##k Truth In Creon And Oedipus The King And Antigone

In the beginning of the play Oedipus meets Laios on a road. Both were driving chariots and neither would yield the right of way. Laios attempts to kill Oedipus’ horses but Oedipus reacts fast killing Laios attendants and his own father, Laios. Oedipus went to Thebes to help and destroy a monster and bless their town. Because of his heroic act, Thebes recalls him again to help and find the murderer who killed their king Laios and punish the man. Oedipus goes and does everything he can to get evidence and find the man who killed Laios the king: “Is this your prayer? It may be answered. Come, Listen to me, act as the crisis demands… Until now I was a stranger to this tale, As I had been a stranger to the crime. Could I track the murderer without a clue?” (Sophocles 1. 1. 204 - 209). Teiresias, a chorus of Theban, elders tells Oedipus he is the murder who killed his father and also mentions he married his own mother along with having children. Oedipus finds all of that to believe and what Oedipus does is find more people to tell him the truth. Jocaste, wife and mother of Oedipus, tells him through the play to not believe such a thing. In Act three Scene five, Shepherd the man, who took Oedipus to Corinth city’s reveals to him that everything is true. Oedipus makes the decision to gouge his eyes out making himself blind to not see the whole catastrophe. He begs Creon to send him away from Theban

Through looking at the history of the era, the intentions of the playwright, and the critical analysis and commentary offered on the play, it is in my opinion that Sophocles intended Creon to be the character who was in the right, not Antigone.

     In Sophocles’ play Antigone, Creon was engaged in a conflict with Oedipus’ daughter Antigone. Creon and Antigone did not see eye-to-eye the entire play due to extreme differences. Creon and Antigone had many similarities despite their enormous discrepancies. Having as many differences as they did, it made them uniquely similar in numerous ways. The similarities that Antigone and Creon shared were independence, loyalty toward their views, cruelty and arrogance (“The Similarities”). The connection shared by Antigone and Creon showed that as hard as Sophocles tried to make them diverse, he made them unintentionally equivalent at the same time.

Due to his arrogance and narcissism, Oedipus fails to take heed of Tiresias warning of whom Creon sent him and decided that the accusations that were being made against him are attempts to steal his throne. Likewise, Oedipus tells Tiresias when he was reluctant to tell Oedipus is Laius’ killer, “What then, thou knowest, and yet willst not speak!/Wouldst thou betray us and destroy the

Oedipus tells Creon that he is a traitor, because he thinks Creon told him to send the prophet, Tiresias, to find out who killed King Laius. Oedipus thinks that both Creon and Tiresias were plotting against him, by saying Oedipus was the person that killed the late king. Oedipus’s pride takes over and blames Creon for doing this in order to become the next king. Also Oedipus demonstrated his power by attacking Teiresias, “Monster! thy silence would incense a flint. Will nothing loose thy tongue? Can nothing melt thee, Or shake thy dogged taciturnity?”(Oedipus Lines 339-341). He refuses to listen to his advice and warnings due to him being blinded by excessive power and

In Oedipus Rex, Oedipus believes Tiresias and Creon are working together to overthrow him. During this time Creon gives a prolonged speech, how he doesn’t want to be the King, but in Antigone, Creon is seen as a unswaying sovereign, unwilling to listen to anyone. Creon is likewise blinded by his own corruption. His excessive pride gets the best of him. Antigone, Haemon, and Tiresias warn Creon

     At first glance, Oedipus and Creon are two very different people. But as time progresses their personalities and even their fates grow more and more similar. In Sophocles’s play “Oedipus the King”, Oedipus and Creon are two completely opposite people. Oedipus is brash and thoughtless, whilst Creon is wise and prudent. In “Oedipus the King”, Oedipus effectively portrays the idea of the classic “flawed hero”. He becomes arrogant and brash. He accuses Creon and Tiresias of treachery. Even worse however, Oedipus goes against the gods. This causes them to punish him severely. Creon is the exact antithesis of Oedipus. He thinks before he acts. Creon is wise and loyal. In Sophocles’ other

“Tell me briefly—not in some lengthy speech— were you aware there was a proclamation forbidding what you did?” (503-505). The actions, context of Antigone’s words, and also the ideas she proposed, very indepthly contrasted with Creon’s character. Thus resulting in there being a verbal confrontation between the two characters. The conflict between the two caused conflicting motivations such as stubbornness, disrespect, and anger to be projected with Creon’s character. Ultimately, these conflicting motivations develop Creon as a tragic hero by portraying that he knew, the decisions he made were of error, and the character interactions advance the plot by causing conflict throughout the play. Creon had also begun to change throughout the play,

In Aristotle's work, the tragic hero can get caught up by hamartia which ends up leading him to his downfall. In Oedipus the King, which is a tragic play that is written by Sophocles it shows King Oedipus having many different flaws that are under the protection of hamartia that include madness, stubbornness, and pride that soon that end up leading to his final death. Oedipus shows an attitude of stubbornness during the progression of the play. Oedipus' stubbornness is uncovered early in the play when Tiresias who is a prophet of Apollo, mentions to Oedipus to terminate the investigation of Laius' killer. Oedipus quickly disagrees with him, he wants to find the man who murdered Lauis and brought the plague upon Thebes. Oedipus states, "By all the gods, do not deny us what you know. We ask you, all of us, on bended knees." Tiresias' persistence to withhold the truth is demolished by Oedipus' stubbornness and madness. Tiresias surrenders to Oedipus' stubbornness and states the truth which outrages Oedipus; "...The murder of the man whose murder you pursue is you." Oedipus stubbornness is so overpowering that he disregards Tiresias' bluntness without even a slight thought. Oedipus' statement, "To your heart's content. Mouth away!" which obviously shows his stubbornness when he disregards Tiresias' prophecy and regards it as gibberish. Oedipus' stubborn persistence will ultimately lead to his mother's death. At the end of the play Oedipus becomes aware that he was adopted and instantaneously investigates his origin. Jocasta, Oedipus' wife hesitantly encourages Oedipus to end his identity search, fearing that Oedipus would learn of his shameful sins of killing

In all works of literature you will find characters that change. From Oedipus the King to Antigone, Creon changes a great deal. In Oedipus the King, Creon has no intention whatsoever of being king. By the end of the play he makes it clear that his intentions have changed and he does want to take Oedipus’s power and become King of Thebes. When we see Creon in Antigone he has become king and he begins to make his mistakes.

Oedipus’ foolish decisions ultimately lead to his downfall in the play. Oedipus chooses to kill Laios. He chooses to marry Iocaste. He chooses to forcefully, and publicly, assume the mission of discovering the identity of Laios’ murderer saying ironically, “I say I take the son’s part, just as though I were his son, to press the fight for him and see it won,” (633). He proceeds on this mission and chooses to ignore the warnings of Creon, Iocaste, Teiresias, the messenger, the shepherd, and anyone who attempts to stand between him and the truth; and, he chooses to blind himself. In the end, Oedipus’ most foolish choice prevails throughout the play; the choice of illusion over reality ultimately costs him his life.

In the two plays written by Sophocles (Oedipus the King and Antigone),Creon displays hypocritical mannerisms in Antigone, the sequel of Oedipus Rex. In the First play of the Oedipus Cycle, Oedipus the King Creon acts humane wishing peace from the Gods and eluding controversy with their punishment of the plagues. He listens more than

After reading Antigone by Sophocles, readers may believe that the two main characters, Antigone and Creon, seem like polar opposites. However, after digging a little deeper, readers are able to come to a final conclusion that although both characters may not always see eye to eye, they carry a number of similar traits. The characters seem to be so alike that it results in the two to constantly disagree, leading towards the two to continuously find new differences and flaws within each other. They don’t exactly have the same views, for example, Antigone seems to put family over everything else while Creon’s loyalty is more concerned with the well-being of Thebes. However, the two characters do have many similar internal characteristics. They are independent, confident, and stubborn when they want to be.

The king of Thebes will decide to see this matter through on his own terms, no matter the cost. For Oedipus finding the truth becomes something of an obsession, and it is far more important than what that truth might actually reveal. It seems as if the more facts that are uncovered about the murder of Laios, the more determined Oedipus becomes, perhaps still unconvinced about his own possible implication in the death of Laios (even though he remembers killing a man at a crossroads). He relentlessly marches on, ignoring the pleas from his wife, Jocasta, to abandon the

The main difference between Antigone and Creon is their different stances on law. Antigone values moral and religious laws while Creon, values the laws of the state. In Scene II, Antigone is asked why she broke the law to bury her brother. She says, “It was not God’s proclamation. That final justice that rules the world below makes no such laws… [the laws of God] are not merely now, they were and shall be operative forever beyond man utterly.” Antigone’s disregard