. Hamlet concludes that every woman’s flaws are their frailty and weakness, which comes from the stereotypical characteristic of a woman. Hamlet again degrades women when he asks Ophelia that “why wouldst thou be a breeder of sinners?” (3.1.123). Hamlet accuses women in general of being the reason sin continues and naive for believing in a true
Throughout Shakespeare’s play “Hamlet” women are used as method for men to get what they want. The men in Hamlet, either directly or indirectly continuously use women to acquire something from other men. The only two women in the entire play are Gertrude and Ophelia, who are consistently used by the current king, Claudius, Polonius, and Hamlet. Ophelia is exploited by Polonius and the King (mainly together), and is also used by Hamlet. Gertrude is used by the King, as well as Polonius. In “Hamlet,” the women throughout the play are used as pawns for men to get what they want, mainly from the other men.
Hamlet can be viewed through a feminist lens by focusing on Ophelia and Gertrude and how various other male characters treat them. Ophelia and Gertrude are dismissed as characters through the entire play because they are women. Hamlet refers to women as “frailty,” implying that they are weak and are dependent on men. Reason suggests that with out the males, Ophelia and Gertrude would simply have no story.
In the play ‘Othello’ written by William Shakespeare, we see not only the main male character leads. But we also see the female characters, Desdemona, Emilia, and Bianca. These three women were portrayed in ways that showed them being inferior to the other male roles as well as society during the Elizabethan Era. But Shakespeare made each of these individual ladies characteristics quite unique to one another having the traits of a feminist. Even though in the play we read how the male characters did somewhat control them and made them look weak compared to them, there were moments where Desdemona, Emilia and Bianca stood up for themselves.
Feminist critical lens examines certain texts with a primary focus on both gender’s relationship with each other and how such relationships demonstrate effects towards beliefs, behaviors, and values. This critical lens also examines a patriarchal-centered society and how such society define and interact with women with an emphasis on stereotypes of both genders that are present and evident in the text being analyzed. William Shakespeare’s Othello can be scrutinized through the feminist critical lens. A deep analysis focused on feminism of the play Othello paves way for the judgement of different societal status of women in the period when the play took place, the Elizabethan society. Othello is a best fit that demonstrates how men were
In today’s world, women of all ages are given equal rights and freedom. In Shakespeare’s time, woman’s obligations were to follow the rules of the men and obey the men in their lives’. “Frailty, thy name is woman;” Hamlet implies the powerlessness of the two women characters in the play. In Hamlet, the roles of Gertrude and Ophelia are very important in that they are the only two female characters in the play. Gertrude, the Queen of Denmark and mother of Hamlet, and Ophelia, the lover of Hamlet, are characterized as controlled and lost in their lives because they are being used by the men throughout the play. Fundamentally, Shakespeare illustrates the nature of Gertrude and Ophelia as powerless victims by the women being subjects of men,
In William Shakespeare’s tragic drama Othello, the wife of the protagonist, Desdemona, is the main female character. Secondly, there is the ancient’s wife, Emilia, who is morally ambivalent. Thirdly, there is the girlfriend of Michael Cassio, Bianca, who makes her appearance later in the drama. This essay will analyze the roles of these three women.
In Shakespeare’s Othello, the role of women is greatly emphasized. The important characters of the play, Othello, Iago, and Cassio, each have a women that stands behind him. These women each have an obligation to remain loyal and respect their husband's wishes, especially Desdemona and Emilia.
Othello represents a prime example of Shakespeare's ability to develop relationships between the sexes so as to demonstrate those relationships' weaknesses. In Othello, the sexes are divided by misconceptions and ego- centric views of the opposite gender. The men of the play, in particular Othello, maintain a patriarchal, chivalric notion of the sexes, while the women of the play yearn for more involvement in their husbands' affairs. So it is that the thrust of the play emerges from "the opposition of attitudes, viewpoints, and sexes." (Neely 214)
In William Shakespeare play, the chief protagonist hamlet shows a negativity view towards women in his life. Hamlet consider that his mother and Ophelia have deceived him through their action; Gertrude married only a mother after hamlet father died and Ophelia heeds her father right not to see hamlet despite confessing her love to him. In this way hamlet views this two women as a fragile and too dependent on the man in his lives which makes him say “fragily, thy name is woman (page 271). In a soliloquy in the second scene of Act I, deploring his mother’s indecent marriage, Hamlet says “Frailty, thy name is women!” Most critics have interpreted this statement as are mark toward all the women in general referring for their moral weakness and distrustfulness advocating the fact of Hamlet’s being a misogynist. But it is also not inappropriate to say that, Hamlet, in this statement, does not mean “frailty” for moral weakness or distrustfulness. By “frailty” he can also mean the flaw of being dependence upon men in women. Gertrude is a woman who values status and affection more urgently than moral righteousness and respect. She is extremely dependent upon men in her life. That is why after king Hamlet’s death, when she finds her position insignificant; she quickly gets married to Claudius only to restore her earlier status which she values more
The treatment of women in Hamlet is very troubling. The leading female characters, Queen Gertrude and Ophelia, are pawns or puppets for the men around them. Like chess pieces, they are moved about and influenced by the men they love with little say of their own; in fact, Shakespeare does not even develop their characters.
Due to Hamlet’s psychological state, he felt confused and betrayed by his mother. His mother marrying his dead father’s brother opened gates to his madness. To Hamlet’s mind, women represent frailty; they are weak and regard them as an embodiment of weakness. He referred to his mother as a morally and spiritually weak woman as her incestuous inconstancy drove her to remarry immediately after her husband’s death and that she committed a sin. The most notable frailty of Gertrude seems to be that, whether by nature or nurture, she cannot exist without men. He recorded saying that Gertrude, “a little month or ere those shoes were old, with which she followed mo poor father’s body” (1.2.147-148). She needs a man as her guide to her perception
In the book “Gender Trouble” (1990), feminist theorist Judith Butler explains “gender is not only a social construct, but also a kind of performance such as a show we put on, a costume or disguise we wear” (Butler). In other words, gender is a performance, an act, and costumes, not the main aspect of essential identity. By understanding this theory of gender as an act, performance, we can see how gender has greatly impacted the outcome of the play in William Shakespeare’s Othello. From a careful analysis of the story, tragedy in Othello is result of violating expected gender roles, gender performance by Desdemona and Othello, and the result of Iago’s inability to tolerate these violations.
The author Dympna Callaghan address a big issue within writing through the previously mentioned quote. A common play of female misconception: Shakespeare’s Hamlet. Many readers read Hamlet with little thought to the characters Gertrude and Ophelia. In fact, many often know the two female characters for their negative connotations within the play. The characters Gertrude and Ophelia are often misconceived as weak and powerless in Shakespeare’s Hamlet, but through application of Héléne Cixous’s Feminist theory in The Laugh of Medusa and Stephen Greenblatt’s New Historicism theory in Resonance and Wonder, a new perspective of the female characters in the play shows their feministic qualities which causes their inevitable downfall.
Hamlet, a tragic play written by Shakespeare in the 1600s, portrays the struggle of young Hamlet in the face of avenging his father’s death. While major themes throughout this tragedy include death, loss, madness, revenge, and morality, another important theme to include in discussion is the theme of womanhood. The only two female characters in a cast of thirty-five include Queen Gertrude and Ophelia, both of whom die unfortunate deaths. The importance of womanhood and female sexuality is shown through several literary techniques; though, most importantly, the characters Queen Gertrude and Ophelia are both symbols for female sexuality. Both characters are developed as negative and positive sides to womanhood through dialogue as other characters approach them, their own actions, and most importantly, their individual deaths.
“Frailty, thy name is woman” (1.2. 150)! This controversial line, followed by several more from the play Hamlet, by William Shakespeare, displays a common view towards women that portrays them as being weak and reliant on men. Throughout the play, two women, Ophelia and Gertrude, are shown to be dependent on the men in their lives. They both take on a senselessly obedient state of mind. Even though they share this common characteristic, Ophelia and Gertrude are very different characters. Ophelia is a beautiful, young woman who is the love interest of the protagonist, Hamlet. Ophelia obeys her father, Polonius, without hesitation and has very little experience with making her own decisions. Gertrude was the wife of Old Hamlet, and is now the wife of Claudius, the current king and Old Hamlet’s brother. Gertrude desires affection and status more than she cares about the truth of what happened to her late husband. The men in this play have no sense of how they treat the females. This patriarchal way of life was prominent in the late 16th century and early 17th century which was about the time that Hamlet was written and performed. This relationship between the genders is interconnected within the play and with society during that particular time period. The characters of Ophelia and Gertrude were solid examples of how women were viewed as inferior to men during this time in history.