Cradle to Cradle

which launched the world into the scientifically advanced age in which we now live. However, the abilities of these break throughs also had negative capabilities which caused great paranoia throughout the world in the 20th c. In both the novel Cat's Cradle and the film Dr. Strangelove, the creators Vonnegut and Kubrick, respectively, highlight the multifaceted power of scientific progress in the context of satirical pieces of entertainment which are intended to make their audiences aware of problems

Cat's Cradle: Religion and Satire What is religion? There is no one correct answer, however, one definition that seems to cover every aspect of most established religions is, "…the most comprehensive and intensive manner of valuing known to human beings" (Pecorino). In Kurt Vonnegut's Cat's Cradle, Vonnegut takes this definition and creates his own religion in order to satirize all others. Bokononism, Vonnegut's contrived religion, is built on foma, or harmless untruths. Bokononists believe

demonstrates in Cat's Cradle with the example of ice-nine, which is developed by the fictional creator of the atom bomb, Felix Hoenikker. It is symbolic of the atom bomb in that it has the power to end human life. Hoenikker is obviously an exceedingly smart man; however, it can be inferred from his inventions that he does not always consider the negative consequences of his new discoveries. He is merely on a quest for further knowledge, not a quest to better our society. The game of cat's cradle,

Cat’s Cradle, by Kurt Vonnegut, was published in 1963 – during the height of Cold War tension and paranoia, of celebrating scientific and technological accomplishments, and of an upsurge in critique of traditional Western religious norms and church policies. Cat’s Cradle satirizes these themes in his characteristic hyperbolic, sardonic manner through the use of dark humor. Bokononism, the religion of a tiny banana republic, San Lorenzo, is the central focus in Vonnegut's expose on religion

Comparing Themes in Cat’s Cradle and Slaughterhouse Five           Throughout his career, Kurt Vonnegut has used writing as a tool to convey penetrating messages and ominous warnings about our society. He skillfully combines vivid imagery with a distinctly satirical and anecdotal style to explore complex issues such as religion and war. Two of his most well known, and most gripping, novels that embody this subtle talent are Cat's Cradle and Slaughterhouse-Five. Both books represent Vonnegut’s

Crusaders of Truth in Cat's Cradle and Pi       In our world, people are constantly searching for the truth, or answers for things that seem unexplainable. On a quest to make the uncertainties of life easier, or more reasonable, some people have invented tools such as religion, and deemed them truthful. People such as Felix Hoenikker from Kurt Vonnegut's Cat's Cradle, and Max Cohen from Darren Aronofsky's film Pi, resist such inventions and see a different definition of truth, which is science

The Role of Religion and Morality in Cat's Cradle As an author, Kurt Vonnegut has received just about every kind of praise an author can receive: his works held the same sway over American philosophy as did those of Jack Kerouac or J.R.R. Tolkein; his writing has received acclaim from academics and the masses alike; and three of his books have been made into feature films. Society has permanently and noticeably been altered by his writing. Through accessible language and easily-understood

mud. God got lonesome. So God said to some of the mud, ‘Sit up!’” (Vonnegut 220). Thus, the creation of man. Unfortunately for all the mud, some of the mud decided that the only thing missing in life was a way to end it. Kurt Vonnegut’s novel Cat’s Cradle takes a satirical look at the shortsightedness and hubris in man’s approach to new technology. In the novel, one of the designers of the bomb that fell on Hiroshima and Nagasaki, Dr. Felix Hoenikker, invents a way for military commanders to solidify

Cat's Cradle: Religion and Satire What is religion? There is no one correct answer, however, one definition that seems to cover every aspect of most established religions is, "…the most comprehensive and intensive manner of valuing known to human beings" (Pecorino). In Kurt Vonnegut's Cat's Cradle, Vonnegut takes this definition and creates his own religion in order to satirize all others. Bokononism, Vonnegut's contrived religion, is built on foma, or harmless untruths. Bokononists believe

Kurt Vonnegut Jr.'s Cat's Cradle In the early sixties, Kurt Vonnegut Jr. released his candidly fantastical novel, Cat's Cradle. Within the text an entire religious sect, called Bokononism is born; a religion built on lies, absurdity, and irony. The narrator of Cat's Cradle is Jonah, a freelance writer who characterizes Bokononism as being, "free form as an amoeba" (Vonnegut, Cat's Cradle, 3). It is boundless and unpredictable as the unconscious itself. Bokonon lives on the impoverished island