Foils In Antigone Essay

Antigone takes place just after a war between Antigone’s two brothers, Eteocles and Polynices. Eteocles fought on the side of Thebes whereas Polynices resembled an invader. Afterwards, Eteocles is buried and seen as honorable. However, Polynices is denied a proper burial because he is considered a traitor to Thebes. In this play, Sophocles uses Antigone and Creon as foils by characterizing Antigone as a martyr and Creon as a tyrant to urge the reader to realize that one’s own morals are more significant

In the stories of Antigone by Sophocles and Story of Myrrha by Ovid, the protagonists are female who would not be categorized as traditional women. Antigone and Myrrha both lived in a patriarchal society where they expected to be subordinated to men physically, mentally and intellectually. Antigone’s brothers died in a battle against each other over the city named Thebes where her father was once king. While one brother, Eteocles, was given a proper burial the other brother Polyneices was not. As

play Antigone inspires us to question the structure and attitudes in our own society and prompts self-reflection on our own values, beliefs and purpose on the earth as human beings. Throughout the play, Sophocles explores the areas of divine power and justice, femininity, and fate as well as raising distinguished questions about the morality of mankind. The play

Death extends beyond the realm of literature by discussing social issues and emotions that are death-related and relatable. In Sophocles’ Antigone, the figure of death serves as a catalyst, as the culprit, and as the underlying truth. Largely, the plot is veiled with the death of characters, which serves only as the instigator in the events that

very different portrayals of Creon’s individuality seen in Oedipus the King and Antigone. As Creon exceeds to project his character as an individual who is in control and is able to be a fit leader; controlling Oedipus’ actions, reasoning with him to listen to Tiresias. In Antigone, Creon is presented to be the newly king, finally becoming what Creon has seemed to be set to be. Creon

own morals out. Antigone later goes on to fight with Creon, saying, “your moralizing repels me, every word you say” (page 84, lines 557-558), and “[I am] not ashamed for a moment” (page 84, line 573). Antigone unapologetically goes against the law, and therefore the male figures in charge, by breaking a state-wide decree and burying her brother. While Ismene represents how women are supposed to act in this society, Antigone acts directly against these standards. In Medea, the foil characters are Glauce

engendered a divided kingdom, broken family, and his eventual demise. Within the play Antigone by Sophocles, Creon’s character is developed through his various interactions with other characters. His growth and tragic flaws are revealed because of certain relationships, such as those with Antigone, Tiresias, and more importantly, Haemon. Haemon is the son of Creon and Eurydice, engaged to be married to Antigone. Throughout the play, he serves as a spokesman for justice, defending the moral basis

rendition of the 5th century play Antigone, despite the challenges of altering the century it was being placed in, the message was still relevant today. Thematic Summary Seamus Heaney’s Burial at Thebes, is a play written about power, determination, and morality. Heaney displays these themes in many ways throughout the play. Power is demonstrated through King Creon who arrogant and strict about his rules without any consideration for

Analysis of Creon & Haimon s relationship in Antigone. “Pride is your greatest enemy, humility is your greatest friend.” (Tarrants, 1). In the play Antigone we see the tragic hero, Creon, become aware of his Hamartia – hubris through his contrasting views with his son Haimon. The play centers around Creon's decree forbidding the proper burial of Polyneices. Antigone, the Haimons fiance, disagrees with this as it goes against many religious practices upheld by the community, so she buries him. Creon

Ismene, Antigone appears to be a fearless and flinty heroine. Facing Creon’s law, Antigone and Ismene presents two contrasting personalities. Ismene refuses Antigone’s invitation to bury Polynices, and argues that she is not to be blamed: “I’m forced, I have no choice – I must obey/ the ones who stand in power” (Sophocles 78, 79). Ismene chooses to be the coward in Antigone’s words, escaping from her responsibility to bury her dead brother to stay away from any trouble. On the other hand, Antigone insists