Fun Home Alison Bechdel Essay

Chad Blenz Deniz Perin ENG 121 08 December 2014 It’s Obvious, You Know Published in 2006, Fun Home: A Family Tragicomic is a graphic memoir that brought great success to Alison Bechdel and her work. Fun Home explores the relationship between Alison and her father, Bruce Bechdel, to shed light on ideas such as gender, coming out with your sexuality, and the complex dynamics within their family. With further analysis we can see that these key ideas are facilitated through discussions of death

The graphic memoir Fun Home and the short film Pariah both contribute to a conversation on intersectional politics regarding respectability and normativity. The Bechdel family in Fun Home maintain a perfectly respectable familial façade to the external world even as the complications of Bruce Bechdel’s sexual appetites and inclinations threaten to tear the family apart internally. Likewise, Alike’s gender identity and sexuality creates a conflict in her family as they try to uphold middle-class

the book, “Fun Home A Family Tragicomic” written by Alison Bechdel, her father Bruce Bechdel, was trying to shelter Alison away from the menace and judgmental world. Many of the decisions, in Alison’s early life was forced by her father. He wanted to mold her into this perfect idea of a daughter and ideal women. Despite his relentless approach to change her, she learned on her own about herself and birthed into something what her father was most afraid of, himself. He was gay, as Alison grew up she

Fun Home is a graphic novel by Alison Bechdel. Fun Home is a complex autobiography which talks about the Alison relationship with her father and the understanding of her own homosexuality. Alison lives with her mom (Helen), dad (Bruce), brothers Christian and John in Pennsylvania. While growing up Alison and her father both had the issues with gender roles. For example Alison denied to grow her hair, wear dresses/ skirts, etc. Alison and her father both struggled in their life with the issue of the

and Alison Bechdel’s Fun Home take place decades apart, the similar message of both speaks volumes about how the status quo was maintained and continued to prevail throughout the nearly thirty years that separates these novels. Despite the contention of a societal consensus that suggests sociopolitical progress has been made, the plot lines of these books, written by two women who experienced these hardships firsthand, portrays a much different story of continuing suppression. In both Fun Home and

All kids ever want to feel the complete love and affection from their parents. In the first chapter of Fun Home, a graphic memoir written by Alison Bechdel, the author uses examples from her childhood to reveal her compassion for her father. Bechdel builds ethos, to entice to pathos and logos to unveil her father’s shame and to foreshadow the extent of his denial. Alison’s childhood is nothing new. She begins her memoir by comparing her relationship with her father, Bruce, to that of the mythical

Fun Home reflects on Alison Bechdel’s life, mostly regarding the relationship with her father. Alison is constantly at odds with her since they are both homosexuals since they live their lives in extremely different ways. Alison grows up without the knowledge of her father’s sexuality since Bruce always distanced himself emotionally from his family. While Bechdel brings up numerous similarities between her and her father throughout the memoir, much of the reflection discusses the juxtaposition of

Acting on one’s pleasures would have previously been seen as excessive because it was considered extreme to move away from what the norm was. The Victorian women were one of the first to break away and form their pleasures solely on what they felt was fun. No one can really give an exact reason for why we do things that are pleasurable because pleasure is different for everyone. Lysack’s final and most meaningful take on pleasure is that it

Creative Response Reflective Commentary I reworked Daniel Defoe’s Roxana in the graphic novel style of Alison Bechdel’s Fun Home. Initially, the reason I chose the two novels was to see how well the oldest text on the course could be adapted into the newest. Interestingly the texts proved to be quite similar in narrative; both are versions of autobiography (although one fictional and one true), both feature a retrospective first person, self-conscious narrator (Booth 155), and both centre around

Fun Home: A Family Tragicomic by Alison Bechdel, focuses on Alison’s journey in comprehending troublesome family relationships along with the discovery of her own gender identity. In a particular scene, Alison encounters a woman truck driver that alters her views of gender conformity. Alison’s simultaneous class and race privilege allowed her to receive the education needed to break gender, class and binary mindset expectations, which enabled her to challenge societal norms. The encounter with the