rober lowell Essay examples

For example, the first time death is symbolized in this story is when the family passes a graveyard. “They passed a large cotton field with five or six graves fenced in the middle of it, like a small island. ‘Look at the graveyard!’ the grandmother said, pointing it out. ‘That was the old FAMILY burying grounds.’” (99). O’Connor purposely mentions the specific number of graves, one grave for each person in the car. She also mentions that it was a “family” burying ground. This symbolism foreshadows that the family will soon face death. When the family is driving through the town, the grandmother remembers the old plantation is called “Toombsboro”. This plantation’s name is brought up to remind the reader of death. Toombsboro sounds like the tomb, symbolizing the family will soon face their tombs. Another description that is given to symbolize the deaths is that of the Misfits car. “It was a big black battered hearse-like automobile” (103). A hearse is a vehicle designed to carry coffins for funerals. This description also foreshadows the death of the family before the Misfit arrives. Lastly, the “woods, tall and dark and deep” (105) represent the family’s death. The woods symbolize the unknown and fear we have for death, which is considered dark and deep. The Grandmother stood in front of the woods reminding us that death is always near and behind us. Just like the woods, death can be a scary thing

The author also uses symbolism through the name of the characters. For example, Mr. Summers; the name “Summers” suggests that he is a cheerful man and to support this, he is described as a “round-faced, jovial man” with “time and energy to devote to civic activities” ; however, the true personality lying behind the name is the total opposite. On the other hand, the name Graves is the most obvious of all, the name relates to the place where corpses are buried, a strong indication of the participation of death in the story.

This poem talks about nature and death. William Cullen Bryant shares that nature can make death less painful. He says that when we start to think about death, we should go outside, and look around and listen to the natural earth sounds. This is supposed to remind us that when we die, we will mix back into the earth. The poem tells us that when we die, we will not be alone. We will be with every other person that has ever been buried, In the ground, which in this poem is called the “great tomb of man”. It also tells us that even those that are still living will soon die and join in the great tomb of man. This poem is meant to comfort those that are afraid of dying and death in general. At the end of the poem, we are told to think of death as

The poem is set in a hospital as the persona visits a dying relative. It is mostly focused on his walk through the hospital to her ward, and to her bedside. Throughout the poem, the poet explores the themes of death and pain using the emotions and thoughts of the persona.

Throughout the poem Crichton Smith successfully creates a haunting portrayal of his guilt-laden grief over his mother 's final years and the role he played in her neglect. This neglect is evident in the vivid image of his mother 's home combined with her frailty. Crichton Smith adds to this his own role in failing to rescue her and subsequently emphasises the extent to which he is plagued by regret.

“As I never saw my father or my mother, and never saw any likeness of either of them (for their days were long before the days of photographs), my first fancies regarding what they were like, were unreasonably derived from their tombstones.” “I drew a childish conclusion that my mother was freckled and sickly.”

The poem Mother Who Gave Me Life by Gwen Harwood, is about the speaker’s mother and her life that is near death. This focused universal thematic concern of motherhood is conveyed through a reflective tone, as the speaker is seen to acutely contemplate her mother’s life and the wisdom she has been taught. Gwen Harwood uses a eulogy structure to undertow the reader’s focus to the praise the speaker has for her mother. As well as creatively embedding the use of enjambment, repetition and metaphors, Harwood attempts to convey the emotion of the speaker reconciling her final moments with her mother.

Samuel had been digging the grave all night. The task was labored silently, with only the shhks of the shovel being thrust into the dirt and the plops of the earth dropping sounding in the morning air. He would rest this morning if he could and his chores would fall to me. I had been eagerly anticipating them since Tom’s death; I needed a something to do. His passing had been long coming and while he had lain dying I had a job to do. I fed him spoonfuls of water and grain knowing all the while that it was futile and I was utterly useless, but still trying because Tom just couldn't die like that; so young.

    Al Pacino's "Looking for Richard" is an unusual film. It is a documentary about the complexities of Shakespeare, the performing of the play Richard III, and the ignorance of the average American regarding Shakespeare. The unusual nature of the film - it's similar to a filmed Cliff-notes version of the text - provokes wildly different reactions from film buffs, critics, and Shakespeare purists. A perusal of five different reviews of the film show such variant descriptors that range from Mary Brennan's comment that the documentary is "decidedly narcissistic" to Edwin Jahiel's comment that the film is an "original, mesmerizing exploration." The rather wide incongruity between the reviews

On the drive, “[the family] passed a large cotton field with five or six graves fenced in the middle of it, like a small island” (519). The reader would have to be actively analyzing the text to realize the significance of the graves. There are six members of the family that are riding in the car, the grandmother, the two children, the baby, and the two parents. The grandmother sees six graves, one for each family member, or five graves. If there are only five graves, the baby could share a coffin, or it could be that one of the family members may have survived.

“Me and my strong son's will make sure you and your love receive a proper burial,” Charity said aloud, wishing she knew the couples names so she could mark their graves. Standing there beside the dead woman’s bed, she decided that this was where she would wait on Henry; he should catch up to them soon. She wrapped the corpse in the bed linens, talking to her the entire time, telling her about herself and her children. When she finished, she tied it snugly and then got the older boys to help remove it.

Many of Robert Frost’s poems and short stories are a reflection of his personal life and events. Frost’s short story “Home Burial” emulates his experience living on a farm and the death of two of his sons. Frost gives an intimate view into the life and mind of a married couples’ struggle with grief and the strain it causes to their marriage. The characters Frost describes are synonymous, physically and emotionally, to his own life events.

The mother's road to finding closure over her son's death is much longer than her husband's. Her feelings throughout the poem are of

the theme of death. The speaker of the poems talks about the loss of a

     O'Connor begins to paint the image of death with her presentation of the grandmother. As the family prepares for their adventure the grandmother carefully selects her attire. “A navy blue straw sailor hat with a bunch of white violets on the brim and a navy blue dress with a small white dot in the print. Her collars and cuffs were white organdy trimmed with lace and at her neckline she had pinned a