The Moviegoer Essay

percent more television than other demographics, and their consumption proclivities are equally influential. Every year for the past half-decade, the average white American has bought a ticket to fewer films than the average black, Hispanic or Asian moviegoer, industry data shows. Though 37 percent of the U.S. population, minorities bought 46 percent of the $1.2 billion in tickets sold in the United States last year. PROGRAM DESCRIPTION The black experience in America is unique, it has no real parallel

The topic we will be discussing in our paper is the Aurora Colorado Movie theatre shooting. First we will go over the events that happened in that movie theatre that day. Then we will discuss the security personal that the movie theatre had before the incident occurred. In addition we will go fourth with discussing how the police, hospital and other emergency personals responded to the tragic event. Did movie theatres change their way of security since this event? Then we will compare this event

Ed Zwick’s Glory - An Exemplary Model for Historical Films “History, I am convinced, is not just something to be left to the historians.” - Warren Susman [1] From a critic’s point of view, what is there not to scrutinize when a white, Jewish filmmaker is responsible for a historical film about African-Americans during the Civil War? One which happens to have a brave young Boston Brahmin as the supposed leader of a colored battalion? Surely he does not have the license to create a film

The Impact of the New Deal on the Great Depression Era In 1933, President Roosevelt proposed New Deal legislation to alleviate the effects of the Great Depression through various public works programs and other federal initiatives. The many reforms of the New Deal were racked by intense criticism from their very beginnings. The New Deal was a catalyst in the surge of the federal government’s power. One year before the financial collapse on Wall Street, President Hoover said, “We in America

In 1999, Hollywood writer and director, Mike Judge, wrote and directed a movie entitled Office Space. Office Space is a satirical look at the human experience in the workplace environment. Although the scenarios presented in this comedy are far-fetched, they do shine a light on several industrial and organizational psychological principles. Some themes that are touched on in the movie are leadership, communication, motivation, job analysis, groupthink, and counterproductive workplace behaviors

ollywood always tries to look for succeeding great actors in the NFL, but mostly they do not find any. Well, the fact that you are a good professional football player does not mean that you can act. Most NFL players retire at 35, while still having more time and opportunities of starting new chapters in different careers. This is why after retiring from football, most NFL players undertake a career in broadcasting while othHers decide to make good use of their hobbies by turning them into jobs. Others

In Frank Capra’s Mr. Smith Goes to Washington, a naïve Jefferson Smith sets off for Washington D.C. as a United States Senator, where he learns that politics is not as transparent as it may seem. Released in 1939, one of the most successful years for film, Mr. Smith became a smash hit, easily becoming the second largest blockbuster of that year. However, 1939 was also the year World War II had started, and coupled with the war’s association with the Great Depression, the hit film was bound to cause

In the early 2000s, the ‘Anthropocene’ emerged as a widespread term to represent the current era of Earth’s history. According to Paul J. Crutzen and Eugene F. Stoermer, the ‘Anthopocene’ represents a “geologic epoch” characterized by human activities that profoundly transform the environment, threaten ecosystems, and cause unparalleled disruptions on earth’s natural processes. (Ogden et al. 2013: 341) Unfortunately, humanity in the period of the ‘Anthropocene’ has contributed to a range of environmental

traditional concept of the “American Dream” appeared to be far out of reach. Throughout the great depression era, the gangster film genre was heavily relied upon by studios in the 1930’s, as profits slid and it became increasingly difficult to convince moviegoers to spend their hard-earned nickels on a trip to the theater ( ). The fact that the movie industry intended to rely upon increased sex and violence in its features is a striking example of just how perverted the “American Dream” had become

The Wizard of Oz: A Timeless Allegory The Wizard of Oz has stood the test of time as a canonized work of American fiction. Originally released as a children’s novel in 1900 titled The Wonderful Wizard of Oz, it has since been adapted into countless film incarnations, the most famous of these being the 1939 film starring Judy Garland, and has spawned several musicals and plays. One question that many scholars ask when discussing The Wizard of Oz is how it remains such a prominent piece of American