"9" by E.E. Cummings Analysis Essay

The poem “since feeling is first” is written by E.E Cummings in a stanza form with a total number of 16 lines. The sentences carry no more than nine words and no less than four words. It is about a man expressing his love to his beloved women. Cummings use of literary devices such as; metaphor, personification, imagery and denotation to express his feelings. “Since feeling is first” is a romantic poem that teaches a lesson about life. Its use of literary devices make the poem appealing to the readers.

The second stanza tells about a “glorious lamp of heaven”, the sun, running a race from sunup to sundown (Herrick 385). In the third stanza it talks about when people are youthful they think they have all the time to accomplish their goals but “times still succeed the former”, which simply means time

Aside from the connections and similarities both of these poems are actually quite different. In Cummings’ poem the time cycle such as, “spring summer autumn winter” (3). Has the effect that time goes by quickly and the little things almost are insignificant. Also in Cummings’ poem he had mentioned how children grew to forget, allowing for such interpretations like, once one grows up they loose who they once were. Where in Frost’s poem time slows down to make a choice that will alter one’s life. When he is deciding between the roads he has time to ponder and question his move having each movement being significant rather than insignificant. Also in Frost’s poem it is safe to assume that when making a choice one will use the knowledge and experiences they had as a child to make choices in the future allowing the reader to understand that one doesn’t simply loose who they once were, but one changes who they become through the choices they make.

EE Cummings was and is still one of the most well-regarded and unique poets of all time. His poems were unusual, but his strange way of writing is what grabbed people’s attention and made him so special. Many incidents in Cummings’ life affected his poetry, his experiences and his personality, which could clearly be observed in the poems he wrote. Cummings became such a well-known poet due to the effect of his life events on his poetry, his peculiar writing style and his strong connection with the topics of love and lust. The struggles and successes of his life developed his poetry in a huge manner.

In the beginning of the poem we see the line “Time that is moved by little fidget wheels” conveying the meaning he was taken before his time. This refers to the chronological and systematic time of humanity in which is measured by minutes and hours, shown on clocks that are symbolised by bells. This concept of time is far more powerful with the use of personification as emphasised by the capitalisation.

“..the System includes the Situation, but it is more enduring, more widespread, involving extensive networks of people, their expectations, norms, policies, and, perhaps, laws. Over time, Systems come to have a historical foundation and sometimes also a political and economic power structure that governs and directs the behavior of many people within its sphere of influence. Systems are the engines that run situations that create behavioral contexts that influence the human action of those under their control. At some point, the System may become an autonomous entity, independent of those who initially started it or even those in apparent authority within its power structure. Each System

Who is E.E. Cummings and why is his poetry different and strange than other poets?

Imagery is used throughout the poem to emphasize the finite time humans have on the earth, and how every second should be appreciated. Lines two and three are the speaker’s first use of imagery. Diction in line two illustrates the speaker’s recognition of the phenomena, which is snow in October. The phrase “But this morning” (line 2) highlights that the meaning is not a mundane morning. Most people would be agitated that winter came early, but the speaker seems to be grateful. Furthermore, the speaker describes the snow in a pleasant tone, seen in this line “pale muslin/ stretched across the grass” (line 2-3). This emphasizes that the speaker appricates the early

Edward Estlin Cummings was born on October 14, 1894. Cummings was well-known as an American poet, playwright, novelist, and painter. He wrote approximately thousands of poems; a few novels; a few plays and several essays. His parents played an important role in shaping him into the great poet he is today. Although both his parents helped him throughout his life, his mother played the important role of encouraging him from an early age to write free verses and to keep many journals. He began writing poems as early as the 1900s and studied Latin and Greek at the Cambridge Latin High School. Cummings then went on to earn both his B.A. and his M.A. from Harvard University. Soon after he graduated, Cummings went on to serve in War world 1 overseas

The poem and the song share similar qualities as in their subject. From birth to death is something that relatedly touches everyone. They also speak on how to embrace life’s changes and take on comes. Where Cummings could have used more tasteful phrasing such as time stood still, he instead to place in the seasons, “spring summer autumn winter”.

Cummings” pg.13). Cummings continued to publish volumes of poetry at a rate of approximately one every four or five years (“E.E. Cummings pg.14). The last honor involved giving a series of public talks; published as i: six Nonlecture (1953), they provide a succinct and charming summation of his life and personal philosophy. Two years later he received a National Book Award citation for poems 1923-1954, and two years after that he won the prestigious bollingen prize in poetry from Yale University (“E.E. Cummings” pg.15). (In his poetry he often ignored the rules of capitalization and has sometimes been referred to as e.e. Cummings) expanded the boundaries of poetry through typographic and linguistic experimentation (Frazee, “E.E. Cummings). An avoidance of capital letters and creative placement of punctuation soon became his trademarks. His experimental poetry took many forms, some amusing, some satirical, some beautiful, some profound, and some which did not make much sense (Frazee “E.E. Cummings”). Typical stylistic devices in his work include: running words together; scattering punctuation symbols cross the page; subverting the conventions of the English sentence; intentional misspellings and phonetic spellings and the invention of compound words such as “puddle-wonderful” (“E.E. Cummings”). However, this obvious experimentation is often combined with strict formal structures and traditional

E. E. Cummings, an author known for his various poems and other forms of artwork, wrote numerous works of poetry over a vast amount of subjects. While the subject matter of the poems differ, a few elements of Cummings' style stays the same in virtually all his poems, some of which is important and some of which is not. The fact that Cummings uses enjambment in his poetry is a stylistic trademark that however annoying its use may be is consistent. Other stylistic trademarks of Cummings' poetry are that Cummings has a control over the tone of each of his poems and that each of his poems has its theme located near the end of the poem. While these traits that may not be highlighted in most of the analysis of his poems, each does occur quite

Cummings’ impressive education consists of a Bachelor’s and Master’s degree from Harvard, in which he graduated near the top of his class. He submitted many of his poems to the newspaper at Harvard, which sparked his interest towards a career as a poet. When his first poem was published, the publisher left all the letters of E.E. Cummings’ name lowercase. Cummings soon adopted this as his own personal trademark. The style of Cummings’ writing was what made his poems so distinctive. No matter what the topic, he always incorporated a lyrical flow to the poem. Cummings “experimented with typography, slang, dialect, jazz rhymes, and jagged lines” (Anderson et al). By exploring the possibilities of poetry, Cummings was able to create poems that have a beat that corresponds with the tone, mood, and theme of the poem.

At the same time, perhaps the clock could also be a literal clock and describing its height as “unearthly” an example of hyperbole. When the narrator examines the clock as it proclaims the time, he states that “the time was neither right nor wrong” (line 13). Through this diction, Frost creates a sense of ambiguity about the nature of time and the narrator’s feelings about his life choices. Concluding the poem with the line “I have been one acquainted with the night,” Frost indicates that understanding “the night” seems to be the poet’s destination on his

E. E. Cummings's poem called "Spring is like a perhaps hand" explains the gradual season change from winter to spring. All through this poem, the structure and diction of this poem helps emphasize the gradual increments in which change occurs between the seasons and in people's lives. This also explains the theme that change is always occurring. In the third stanza, the speaker describes the movement of a "...fraction of flower here placing / an inch of air there..." (17-18). The gradual movement of everything like flowers and even air taking place over time is described here. The diction that the speaker uses, like the words "fraction" or "inch", emphasizes the minuscule scale and subtlety of change in life that can easily be unnoticed by