Backmasking

speech 1010 10-22-12 I. Introduction A. Attention material: WWW.ITANIMULLI.COM B. Name(optional)& Credibility material: My Name is Jonathan Hayes. I will be talking about the Illuminati, It is a very complicated topic, But i have been researching for about 3 months now and I just am so interested. C. Statement of Relevance: The illuminati is all over the entertainment news. D. Thesis: Hopefully by the end of my speech y'all can understand it more. E. Preview Statements: the Illuminati is a

Subliminal Messages The idea that the average human can be influenced by a simple ad is one of the most intriguing elements of psychology. Since the 1950s many have feared words flashing on screens or concealed in an advertisement or music may have an impact on your decision making, and you will not even be aware of it. It is a subtle tool of manipulation utilized in the late nineteenth century. Subliminally refers to the unconscious mind, it exists or operates below the threshold of consciousness

luck and someone close to you will die. 15 OR MORE PEOPLE - You are safe.” In fact, technology has only amplified urban legends, because now there’s more ways to create them. Take the whole subliminal messages thing. By utilizing a method called Backmasking, people will literally record a sound backwards, and then played forward to create a weird bended effect. Perhaps the most well-known example of this is in Led Zeppelin’s “Stairway to Heaven” - lyrics such as “Here’s to my sweet Satan” and “He will

Ready To Outlie “Either you’re slinging crack rock or you got a wicked jump shot.” A strong and profound message that resonated in the minds of black youth during the end of the 20th century. It meant that, as a black youth, you had to either be a successful drug hustler or an amazing athlete to live comfortable financially. Young Christopher Wallace, a boy growing up in Brooklyn, New York during the rise of crack, was set on becoming rich and this was his formula for doing so. He was far too overweight

The Censorship of Art While the censorship of art is not a new phenomenon, recent years have witnessed renewed and intensified attempts to control popular culture. In particular, rap and rock music have come under increasing attack from various sides representing the entire left and right political spectrum, purportedly for their explicit sexual and violent lyrical contents. In this paper is investigated which moral codes underlie these claims against popular music, how social movements mobilize