Duality

Duality in The Call of the Wild Buck, the protagonist in The Call of the Wild, struggles with his internal conflict of choosing between civilization and a side of him which he never knew he had, his wild side. The duality in The Call of the Wild is shown by the choice Buck has to make in order to be true to himself and satisfy his needs along with his desires. In the first beginning chapter, Buck is introduced as a predominant animal that was born and raised as a civilized dog in the wealthy home

Duality in The Call of the Wild In the novel Call of the Wild, Buck, the protagonist struggles with the constant duality between his “Love of a Man” and his pull towards savagery. The civilization that greeted Buck in the Santa Clara Valley was one that was based on Southern Hospitality, but the savagery that slowly ripped and consumed Buck was one of an unforgiving nature, destroying anyone or anything that was unfortunate enough to see it. One major confliction Buck battles with is his “Love

What makes this thesis distinguished from other works is examining the notion of non-duality within duality as a new insight in analyzing female characters’ subjective and gendered identity of the selected novels; Emily Brontë’s Wuthering Heights (1847), Charlotte Brontë’s Jane Eyre (1848), Alice Walker’s The Color Purple (1982), and Anaïs Nin’s A Spy in the House of Love (1954). The idea of non-duality within duality points to the autonomous yet interrelated subjectivity of characters in terms of self-consciousness

Duality in Literature One of the main hobbies enjoyed by society today is reading. Classic works of literature and new pop culture novels are the basis of much of the discussion used in everyday life, and man is delving deeper into the novels known and loved. Dedicated readers are contemplating the purpose of this phrase in this chapter, why this word is used here, and what theme best expresses the author’s main idea. Probably the most popular theme in literature today is the use of duality. Duality

to us, although sometimes only hinted at. This second face is our “true” face, and is our active persona when alone. Much like Jekyll and Hyde, these faces can differentiate greatly. In Shakespeare’s Macbeth, the concept of dualities is seen in Lady Macbeth’s actions. Dualities themselves are complicated things; it can be extremely difficult to tell when a person is hinting at or revealing theirs. In the somewhat enigmatic lines, “My hands are of your color, but I shame / To wear a heart so white”

underlying principles regarding duality, it is seemingly apparent to address the fact that we are the only know species that is aware of it’s own mortality and existence, along with the ability to communicate ideas about these topics with one another. With the understanding established, we can begin the exploration into the realm of existential or metaphysical discussion over the dualities presented. While the two paradoxes that I found the most interesting was regarding the duality of “freedom and discipline”

context of "Pain or Pleasure". Since birth our minds have been conditioned by our senses, experiencing the world within a duality that gives the appearance of opposing forces of equal being, pain is experienced with the same reality as is pleasure. But when we stand in the objective, we can see the true nature of the world around us where reality is manifesting within a duality of "Is and Is Not", where on the one hand you have "Something", and on the other hand you have merely "Nothing". This context

Shakespeare’s Hamlet was not an easy read, with turns of phrase than could be interpreted with multiple meanings and written in a style of language that is no longer used. However, that is what I found to be the most compelling part of the story - the duality of Hamlet’s voice can imply contexts the reader may not have considered before, making it a different story each time it is read. What makes the ambiguity in Hamlet noteworthy is the fact that its particular vein of double-speak to the caliber that

the Bible in hopes of gaining salvation after death. Living life in such a manner proposed a bitter struggle because while the Puritans wanted salvation, they also considered themselves unworthy of it. The experience produced a favorite theme of duality in Puritan literature, which can be found in Anne Bradstreet’s poem

Although Truman Capote seems to portray the story of the treacherous murders through a neutral perspective, his true desire is to focus on the humanization of the murderers; therefore, Capote brings to light the duality that can occur in human nature. Capote uses transition sentences and structure sets Mr. Clutter, the epitome of goodness and the people of Holcomb side by side with Perry to push aside his monstrous ways and portray him as just a person. While introducing the murderers, Dick and